Scriptnotes Podcast

John and Craig welcome back writer, director, and comedian Mike Birbiglia (Don’t Think Twice, Sleepwalk with Me) to take a look at several true news stories and ask, how would this be a joke? Stories include run-club haters, a conflicted bone marrow donor, and the coyotes roaming San Francisco.

We also look at how Mike developed his new Netflix special, The Good Life, and answer listener questions on taking an idea from a podcast and knowing when you’ve broken a story.

In our bonus segment for premium members, Mike walks us through how he’s able to market his work without it feel like marketing.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 5-28-25: The transcript for this episode can be found here.

John and Craig look at how writers and their characters handle the obstacles they encounter. They outline proven techniques for solving problems both in life and on the page, why it’s important to see characters solving problems in a story, and how taking big swings can open up exciting possibilities.

We also follow up on episodes that focus on a single character, long takes, making your phone less interesting, words we don’t have in English, present the definitive guide to the lunch run, and look into this stupid movie tariff thing.

In our bonus segment for premium members, John is back from Egypt and Jordan, and ready to answer all of our questions about tombs and travel in the Middle East.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 5-14-25: The transcript for this episode can be found here.

John welcomes writer, director and playwright Leslye Headland (The Acolyte, Russian Doll) to ask, why are stage plays so challenging for screenwriters? Using her recent Broadway play Cult of Love, they look at different approaches to scene description, heightened and simultaneous dialogue, and strategies for adapting stage plays to film.

We also chart Leslye’s career from theater kid to auteur filmmaker, her approach to time loops (because how could we not?), and answer listener questions about music cues and long scripts.

In our bonus segment for premium members, John and Leslye compare notes on how to keep up with what’s on stage, and what to do if you missed a production.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 5-14-25: The transcript for this episode can be found here.

John welcomes writer and showrunner Eric Kripke (The Boys, Supernatural) to look at planning out a multi-season series. They chart Eric’s early career from shorts to showrunner, how he developed Supernatural, his process for structuring seasons of The Boys, and how great TV shows stick the landing.

We also answer listener questions on lone character episodes and emulating comic panels on screen.

In our bonus segment for premium members, Eric spills on everything blood, guts and gore.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 5-12-25: The transcript for this episode can be found here.

John and Craig welcome back Aline Brosh McKenna to tackle the issue of idea management. What do you do with all those half-formed ideas and how do you decide which ones to pursue? They share best practices and their approach to middle-of-the-night inspiration.

We also discuss how screenwriters’ quotes are determined and answer some listener questions on alternatives to D&D, crediting improv and rain in the second act.

In our bonus segment for premium members, DVDs hang in the balance as John and Drew sit down back in 2025 to ask, should Drew get rid of his physical media?

Links:

Email us at [email protected]

You can download the episode here.

The transcript for the original episode can be found here.

John and Craig break out of coverage to look at oners and long shots, cutting through any directorial showboating to compare the pros and cons and cons and cons of those unbroken takes, offering ways to decide when they are necessary or purposeful, and how to recognize when it’s better to cut.

We also look at changes to Sundance and the Nicholl Fellowship, answer listener questions on house lights in movie theaters, Oscar voting, improv movies, and share a few horror stories from John and Craig’s early career.

In our bonus segment for premium members, John and Craig look at their relationship with their phones and consider dumbing down.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 5-2-25: The transcript for this episode can be found here.

John and Craig welcome writer and showrunner Tony Gilroy (Andor, Michael Clayton) for an in-depth look at crafting a second season of a hit TV show. They look at ways to find your season’s structure, setting your production up for success, controlling the energy your audience spends on information, and how to wrap up your story before the show eats you alive.

They also answer listener questions on what to do when a movie that’s similar to yours is wildly successful, and whether being a movie critic could hurt your writing career.

In our bonus segment for premium members, Tony sticks around to ponder which words we wish existed in English, and how we’d use them in our scripts.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 4-2-25: The transcript for this episode can be found here.

John and Craig sit in project purgatory and ask, what do you do when the only answer you’re getting is “maybe”? They share advice on how to gently check in without annoying people, recognizing the soft pass, the unexpected benefits of patience, and what to do when you’re the person holding up the gears.

Then it’s another round of the Three Page Challenge, where John and Craig give their honest feedback on three listener-submitted scripts. We also follow up on script supervisors and the encroaching perils of AI production.

In our bonus segment for premium members, John and Craig spill the telltale signs that a movie or TV show has had reshoots.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 4-2-25: The transcript for this episode can be found here.

John welcomes back Christina Hodson (The Flash, Bumblebee) to ask, how do you to construct a great action sequence? Using examples from three different movies, they discuss what good action looks like on the page, how to keep your reader from getting bored or confused, and why production can sometimes blow your plans to smithereens.

Then it’s a round of How Would This be a Movie?, where we take four stories from the news and pitch how we might adapt them for the screen. Stories include a mysterious painting, a train trapped in a blizzard, a teen who sued his parents, and zombie colleges.

We also follow up on director’s chairs and mammograms, and answer listener questions on side characters and creating a healthy work/life balance.

In our bonus segment for premium members, John and Christina examine the do’s and don’ts of introducing yourself to a stranger through email.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 3-24-25: The transcript for this episode can be found here.

John welcomes back Liz Hannah (The Girl From Plainville, The Post) to ask, how do you know if a character can carry a story? They look at ways of identifying your protagonist, defining privileged storytelling power, and the choices to make when figuring out which characters can hold narrative point of view.

We also look a the phenomenon of the “Stranger in the Room,” follow up on writing during crazy times, brain trusts, plays vs movies, the phrase “begs the question,” and the usefulness of sharing your pronouns.

In our bonus segment for premium members, John and Liz explain the difference between East LA, West LA, and why the valley might beat them both.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 3-25-25: The transcript for this episode can be found here.