Hello Friends! The time is finally here for the epic journey that is our Mixology exploration of the 1966 classic from Ike & Tina Turner, River Deep-Mountain High. Of note due to it's 5 Phil Spector productions (including the title cut), and 7 killer Ike Turner originals, this is a 12 track album of wall to wall bangers that didn't see release in American until 1969. Naturally, the album was issued in 1966 in both dedicated mono and stereo mixes, but unacknowledged until now was fully remixed into stereo in 1969 for the worldwide A&M reissue of the album, giving us 3 unique mixes of the 11 tracks carried across the 3 releases, plus 2 for 'You're So Fine', the track unique to the 1966 LP.

 

However, the fun doesn't stop there, as discussed recently in my breakdown of the mix exploration for this album (free to all over at the Patreon), 3 of the tracks were issued in seemingly unique mono mixes on the 1991 Back to Mono box set, and the mono LP and 45 presentations of the title cut are vastly different sonically - but are they differing mixes? We have a lot to dig into today, and to help me cover the deep dive taken for this is Patron, Assistant and Friend Andy, who joins me for a chat about the various pressings, cuttings, LPs, 45s and CDs we explored to cover all the bases of this seemingly innocuous album, and who is also responsible for this episode's flatlay.

 

This is the most excited I've been for a Mixology episode in a long time, and I hope you'll have a blast discovering these mixes (and maybe even this album) with me today on this epic journey. And to top it off, there's some great differences between these mixes too. So grab that tambourine in hand, get the echo unit ready to roll, and let's sail on down the river and climb that mountain - no matter how deep or how high!

 

Happy Listening,

Frederick

 

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