Ukrainian writer Andrei Kurkov. Andrei Kurkov became widely known to readers
around the world in 2001 when his novel Smert’ postoronnego [Смерть Постороннего] was published in English
translation as Death and the Penguin. Other novels
followed and, in their wake, worldwide recognition and success at prominent
international literary awards. His latest novel, Grey Bees, tells the story of an elderly beekeeper
in the occupied territory of Donbas. The novel touches on the war in Donbas and
on the violation of Crimean Tatar rights in Russian annexed Crimea. In 2015
his Ukraine Diaries was published in
English and, recently, his Diary of an
Invasion.
This recording took place on 14
April 2023.
Diary of an Invasion is published by Mountain Leopard Press,
ISBN: 9781914495847, pp 304, London, 2022. It is a collection of Andrei
Kurkov’s writings and broadcasts from Ukraine in the lead up to and during the
war.
You can also listen to the podcast on our
website, SoundCloud, Podcasts.com, Spotify, iTunes, Google Podcasts, Anchor and YouTube.
My questions include:
1. You started your Diary of an Invasion just
before New Year at the very end of 2021. Do you always keep a diary?
2. What emotions did you feel when you learnt what had
happened on February 24th?
3. How do you see the role of the writer during the
war?
4. Before the invasion, your remarks in the Diary about Ukraine and your Ukrainian compatriots
are quite multifaceted. But after you tend to write about them as if they were
figures from Ukrainian historical myths (‘bylinas’) – how brave, freedom-loving
they are, and how different they are from the Russians. It is as if those human
traits that make your novels so memorable and touching aren’t relevant here.
What explains that change?
5. You write about the traditions of the Ukrainian
people and the creation of myths in times of crisis. What is the role of
traditions and myths in the identity of a people?
6. Your native language, in which you became a famous
writer, is Russian. Have you ever had any problems in your relations with
Ukrainian writers or the public because of it?
7. What is your attitude to the Russian language in
Ukraine now?
8. How do Russians around the world react to your advocacy
for Ukraine – do you get hate mail from Russians?
9. Do you see the possibility for Russian-speaking
Ukrainians to write in Russian again in the future?
10. You write in your Diary that you
have an unfinished novel… will you be able to finish it or is it doomed to
remain in the unfinished after the Russian invasion?
11. Do you believe in the concept of ‘good Russians’?
Who is a ‘good Russian’ for you?
12. Has Russian culture played a major role in your own
development as a writer?
13. Are there any commonalities between Russian and
Ukrainian culture and traditions? (You write in the Diary about the feat of Russian PR in promoting
Russian culture around the world, as if Russian culture would not be so highly
regarded without it.)
14. How do you see the future of Ukraine? And of
