ScreenFish

In SOMEONE LIKE YOU,  rural architect Dawson Gage (Jake Allyn) has always been in love with London Quinn (Sarah Fisher), even if she hasn’t felt the same. Now, a decade later, the two finally seem to be on the same page romantically… when suddenly tragedy strikes and that opportunity is lost. But Dawson yearns to find some piece of her and, upon discovering that she has a twin sister name Andi (Fisher again), embarks on a journey to meet her. Having been separated during their parents’ IVF procedure, Andi has never known about her ‘other life’ and the news rocks her world. As Dawson brings Andi to meet her birthparents, she begins to dive into the home that she never knew and potentially uncover an attraction that she never expected. In this 1on1, we speak to co-writer Karen Kingsbury and star Sarah Fisher about chemistry with co-stars, love that hurts & the power of faith.

Directed by Damian Hurley, STRICTLY CONFIDENTIAL tells the story of Mia (Georgia Lock), a young woman still grieving the loss of her best friend, Rebecca. On the anniversary of her mysterious death, Mia and her friends return to the Caribbean paradise in honour of Rebecca and her life. As Mia reconnects with her old flame, dear friends and Rebecca’s mother, Lily (Elizabeth Hurley) and sister Jemma, old secrets and passions begin to emerge, revealing a web of sex, betrayal and murder. In this 1on1, we speak to Elizabeth Hurley & Damian Hurley about working together onset and 'messed up people'.

Directed by Damian Hurley, STRICTLY CONFIDENTIAL tells the story of Mia (Georgia Lock), a young woman still grieving the loss of her best friend, Rebecca. On the anniversary of her mysterious death, Mia and her friends return to the Caribbean paradise in honour of Rebecca and her life. As Mia reconnects with her old flame, dear friends and Rebecca’s mother (Elizabeth Hurley) and sister Jemma, old secrets and passions begin to emerge, revealing a web of sex, betrayal and murder. In this 1on1, we speak to Lock about camaraderie on set, speaking with Mia and what it takes to forgive.

Directed by Hamoody Jaafar, Rouge steps behind the walls of River Rouge high school and into the world of competitive high school basketball. With a legacy of 14 state championships, River Rouge is hungry for another and Rouge follows its current coach and players who yearn to bring home another trophy. Meanwhile, the film also taps into the school’s storied history has older legends share stories of victory and challenges of the past. In this 1on1, we talk about what it means to win, the effect of the pandemic and what makes the school so special.

Directed by Louise Archambault, Irena’s Vow tells the amazing true story of Irena Gut Opdyke (Sophie Nelisse), a strong-willed, 19-year-old Polish woman who is employed by the Nazis during WWII. Promoted to housekeeper in the home of a highly respected Nazi officer, Irena is advised by the other staff to remain ‘seen and not heard’ for her own safety. However, when she discovers that the Jewish ghetto is about to be liquidated, she bravely chooses to shelter twelve Jews in the commandant’s basement. Faced with certain death should they (or she) be discovered, Irena remains determined to care for the disenfranchised as the Nazi’s swirl around them. In this 1on1, we speak to Archambault about stepping into history and shooting war on an intimate level.

Directed by Neil Diamond and Catherine Bainbridge, Red Fever is a stunning look at the world’s historical fascination with Indigenous Peoples. Traveling across the Atlantic, Diamond follows the lines between modern day fashion, sports, agricultural practices and democracy and the unrecognized influences of Indigenous ways of thinking that helped create them. In doing so, Red Fever hopes to chart a new path for the future by giving credit where it needs to be given. In this 1on1, we speak to Diamond and Bainbridge about the power of collaboration and why we struggle to see the value in equality.

Directed by Alfredo Pourailly de la Plaza, The Fabulous Gold Harvesting Machine follows Toto, an aging father who spends his days immersed in the water and muck of the Chilian caves as he attempts to harvest gold. Having done so for over 40 years, the conditions have taken their toll on Toto, leaving his health declining. In response, his son, Jorge, develops a plan to build a machine to relieve his father’s workload. In this 1on1, we speak to the director about what we leave behind and what it means to be the 'fabulous gold harvesting machine'.

Set in the near future, Civil War depicts America as a nation divided within between two factions. Under the influence of a dictator president (Nick Offerman) in the midst of his third term, the country has reached a boiling point. With rebel factions descending upon the White House, Lee (Kirsten Dunst) and her team of military-embedded journalists race against the clock in order to reach the Capital with the hope of chronicling the historic events that are about to unfold. In this 1on1, we participate in a special roundtable discussion with Garland to discuss the film's political ambiguity, the strength of Kirsten Dunst and the evolution of the story.

Wrestlemania is back and bigger than ever! With the popularity of WWE reaching heights it hasn't seen in two decades, the culmination seems to bee this weekend as Cody Rhodes attempts to take down Universal Champion Roman Reigns and the Final Boss himself, Dwayne Johnson. But is that possible? This week, Kirk Haviland and Dave Voigt return to the ring to wrestle with the Rock's return and whether or not Cody Rhodes can finish the story.

Directed by Alexandre Philippe, William Shatner: You Can Call Me Bill is an intimate portrayal (maybe) of Shatner’s life and career. Having been a performer for over 70 years, Shatner’s career has boldly gone from space (Star Trek) to the streets (T.J. Hooker) and here, he’s invited to share the insight and wisdom that make him one of the more unique in Hollywood today. In this 1on1, we speak to Philippe about the definition of 'Shatner-ian', taking down our masks and experiencing wonder.