ScreenFish

Directed by Darren Aronofsky, THE WHALE tells the story of Charlie (Brendan Fraser), an obese recluse who lives his life as an online teacher from the safety of his apartment. With the end of his life approaching, Charlie reaches out to his estranged daughter Ellie (Sadie Sink) in the hopes of reconciling before it's too late. This week, Robert Bellissimo (Robert Bellissimo at the Movies) and Dave Voigt (In The Seats) join us to dive into THE WHALE and talk about amazing people and looking for one true thing.

Directed by Debra Neil-Fisher and co-written by Matt Walsh, the new comedy Unplugging tells the story of Dan and Jeanine (Eva Longoria and Walsh), a couple who are plugging away at the daily grind. But, by living a life fueled by emails and online orders, their marriage has been struggling. So, when the opportunity arises, the two venture out into the country for a weekend of digital detox. However, what begins as the perfect getaway begins to slide into madness and the two must figure out what it means to work together offline. In this 1on1, we speak to Walsh about being addicted to tech, connecting when disconnected and the magic of Lea Thompson.

So often, the key to an amazing film sweeping the world is an incredible song that accompanies it. This is absolutely the case with S.S. Rajamouli's mega-hit, RRR which has captured the hearts of filmgoers everywhere with its hit song, Naatu Naatu. Written and composed by M.M. Keeravaani, Naatu Naatu pops with energy and elevates the film with its infectious beats. Having won the Golden Globe and Critic's Choice Award (so far) for the film, Keeravaani has truly created something special that has shaken the world. In this 1on1, we participate in a special roundtable with Keeravaani to discuss bringing the song to life onscreen and his process with working with directors.

Directed by Scooter Corkie, THE FRIENDSHIP GAME tells the story of a group of friends who come across a mysterious device at a yard sale, and are told that this game will prove whether or not their relationships will survive the changes ahead. For only $10, they purchase the machine and the friends (Peyton List, Kaitlyn Santa Juana, Kelcey Mawema & Brendan Meyer) to share their deepest longings. But, as their hearts desires begin to come true, the four must fight to keep their relationship (and themselves) alive. In this 1on1, we speak to Meyer and Cookie about selfish friendship, changing connections and fearing adulthood.

Directed by Karen Knox, ADULT ADOPTION tells the story of Rosy (Ellie Moon, who also wrote the film), a woman who still suffers from abandonment issues from her parents as a child. Intently looking for something that eludes her, Rosy enrols in an online program designed to bring people together as adults... but things don't go entirely as planned. In this 1on1, we speak to Moon and Knox about changing relationships with parents and looking for connection in a post-pandemic world.

It's 2023! As we step into a new year, that means looking back on the year that was. But rather than give the same old list of the 'year's best films', we like to look at the moments that mattered to us. This week, Kevin McLenithan returns with his Top 3 Movie Moments of 2022 and we talk about justice and trickery in Rian Johnson's GLASS ONION.

Written and directed by Avan Jogia, DOOR MOUSE is an intense Neo-noir that explores the shadows of our modern world. Mouse (Hayley Law) is a comic-book creator working at a burlesque club and lives a quiet existence. But, when girls from her circle begin to disappear, she steps into a dangerous world to figure out what's behind it all. In this 1on1, we speak to Jogia about modern day monsters and kicking against the darkness.

Written and directed by Hirokazy Kore-eda, BROKER begins as a young mother So-young (Lee Ji-eun) climbs the steps to a small church and approaches its ‘baby box’. Intending to abandon her infant child in anonymity, So-young places the child on the ground and leaves, promising to return some day. However, two men, Sang-hyun (Song Kang-ho) and Dong-soo (Gang Dong-won) witness this and, after making sure that no one is around, steal the baby with the intent of selling him. In this 1on1, we speak to the iconic director about the changing nature of family and the tension between shame and forgiveness.

Written by Samuel Hunter and directed by Darren Aronofsky, THE WHALE tells the story of Charlie (Brendan Fraser), an online writing instructor who struggles with obesity. Weighing 600 lbs, Charlie feels embarrassed by his appearance and hides away from the world in his apartment. Knowing that his life is coming to an end, Charlie reaches out to his estranged daughter, Ellie (Sadie Sink) in the hopes of finding some connection to her. In this roundtable 1on1, we speak to Fraser and Hunter about the power of one true thing and whether or not people truly are 'amazing'And a special thanks to our friends at The Movie Podcast for helping us with our audio issues!

Directed by Melissa Lesh and Trevor Beck Frost, WILDCAT follows Harry Turner, a young veteran battling PTSD who retreats into the heart of the Amazon, looking for a fresh start. It’s here that he meets Samantha Zwicker, a young woman who runs a wildlife rehabilitation center. As the two begin a relationship, they also partner together to rescue orphaned animals and release them back into the wild. Things begin to change for Harry though when he takes responsibility for a baby ocelot, who they name Keanu. Through their connection with him, both Harry and Samantha unexpectedly begin to find the strength to find hope for their own journeys as well. In this 1on1, we speak to Frost about the trusting relationship between filmmaker and subjects and the healing connection between man and beast.