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Notations -> http://www.shivkumar.org/music/#s
Ragam: Dhanyasi {8th melakartha (Thodi) janyam}
AROHANA: S G2 M1 P N2 S ||
AVAROHANA: S N2 D1 P M1 G2 R1 S ||
Talam: Adi
Composer: Tyagaraja
Version: Peri Sriramamurthy
Pallavi:
Sangeetha Gnyanamu Bhakti Vinaa Sanmaargamu Galadhe Manasa
Anupallavi:
Brungi Natesha Sameeraja Ghataja
Mataanga Naaradhadulupasimche
Charanam:
Kaayajaathi Shadripula Jayinche
Karyamu Delusunu Tyagarajunutha
Meaning: (From TK Govinda Rao’s Book)
P: O Mind (“Manasa”)! Mere knowledge (“gnyanamu”) of music (“sangeetha”) without (“vinaa”) devotion (“bhakthi”) can never lead (“galadhe”) to the right (“san”) path (“maargamu”).
A: Lord Nataraaja (“natesha”), Anjaneeya (son of the wind -- “sameer” “aja”), sages like Brungi, Agastya (“ghatajaa -- born from a pot”), Maatanga and Naarada worship you through music (“simche”), saturated with devotion. Is there a supreme mode of worship?
C: Tyagaraaja knows how(“delusunu”) to discriminate right (“Nyaya Nyamu”) and wrong (“durguna”). He is also aware that this world (“jagamulu”) is unreal and transient (“mayamayamane”). He has found the way to conquer (“jayinche”) the six (“shad”) inward enemies (“ripula”) like lust, attachment, anger (“kaayajaadi”) etc. … beginning with (Adi) kAma (kAyaja) (literally cupid) (kAyajAdi) (kAma, krOdha, lObha, mOha, mada and mAtsarya) … Yet he is fully convinced that there is no other way to salvation than knowledge of music (“kaaryamu delusunu”) integrated with unalloyed devotion.
By Shivkumar Kalyanaraman5
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Notations -> http://www.shivkumar.org/music/#s
Ragam: Dhanyasi {8th melakartha (Thodi) janyam}
AROHANA: S G2 M1 P N2 S ||
AVAROHANA: S N2 D1 P M1 G2 R1 S ||
Talam: Adi
Composer: Tyagaraja
Version: Peri Sriramamurthy
Pallavi:
Sangeetha Gnyanamu Bhakti Vinaa Sanmaargamu Galadhe Manasa
Anupallavi:
Brungi Natesha Sameeraja Ghataja
Mataanga Naaradhadulupasimche
Charanam:
Kaayajaathi Shadripula Jayinche
Karyamu Delusunu Tyagarajunutha
Meaning: (From TK Govinda Rao’s Book)
P: O Mind (“Manasa”)! Mere knowledge (“gnyanamu”) of music (“sangeetha”) without (“vinaa”) devotion (“bhakthi”) can never lead (“galadhe”) to the right (“san”) path (“maargamu”).
A: Lord Nataraaja (“natesha”), Anjaneeya (son of the wind -- “sameer” “aja”), sages like Brungi, Agastya (“ghatajaa -- born from a pot”), Maatanga and Naarada worship you through music (“simche”), saturated with devotion. Is there a supreme mode of worship?
C: Tyagaraaja knows how(“delusunu”) to discriminate right (“Nyaya Nyamu”) and wrong (“durguna”). He is also aware that this world (“jagamulu”) is unreal and transient (“mayamayamane”). He has found the way to conquer (“jayinche”) the six (“shad”) inward enemies (“ripula”) like lust, attachment, anger (“kaayajaadi”) etc. … beginning with (Adi) kAma (kAyaja) (literally cupid) (kAyajAdi) (kAma, krOdha, lObha, mOha, mada and mAtsarya) … Yet he is fully convinced that there is no other way to salvation than knowledge of music (“kaaryamu delusunu”) integrated with unalloyed devotion.