Scars and Guitars

The Scars and Guitars new music show for March 2024 features Bruce Dickinson's "Rain on the Graves" from The Mandrake Project and Midnight's "F.O.A.L." from their album Hellish Expectations, released under Metal Blade Records. The Hellacopters offer "Alright Already Now (Revisited)" from Grande Rock Revisited. Marko Hietala's collaboration with Tarja in "Left On Mars" and Blackbriar's "Moonflower" featuring Marjana Semkina showcase the diversity within Nuclear Blast's catalogue.

Korpiklaani's "Oraakkelit" from Rankarumpu, The Devil Wears Prada's single "Ritual," and Child's punk-infused "Shitegeist" are all features. BAT and Witchgrinder contribute to rock and thrash. Sugar Horse's "NEW DEAD ELVIS" offers a doomgaze experience, while Hamferð and Enslaved explore death-doom and Viking death metal themes. 

Exodikon, Wormwitch, Sadistic Ritual, and a host of bands under the death metal and doom subgenres headline a rich array of songs from the extreme side of metal. The episode also covers electronic and 'core influences in metal, with CABAL's collaboration with JOHN CXNNOR, Gost's "Prophecy," and SWARM6IX's commentary on toxic relationships in "TOX(sick)."

AENIMUS, KEYGEN CHURCH, THE OMNIFIC, and If These Trees Could Talk represent prog and symphonic elements, showcasing the genre's evolving landscape. PALLBEARER's new one, "Where The Light Fades," from Mind Burns Alive, also features. 

Check out past episodes here: https://scarsandguitars.com/monthly-music-show/

Matt Harvey, renowned for his contributions to Exhumed and Gruesome, discusses his latest solo project, Toward The Cold Light. Matt shares the motivations driving his solo venture, reflecting on personal and musical development. We explore the thematic underpinnings and diverse influences shaping the album, highlighting its cinematic and soundtrack-like qualities. Exploring the transition from collaborative band dynamics to solo expression, Matt discusses the challenges and freedoms inherent in this evolution. Reflecting on his enduring impact on the metal scene, he provides valuable insights into his creative process, drawing comparisons to his work with Exhumed. Additionally, we share a hilarious anecdote from Exhumed's Brisbane performance and touch upon Matt's experience fronting Exodus, along with the potential continuation of that role.

https://mattharveymustbedestroyed.bandcamp.com/album/toward-the-cold-light

Lucas Anderson, drummer and vocalist of Funeral Leech, provides insights into the band's musical journey from Death Meditation to their latest offering, The Illusion Of Time. Lucas reflects on the band's growth over the past four years, discussing the inspiration behind diversifying their influences to include elements such as melancholic synths and sorrowful passages. He discusses the thematic core of the album, focusing on the relentless march of time and its effects and how these themes are intricately woven into the music. Lucas also shares how the creation of The Illusion Of Time served as a means of personal processing and catharsis for him while also highlighting the role of artwork and visual elements in reinforcing the album's themes. Additionally, he provides insights into Funeral Leech's future musical and thematic direction, offering a glimpse into what lies ahead for the band.

https://www.facebook.com/Funeralleech/

In this episode, guitarist Andrew Craighan discusses the 70000 Tons of Metal Cruise and the creation of My Dying Bride's latest album, A Mortal Binding. We explore the differences and similarities to its predecessor, The Ghost of Orion. Craighan sheds light on the collaborative efforts with Neil Blanchett and Dan Mullins, discussing the impact of lineup changes on the band's dynamics and sound. Additionally, he shares insights into his motivation for prolific songwriting and the role of producer Mark Mynett in shaping the album's sound. Furthermore, we examine the evolution of My Dying Bride's musical approach, from As the Flower Withers to Turn Loose the Swans, and the polarising 34.788%...Complete, including bold artistic choices and fan reactions. Finally, we explore the significance of seminal releases like Towards the Sinister demo and the epic Symphonaire Infernus et Spera Empyrium EP, discussing their composition, arrangement, and impact.

Avalanche celebrates the release of their latest single, "Hell’s Getting Hotter With You," a track that captures the essence of their live energy, recorded in just three takes.

In our conversation with Steven Campbell (Vocals/Bass), Veronica 'V' Campbell (Lead Guitar), and Ryan Roma (Drums), we explore how their collaboration with Grammy-nominated and ARIA Award-winning producer Steve James has shaped the sonic landscape of "Hell’s Getting Hotter With You" and their overall recording approach.

Drawing from their experiences supporting acts like Buckcherry, Fozzy, and The Iron Maidens, the band shares insights into how touring alongside established bands has influenced their live performances and stage presence. Additionally, we delve into the distinctive elements of Aussie Rock and how Avalanche incorporates that spirit into their unique sound.

