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On today’s date in 1828, Franz Schubert gave his first — and only — public concert in Vienna, which opened with the first movement of a recently composed string quartet. We don’t know for sure which one, since Schubert was writing a lot of new music then, but most likely it was from his String Quartet in G, which we know as No. 15.
Schubert’s friends had tried to promote his music by holding “Schubertiades,” informal house concerts at which his music would be performed and wine and free food offered, but that didn’t help Schubert earn any money. And being a prolific composer — as Schubert certainly was — created its own problems. What publishers Schubert had couldn’t keep up with him.
And then, as now, star performers — not composers — seemed to get all the money and attention. In Schubert’s day, it was Italian violin virtuoso Nicolo Paganini who got all the press and big fees. Schubert’s single concert earned him 800 florins, for example, while Paganini, who arrived in Vienna the same month as Schubert’s concert, made over 6,000 florins per concert, and by the time he left Vienna later in 1828 had netted 75,000 florins.
Franz Schubert (1795-1828): String Quartet in G; Emerson String Quartet; DG 459151
By American Public Media4.7
176176 ratings
On today’s date in 1828, Franz Schubert gave his first — and only — public concert in Vienna, which opened with the first movement of a recently composed string quartet. We don’t know for sure which one, since Schubert was writing a lot of new music then, but most likely it was from his String Quartet in G, which we know as No. 15.
Schubert’s friends had tried to promote his music by holding “Schubertiades,” informal house concerts at which his music would be performed and wine and free food offered, but that didn’t help Schubert earn any money. And being a prolific composer — as Schubert certainly was — created its own problems. What publishers Schubert had couldn’t keep up with him.
And then, as now, star performers — not composers — seemed to get all the money and attention. In Schubert’s day, it was Italian violin virtuoso Nicolo Paganini who got all the press and big fees. Schubert’s single concert earned him 800 florins, for example, while Paganini, who arrived in Vienna the same month as Schubert’s concert, made over 6,000 florins per concert, and by the time he left Vienna later in 1828 had netted 75,000 florins.
Franz Schubert (1795-1828): String Quartet in G; Emerson String Quartet; DG 459151

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