I love this scene for how it portrays female connection and human connection in general.

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Though its pace isn't for everyone, The Empty Man will be creepy enough for many.

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Though it is clearly going through the motions, The Protégé is still a watchable, if forgettable, action thriller.

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Though its source is unconventional, Zola finds plenty of dark laughs and intrigue to spare.

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I thought I would address a film that comes up in conversation a lot, Akira Kurosawa's 1950 film Rashomon.

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I love this scene because it's this movie tone distilled into a single scene. Two absurd characters paired up in a real life neo-noir that behave like the Marx Brothers.

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While this was already a shaky recommendation to start, Alive's ending killed any semblance of enjoyment I could've had.

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It is staggering how little care and thought and probing questions seemed to go into this series.

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This special feels bigger than a standard stand-up performance.

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While the acting and action make for a decent watch, The Tomorrow War doesn't hold up to much scrutiny.

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