Join us for a chat with guitar iconoclast Bill Steer as Carcass prepares for a tour of Australia alongside The Black Dahlia Murder and Freedom of Fear throughout April 2024. We kick off the discussion by revisiting the seminal album Scum by Napalm Death, where Bill shares memories of the recording process and his contributions to the album's songwriting.

We discuss From Enslavement to Obliteration, which topped the UK Indie charts, and explore its lasting significance to Bill and the band. We also talk about the idea of performing the album live at festivals.

The conversation shifts to Carcass's The Curse EP, and Bill explains his departure from Napalm Death and provides insights into the catalyst behind his decision. Exploring Carcass's sonic evolution from Reek of Putrefaction to Symphonies of Sickness, we discuss the inspirations behind the intricate compositions on the latter album, showcasing the band's growth and musical prowess. Moving on to the making of Necroticism—Descanting the Insalubrious, Carcass's first 'guitar hero' album, Bill shares the process of recruiting Michael Amott and their collaborative songwriting approach. Reflecting on the band's deal with Columbia Records in the US, we discuss what could have been done differently.

Don't miss the opportunity to catch Carcass live in action, alongside The Black Dahlia Murder and Freedom of Fear, on the following dates:

• April 2nd: Magnet House, Perth

Tickets are on sale now, so grab yours before they sell out!

Visit the following links for ticket purchases:

• Melbourne, Sydney: www.moshtix.com.au

Calico Cooper, daughter of Alice Cooper, and Chuck Garric, known for his bassist roles with Alice and Dio, discuss their latest project under the Beasto Blanco moniker. They talk about their track "Run For Your Life" and the adrenaline-fueled music video featuring an intergalactic cybernetic warrior queen. We also touch on the inspirations behind the forthcoming album, Kinetica, and how the band is preparing for festivals such as Wacken. Calico addresses misconceptions about her career solely due to her famous father, and Chuck shares insights from his journey with Alice and Dio.

https://www.beastoblanco.com/ 

Throughout the conversation with Matt Pike and Jeff Matz of Sleep and High on Fire, we discuss their latest studio album, Cometh the Storm. Our discussion goes into the album's thematic layers, focusing on tracks like "Sol’s Golden Curse" and their relevance amidst current global events, including the COVID-19 pandemic, left-wing political authoritarianism, and societal unrest. We also explore Kurt Ballou of Converge's role as the album's producer. Matt shares insights into his solo project, Pike vs. the Automaton, and its potential influence on Cometh the Storm. Reflecting on Third Man Records Vault Package #52, featuring Sleep's "Dopesmoker" with remastered audio, Matt provides his perspective. Additionally, he discusses Sleep's previous release, "The Sciences," marking their return after a hiatus. Jeff Matz offers insights into his dual commitment to teaching and music, and we touch upon drummer Coady Willis's recent performance in Australia with The Melvins.

Pre-order/save High on Fire's Cometh the Storm  here: https://highonfire.ffm.to/comeththestorm

Mark Beuchet photographed Cradle of Filth from 1992 to 1994. Mark discusses his introduction to the band and shares his overall impressions. He provides insights into his collaboration with the band, and we discuss how he, along with Chris Bell and Nigel Wingrove, differentiated the band's imagery from prevalent trends of the time.

Mark elaborates on his thoughts regarding Dani and the band and reflects on the instructions he provided for the iconic Sadovania shoot. Additionally, he discusses other notable photos and portraits he captured during his time working with Cradle of Filth.

This conversation is a must for the 'Chronicles of Filth' completist. Mark Beuchet's contributions to the visual identity of one of metal's most influential bands are finally revealed.

Mark is a musician, having been a member of Annihilated, and he has an outfit called Station Twenty 7, which you can check out here https://stationtwenty7.bandcamp.com/ and the band's new video is available here: https://www.youtube.com/watch?v=vP0EFSpp-4I 

The Chronicles of Filth are available here! https://scarsandguitars.com/cradle-of-filth-conversations/

Conversations with the following band members reveal all:

• Sarah Jezebel Deva: Keyboards and vocals 1994–2008

Juan Montoya is an outstanding guitarist and artist from Miami. We met at Walt Grace Vintage Cars and Guitars and decided to continue our conversation on the show. We discuss his career as a recording and touring musician with bands like Killer Be Killed and Torche, among others, as well as his artwork. Our discussion covers a range of topics related to rock and heavy metal. You can follow him at https://www.instagram.com/montoyablackmagic/.