Following our two episodes on complexity in Dylan's lyrics, our discussion turns to the trend towards simplicity in the late 60's and early 70's work. This covers Chapter 5 in Song & Dance Man: The Art of Bob Dylan (Vol.1) and includes comments on John Wesley Harding, Nashville Skyline, New Morning, Self Portrait, Planet Waves and Blood On The Tracks.

We'll listen to passages from the book and then Michael comments, adds new thoughts, and answers questions. The selections for Chapter Five are read in this episode by Rob Kelly, the podcaster and host of Pod Dylan.

** An Extended Version of this episode is available to FM+ and Premium Subscribers **

** Premium Members can watch the video version of this interview at TheFM.Club Website **

Song & Dance Man: The Art of Bob Dylan was first released in 1972 in the UK, and 1973 in the US. It was updated twice before, in the early 80's and late 90's - eventually growing to over 900 pages. It's been loved by Dylan Scholars and fans for all these decades - The Observer (London) Said: "A mammoth work of scholarship, often enthralling and never less than illuminating." After over a decade out of print, is is being re-issued in three volumes for it's 50th Anniversary - with the full text and extensive footnotes of the Third Edition reproduced in full.

You can order Vol. 1 of the re-release series on Amazon in print or on kindle.

ABOUT ROB KELLY (@Pod_Dylan on Twitter)

Rob Kelly is an award-winning podcaster, writer, and illustrator. He hosts POD DYLAN as well as numerous other podcasts devoted to his pop culture passions: FADE OUT (movies), M*A*S*HCast (TV), and TREASURYCAST (comic books).

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