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Notations -> http://www.shivkumar.org/music/varnams/index.html#geethams
Ragam: Khamas (28th mela janyam)
Arohana: S M1 G3 M1 P D2 N2 S ||
Talam: Adi
Composer: Chinnakrishna Dasar
Pallavi:
sAmba shivAyanavE rAjitagiri
sAmbavI manOharA parAtparA krpAkarA shrI
Charanam 1:
nIvE guru daivambaniyE vELanu sEvimpucu sadA midini shiva
Charanam 2:
parama dayAnidhi vanucu maruvaka nA hrdayamuna
mahAdEva mahAprabhO sundara nayana suravara dAyaka bhavabhaya harashiva
Charanam 3:
sthira madurApuramuna varamulosagu haruni niratamunu dalaci
Charanam 4:
shrI shubhakara shashi makuTadhara jaya vijaya tripurahara
shrtajana lOladbhuta guNa shIlA krtanutapAlA patituni lOlA-
mudambala ranga padAbjamulanu padambujErcu pashupatini
gnyaanamudhyaanamu snaanamupaanamu
daanamumaanamu abhimaanamanucu
kanikaramunacaraNambulukanu
konushrutulannutula sharaNanucu (saamba)
Charanam 4: (khaNDa gati - 5 units per beat)
sAresAregu nI nAma mantram kOrinAnu nI pAdAmbuja mantram
dAsuDau cinni krSNuniki dikku nIvEyani shokkanAthuni nammukoni
Meaning (From www.karnatik.com):
Note (From Ravi Kiran's Book):
Swarajatis are more sophisticated musical forms than geethams, both in terms of size and quality. They have been composed in the 3rd speed, and generally have a pallavi and a few Charanams. The charanams are generally rendered once as swaras and the second time as lyrics. Some swarajatis also have an anupallavi incorporated in them. Many swarajatis like the sublimely devotional ratna-trayam of Shyama Shastri are concert worthy.
By Shivkumar Kalyanaraman5
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Notations -> http://www.shivkumar.org/music/varnams/index.html#geethams
Ragam: Khamas (28th mela janyam)
Arohana: S M1 G3 M1 P D2 N2 S ||
Talam: Adi
Composer: Chinnakrishna Dasar
Pallavi:
sAmba shivAyanavE rAjitagiri
sAmbavI manOharA parAtparA krpAkarA shrI
Charanam 1:
nIvE guru daivambaniyE vELanu sEvimpucu sadA midini shiva
Charanam 2:
parama dayAnidhi vanucu maruvaka nA hrdayamuna
mahAdEva mahAprabhO sundara nayana suravara dAyaka bhavabhaya harashiva
Charanam 3:
sthira madurApuramuna varamulosagu haruni niratamunu dalaci
Charanam 4:
shrI shubhakara shashi makuTadhara jaya vijaya tripurahara
shrtajana lOladbhuta guNa shIlA krtanutapAlA patituni lOlA-
mudambala ranga padAbjamulanu padambujErcu pashupatini
gnyaanamudhyaanamu snaanamupaanamu
daanamumaanamu abhimaanamanucu
kanikaramunacaraNambulukanu
konushrutulannutula sharaNanucu (saamba)
Charanam 4: (khaNDa gati - 5 units per beat)
sAresAregu nI nAma mantram kOrinAnu nI pAdAmbuja mantram
dAsuDau cinni krSNuniki dikku nIvEyani shokkanAthuni nammukoni
Meaning (From www.karnatik.com):
Note (From Ravi Kiran's Book):
Swarajatis are more sophisticated musical forms than geethams, both in terms of size and quality. They have been composed in the 3rd speed, and generally have a pallavi and a few Charanams. The charanams are generally rendered once as swaras and the second time as lyrics. Some swarajatis also have an anupallavi incorporated in them. Many swarajatis like the sublimely devotional ratna-trayam of Shyama Shastri are concert worthy.