Pianist Henrik Kilhamn goes through the first movement of Scriabin's amazing piano sonata no. 2, op. 19 titled "Sonata-Fantasy". There are two sides to the music: one firm, gripping statement of a signal reoccuring throughout the movement, the other completely opposite of free-floating, improvisational bliss. The two characters are juxtaposed in the middle and are developed in some genius ways of piano writing.

Analysis and performance (23:51)