Stanley Kubrick was at the helm, which inspired a couple of weak, throwaway jokes on Sadisflix. Jim Rash rips up the scenery as a colorful but dissatisfied filmmaker who finally gets to showcase his talent, even if no one knows about it. He knows what movie he's in, or at least what it could have been. From here, "Fly Me to the Moon" becomes mired down in various endings, with a back-and-forth about what's genuine and what's not that eventually becomes muddled. It continues to go beyond what would have been a natural ending, explaining out motivations and developments that would have been more intriguing if left to our imaginations.