What exactly is the role of the love interest in a superhero story? Is she just the emotional stakes for the hero? Can she ever be anything more? I talk with screenwriting guru Pilar Alessandra, and screenwriters Craig Fernandez and Carr D'Angelo. It turns out even male fans get frustrated when their favorite heroes can tackle villains head on but flee romantic relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">podcastchoices.com/adchoices</a>

What exactly is the role of the love interest in a superhero story? Is she just the emotional stakes for the hero? Can she ever be anything more? I talk with screenwriting guru Pilar Alessandra, and screenwriters Craig Fernandez and Carr D'Angelo. It turns out even male fans get frustrated when their favorite heroes can tackle villains head on but flee romantic relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

What exactly is the role of the love interest in a superhero story? Is she just the emotional stakes for the hero? Can she ever be anything more? I talk with screenwriting guru Pilar Alessandra, and screenwriters Craig Fernandez and Carr D'Angelo. It turns out even male fans get frustrated when their favorite heroes can tackle villains head on but flee romantic relationships.&nbsp;Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices" rel="noopener noreferrer">podcastchoices.com/adchoices</a>

Saving The Girl

Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade working as a public radio reporter and producer, and he uses those skills to create thoughtful, sound-rich episodes about science fiction, fantasy, and other genres of speculative fiction. Every other week, he talks with filmmakers, screenwriters, novelists, comic book artists, game designers, and anyone who works in the field of make-believe about how they craft their worlds. He also talks with academics and fans about why we suspend our disbelief, and what happens if the spell is broken. Imaginary worlds may be set on distant planets or parallel dimensions, but they are crafted here on Earth, and they’re always about us and our lived experiences.

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Saving The Girl

Saving The Girl

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