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On today’s date in 1757, Italian composer Domenico Scarlatti died in Madrid. He was 71, and for the last 38 years of his life was employed at the court of Princess Maria Barbara, first in her native Portugal, and then, when the princess married the heir to the Spanish throne, in Madrid.
Although Domenico could very well have stayed in Italy and become a famous opera composer like his father, Alessandro Scarlatti, Domenico spent the better part of his life composing over 600 virtuoso sonatas for Maria Barbara. Only a handful of these were published during his lifetime. In the 19th century, Liszt and Brahms took the trouble to hunt down additional Scarlatti sonatas in manuscript, but the bulk of them remained unpublished and unknown until a complete edition was published in the 20th century.
While not coming anywhere close to matching Scarlatti’s output, one 20th century American composer, Philadelphia-born Vincent Persichetti, composed ten harpsichord sonatas of his own.
The growing number of modern-day harpsichordists has meant that in addition to the wealth of old music for the instrument, many contemporary composers have followed Persichetti’s example, and are writing new works for this old instrument.
Domenico Scarlatti (1685-1757): Sonata in C Minor; Elaine Comparone, harpsichord; Laurel 838
Vincent Pershichetti (1915-1987): Sonata No. 4; Elaine Comparone, harpsichord; Laurel 838
By American Public Media4.7
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On today’s date in 1757, Italian composer Domenico Scarlatti died in Madrid. He was 71, and for the last 38 years of his life was employed at the court of Princess Maria Barbara, first in her native Portugal, and then, when the princess married the heir to the Spanish throne, in Madrid.
Although Domenico could very well have stayed in Italy and become a famous opera composer like his father, Alessandro Scarlatti, Domenico spent the better part of his life composing over 600 virtuoso sonatas for Maria Barbara. Only a handful of these were published during his lifetime. In the 19th century, Liszt and Brahms took the trouble to hunt down additional Scarlatti sonatas in manuscript, but the bulk of them remained unpublished and unknown until a complete edition was published in the 20th century.
While not coming anywhere close to matching Scarlatti’s output, one 20th century American composer, Philadelphia-born Vincent Persichetti, composed ten harpsichord sonatas of his own.
The growing number of modern-day harpsichordists has meant that in addition to the wealth of old music for the instrument, many contemporary composers have followed Persichetti’s example, and are writing new works for this old instrument.
Domenico Scarlatti (1685-1757): Sonata in C Minor; Elaine Comparone, harpsichord; Laurel 838
Vincent Pershichetti (1915-1987): Sonata No. 4; Elaine Comparone, harpsichord; Laurel 838

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