Today we're looking at a truly interesting and pivotal moment in the development of verse drama as we know it, as we delve into the origins of the verse "opera," with John Dryden's King Arthur, Or The British Worthy.
Show Notes: <a href="http://www.hamlettohamilton.com">http://www.hamlettohamilton.com</a>
Patreon: <a href="http://www.patreon.com/hamlettohamilton">http://www.patreon.com/hamlettohamilton</a>

Today we're looking at a truly interesting and pivotal moment in the development of verse drama as we know it, as we delve into the origins of the verse "opera," with John Dryden's King Arthur, Or The British Worthy. Show Notes: http://www.hamlettohamilton.com Patreon: http://www.patreon.com/hamlettohamilton

Today we're looking at a truly interesting and pivotal moment in the development of verse drama as we know it, as we delve into the origins of the verse "opera," with John Dryden's King Arthur, Or The British Worthy.
Show Notes: <a href="http://www.hamlettohamilton.com" rel="noopener noreferrer">http://www.hamlettohamilton.com</a>
Patreon: <a href="http://www.patreon.com/hamlettohamilton" rel="noopener noreferrer">http://www.patreon.com/hamlettohamilton</a>

S2 E2: Verse Drama Meets Opera: John Dryden's "The British Worthy" (1691)

Why write like Shakespeare...when you could write like you? Exploring old verse and new, H2H seeks to provide free education to all those looking to write, perform, or teach verse drama, as we continue to make "new Shakespeare plays" for everybody Shakespeare *didn't* write for!

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S2 E2: Verse Drama Meets Opera: John Dryden's "The British Worthy" (1691)

S2 E2: Verse Drama Meets Opera: John Dryden's "The British Worthy" (1691)

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