
Sign up to save your podcasts
Or


For composers of new operas, all too often, after the heady champagne of opening night comes the strong black coffee of “the morning after” — sipped anxiously while reading the first reviews.
Imagine yourself as American composer Robert Ward, whose opera The Crucible was premiered by the New York City Opera on today’s date in 1961. Here’s what he would have read in the New York Times the following morning:
“Last night, the audience heard an opera that, in philosophy and workmanship, could have been composed at the turn of the century, or before. And, judging from the response at the end of the work, the audience loved it.”
Hmm. Not all that bad, so far.
But down a few more lines comes this zinger: “Mr. Ward is an experienced composer whose music fails to bear the impress of a really inventive mind. Melodically, his ideas had little distinction. ... [The opera’s] powerful subject cried out for intensity, for brutality and shock. ... Instead, we had musical platitudes.”
Ouch!
Oh, well, despite the nasty review, Ward’s opera did well at the box office, and, for the record, went on to win the Pulitzer Prize for Music the following year.
Robert Ward (b. 1917) The Crucible - New York City Opera; Emerson Buckley, cond. Albany 25/26
By American Public Media4.7
176176 ratings
For composers of new operas, all too often, after the heady champagne of opening night comes the strong black coffee of “the morning after” — sipped anxiously while reading the first reviews.
Imagine yourself as American composer Robert Ward, whose opera The Crucible was premiered by the New York City Opera on today’s date in 1961. Here’s what he would have read in the New York Times the following morning:
“Last night, the audience heard an opera that, in philosophy and workmanship, could have been composed at the turn of the century, or before. And, judging from the response at the end of the work, the audience loved it.”
Hmm. Not all that bad, so far.
But down a few more lines comes this zinger: “Mr. Ward is an experienced composer whose music fails to bear the impress of a really inventive mind. Melodically, his ideas had little distinction. ... [The opera’s] powerful subject cried out for intensity, for brutality and shock. ... Instead, we had musical platitudes.”
Ouch!
Oh, well, despite the nasty review, Ward’s opera did well at the box office, and, for the record, went on to win the Pulitzer Prize for Music the following year.
Robert Ward (b. 1917) The Crucible - New York City Opera; Emerson Buckley, cond. Albany 25/26

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners