Ch-Chk! This week we step out of the garage to discuss many people's favourite song, "Save It For Later" by The (English) Beat (1:27). A ringing guitar sound, soaring strings, and cheeky lyrics with some clever Catcher in the wry-ness. Dave Wakeling's timeless tune has a meaningful feel & an appealingly feelingful meaning! A lil later, his elder Pete Townshend showed his reverence for the song, making a quiet, beautiful, and vulnerable epic out of it (1:08:25). In 1999, Harvey Danger partied with the song (1:38:35). A real contrast to PT's version, this one is sorta snotty & irreverent, but still captures the elliptical feel of the song. Dot Dot Dot!!! Stick around after the sign-off for a special bonus version of the song by a Mystery Band!

Ch-Chk! This week we step out of the garage to discuss many people's favourite song, "Save It For Later" by The (English) Beat (1:27). A ringing guitar sound, soaring strings, and cheeky lyrics with some clever Catcher in the wry-ness. Dave Wakeling's timeless tune has a meaningful feel & an appealingly feelingful meaning! A lil later, his elder Pete Townshend showed his reverence for the song, making a quiet, beautiful, and vulnerable epic out of it (1:08:25). In 1999, Harvey Danger partied with the song (1:38:35). A real contrast to PT's version, this one is sorta snotty & irreverent, but still captures the elliptical feel of the song. Dot Dot Dot!!! Stick around after the sign-off for a special bonus version of the song by a Mystery Band!

Ch-Chk! This week we step out of the garage to discuss many people's favourite song, "Save It For Later" by The (English) Beat (1:27). A ringing guitar sound, soaring strings, and cheeky lyrics with some clever Catcher in the wry-ness. Dave Wakeling's timeless tune has a meaningful feel &amp; an appealingly feelingful meaning! A lil later, his elder Pete Townshend showed his reverence for the song, making a quiet, beautiful, and vulnerable epic out of it (1:08:25). In 1999, Harvey Danger partied with the song (1:38:35). A real contrast to PT's version, this one is sorta snotty &amp; irreverent, but still captures the elliptical feel of the song. Dot Dot Dot!!! Stick around after the sign-off for a special&nbsp;bonus&nbsp;version of the song by a Mystery Band!

Save It For Later

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Save It For Later

Save It For Later

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