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Season 9 Episode 1 extended Version: Enrique Mendoza Mejía - Hybrid Audio Diffusion Systems (HADS) | S9 - E1
In this episode 1 of season 9 of the comusik Podcast, we
present Mexican composer and musician Enrique Mendoza Mejía who will share with us his research and creative process through a new system called Hybrid Audio Diffusion Systems (HADS) as part of his artistic doctoral research at the private Anton Bruckner University in Linz, Austria. The use of headphones is strongly recommended to fully experience the binaural version of the pieces.
CONTENT EXTENDED VERSION:
I. Presentation
II. Background and explanation of the HADS system
III. Explanation and audition "Inner outer
self-variance and my deranged disembodied voices" (2023)
Work commissioned by The Black Page Orchestra and created
with the support by BMKOES & SKE.
IV. Creative process and working tools
V. Audition of "no enterramos muertos, sembramos
semillas..." (2023)
Work commissioned by UNAM Música, Programa Resiliencias
Sonoras (2019) VI. Space as another parameter in the creative process:
technical considerations
VII. Audition of the work "maybe pain" (2021)
VIII. Workflow
IX. Audition of the work "Ground Beatings"
(2016)
Work commissioned by Boglárka Nagy. X. Closing
XI. Audition of "Transduktor III" (2017)
Work commissioned and created with the support of
KulturKontakt Austria.
REFERENCES
https://enriquemendoza.net/
Photos Copyrights:
Center for Living Arts PhotoCredit_Bogi_Nagy
Credit_Bogi_Nagy_@bophotoadventures
PhotoCredit-EmmaLouise
https://comusik.pro/season-9-new-artistic-explorations-with-technologies-s9-playlist/?lang=en
Season 9 Episode 1 extended Version: Enrique Mendoza Mejía - Hybrid Audio
Diffusion Systems (HADS) | S9 - E1
View all episodes
By ComusikIn this episode 1 of season 9 of the comusik Podcast, we
present Mexican composer and musician Enrique Mendoza Mejía who will share with us his research and creative process through a new system called Hybrid Audio Diffusion Systems (HADS) as part of his artistic doctoral research at the private Anton Bruckner University in Linz, Austria. The use of headphones is strongly recommended to fully experience the binaural version of the pieces.
CONTENT EXTENDED VERSION:
I. Presentation
II. Background and explanation of the HADS system
III. Explanation and audition "Inner outer
self-variance and my deranged disembodied voices" (2023)
Work commissioned by The Black Page Orchestra and created
with the support by BMKOES & SKE.
IV. Creative process and working tools
V. Audition of "no enterramos muertos, sembramos
semillas..." (2023)
Work commissioned by UNAM Música, Programa Resiliencias
Sonoras (2019) VI. Space as another parameter in the creative process:
technical considerations
VII. Audition of the work "maybe pain" (2021)
VIII. Workflow
IX. Audition of the work "Ground Beatings"
(2016)
Work commissioned by Boglárka Nagy. X. Closing
XI. Audition of "Transduktor III" (2017)
Work commissioned and created with the support of
KulturKontakt Austria.
REFERENCES
https://enriquemendoza.net/
Photos Copyrights:
Center for Living Arts PhotoCredit_Bogi_Nagy
Credit_Bogi_Nagy_@bophotoadventures
PhotoCredit-EmmaLouise
https://comusik.pro/season-9-new-artistic-explorations-with-technologies-s9-playlist/?lang=en
Season 9 Episode 1 extended Version: Enrique Mendoza Mejía - Hybrid Audio
Diffusion Systems (HADS) | S9 - E1