
Sign up to save your podcasts
Or


It’s perhaps not surprising that a solitary, iconoclastic 20th century composer should identify with a solitary, iconoclastic 18th century poet. Ultra-modernist American composer Carl Ruggles took as the title for one of his most famous orchestral pieces, a phrase from a motto by early Romantic British poet William Blake which ran, “Great things are done when men and mountains meet.”
On today’s date in 1924, Ruggles’ Men and Mountains received its premiere performance at a New York concert of the International Composers’ Guild.
The music critic of the New York Times was in attendance and wrote: “Mr. Ruggles … leaps upon the listener with a yell. There is a wild shriek of the brass choir, and thereafter no rest for the wicked. It is as if the irate composer had seized a plump, disparaging critic by some soft and flabby part of his anatomy, and pinched him blue, crying the while, ‘You will hear me and you’ll not go to sleep, either!’”
By the time of his death in 1971, at 95, Ruggles was seldom performed, yet he was still revered as the craggy, last-standing survivor of the craggy ultra-modernist movement of the early 20th century.
Carl Ruggles (1876-1971): Men and Mountains; Buffalo Philharmonic; Lukas Foss, conductor; Vox 8155
By American Public Media4.7
176176 ratings
It’s perhaps not surprising that a solitary, iconoclastic 20th century composer should identify with a solitary, iconoclastic 18th century poet. Ultra-modernist American composer Carl Ruggles took as the title for one of his most famous orchestral pieces, a phrase from a motto by early Romantic British poet William Blake which ran, “Great things are done when men and mountains meet.”
On today’s date in 1924, Ruggles’ Men and Mountains received its premiere performance at a New York concert of the International Composers’ Guild.
The music critic of the New York Times was in attendance and wrote: “Mr. Ruggles … leaps upon the listener with a yell. There is a wild shriek of the brass choir, and thereafter no rest for the wicked. It is as if the irate composer had seized a plump, disparaging critic by some soft and flabby part of his anatomy, and pinched him blue, crying the while, ‘You will hear me and you’ll not go to sleep, either!’”
By the time of his death in 1971, at 95, Ruggles was seldom performed, yet he was still revered as the craggy, last-standing survivor of the craggy ultra-modernist movement of the early 20th century.
Carl Ruggles (1876-1971): Men and Mountains; Buffalo Philharmonic; Lukas Foss, conductor; Vox 8155

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners