Stop press! Sara and Brendan mount the rostrum to eulogise Orson Welles’ obituary-themed opus, Citizen Kane. How did Welles get to Hollywood? Why did mid-century newsreaders talk like that? And who exactly is this “Rosebud” character? Plus a very special edition of poetry corner gets down and dirty in that deep romantic chasm which slanted down the green hill athwart a cedarn cover. We finish with some intriguing listener correspondence to clear up any nagging doubts about the use of wigs in cinema. 

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Don’t panic: there’s locust trivia galore as Sara and Brendan hop on the train to Amarillo to enjoy Days of Heaven (1978). Siblings or dating? Texas or Canada? How old should Richard Gere be? We shine the bright natural light of Nestor Almendros’s Oscar-winning cinematography on all these questions and more. Plus obligatory haiku high jinks in another sun-soaked edition of poetry corner.

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When you realise you want to spend the rest of your podcast with somebody, you want the rest of your podcast to start as soon as possible. Sara and Brendan meet cute for an intertextual romp through timeless 1989 rom-com When Harry Met Sally. We discuss the movie’s flagrant parallels with Casablanca and latent echoes of podcast favourite Psycho. Plus sensitive reflections on friendship, wigs, and conversing with men. And of course there’s more haiku fun in Poetry Corner. I’ll have what she’s podcasting.

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Sara Goes to Horrorwood: it's a fang-tastic Halloween special as we cross oceans of time to savour Bram Stoker's Dracula (1992). Baseless speculations abound on the foundation of Romania, the logistical advantages of sail, and the medicinal properties of garlic. Plus there's more haiku fun in a particularly putrescent poetry corner. Abandon all hope, ye who listen here.

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Class is in session as Brendan and Sara compare notes on coming-of-age masterpiece Fame (1980). We study the woes and thrills of teenagerdom, what makes a musical a musical, and rogue subtitles. Plus a bumper edition of poetry corner as Brendan invites Sara to sing the body electric with Walt Whitman Jr. Turn on, tune in, drop out.

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Film novice Sara sits down with kino connoisseur Brendan to discuss the first stage of her cinematic Odyssey: Alfred Hitchcock's shower-time classic Psycho. We chat morality, Macguffins, and Marxist taxidermy. Who is ''the Psycho'' anyway? Plus, segment fun in the inaugural edition of Poetry Corner.

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