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I'm thinking maybe we should end tonight early, while everything's still on a high note.
You call that a high note.
Everything is high to me.
You said it, not me.
You may as well have said it.
I supplemented it.
You,
Are a temporary fix for a permanent problem
Art on my wall,
And a star on my walk—
A room full of boredom,
A clause in a contract
No more than just
Four words,
All of four letters,
All perfect.
Why the pause?
I've been
Looking at this show
As if it were a box of darkness
Waiting to be unlodged
From my corpse,
Or rather, even
Sarcophagus,
As it were,
The words and characters had formed
Over me, more like a storm
Though I had submerged under the surface
Only to learn that I had
Learned that somehow
I could breathe under water
And stay there forever,
If I wanted,
A shadow of showmanship,
The fear of being further pursecuted
For having infinitely discovered such inspiration
In such an offhand
Person
Sure, not as eloquent as my usual entries,
But this soliloquy,
I beg of you—
Is more of syllables
You see?
I have hatred in my heart
That has flowered into my mind
As some sort of algorithmic cursemark
Where hereunto
Even Google taunts me;
Reminding me of my own failure,
Sure of all my debts,
Ugliness, and lack of money
Assuring that I will
Probably never
Make it in show business.
I'm drained just sitting here, still and surrounded by
The working clsss cotezens
Who parade around as if
Doing something noteworthy
By feeding the machine
And playing along
With the recfomensations
Of doctors
Sponsored by pharmaceutical companies
And invested in politicians
With racist policies and intentions
To exterminate psychologically
Only the brownest and brazen enough
To know better than
To follow the orders of
A robotic and problematic
—I'll stop you there
It's three syllables. What are they
I'll think on it under warm water
And hope that this 8 year old scar
Is unswollen
By nightfall tomorrow.
—it's a curse, or what?
No, it's the government .
The laws of karma affect all power and control beyond a magicians natural limitations and inhibitions.
Just for shits and giggles,
They planted the demons
The shamans,
And all of the actors
They bought out
The psychological terrorism
Began when she had indeed
Fallen by his hand—
A fist at best
But may have as well been
The bullet of a gun.
She spoke openly of social reform
And affordable housing,
Equality,
And economically priced produce.
—so they tried to murder her—
On numerous occasions
But couldn't.
They started a war
With a mother
Who never believed in nothing
And had lost
Children
To God itself.
They waged war with an army of robots
Using telephone service
And terms of agreement
They sent stalkers
Who spoke of shamans
And acted like demons
Agents who
Remembered
The names of people
Past
And present
None forgotten
Witnesses to what had happened
Burned notebooks
And credibility clauses.
God never forgot her
But often brought warnings
Of those that had come for her
They painted a picture of mental illness and poverty,
And with every hope,
Forced the suicide
Knowing that she'd leave her son a fortune—
—but had not known,
The gold was of the fools type—
As was his father.
The barrel of the gun
Was the punching bag
And the thinking horns
The slamming doors
$49 Dollar whores
And interceptions of brainwaves
The assasination
Was purely a psychological thriller—
The will had an omen
That no money
Would fall to the hands of
The man
Who had hurt her
In front of her sons.
So the world went on
Without a mother
Or without a God
As they all had worshipped
The opposite for so long
That true love
Has become
Obsolete
—like an old iPhone
With a broken screen
As a metaphore
For generation Z
Her body was the equivalent
Of the thing you don't need
But once used daily
And couldn't have gone anywhere
Without it
A suicide seemed
The only way
To escape the debt
And the only thing
She used to love
Was music
Now,
Just like her son
It was just a job—
And the worst part was
Both things
Cost too much
To afford it
The legend continues
With having to record everything—
When the recording stops
The world attacks
And anxiety takes over everything
Once she starts to sing
The people start coughing
The lights start flashing
The doors start slamming
And the name of her son's father
Whispers over and over
Like the sound of her mother popping gum
And sighing eggaderatedly in agony.
It's a competition
On a planet
With 8 billion people
Who all believe that
(((Whatever they believe))
And it must be true.
It's a competition
On a planet
With I billion people
Who all believe that
(((God)))
It must be
-Ū.
I didn't come here to be a messiah
Or leave tire marks
With my scuffed up Nikes
Rounding the corner
Out of Whole Foods market
Like I stole something
Only to come
Back to the office
To be greeted by shopping carts full of garbage
Bad music on low quality speakers
And trash under
All of the ugly parked cars
On the sidewalk
White girls will boycott this series
Because of how honest I am
About how toxic they are
With their microexpressions
And arrogance
In public.
(It's just race-relations.)
Where am I?!
Apparently, I'm a vegetable in a coma.
Right…
So you won't just mind if I—
No, not at all.
Focus shifting is an aspect of multidimentionality in which a subject becomes perceptionally hyper focused with a seperate intention from previous projects or interests in order to better develop the consistency and understanding of the overal idea or process of creating, designing, building, or adding to various tasks and projects, with the overall realization that focus shifting to enhance the quality or oucome of one process may increase the likelihood of success in another— a more long-term of understanding multitasking, the in depth nature of focus shifting requires the extention of a project within the circumstantial purpose of completing or building on another, with the intention to return to the original task or subject with further tools, understanding, and conceptual awareness of the completed concept on a broad spectrum.
vent, baby keem
(Happy Accidents Remix)
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
I'm thinking maybe we should end tonight early, while everything's still on a high note.
You call that a high note.
Everything is high to me.
You said it, not me.
You may as well have said it.
I supplemented it.
You,
Are a temporary fix for a permanent problem
Art on my wall,
And a star on my walk—
A room full of boredom,
A clause in a contract
No more than just
Four words,
All of four letters,
All perfect.
Why the pause?
I've been
Looking at this show
As if it were a box of darkness
Waiting to be unlodged
From my corpse,
Or rather, even
Sarcophagus,
As it were,
The words and characters had formed
Over me, more like a storm
Though I had submerged under the surface
Only to learn that I had
Learned that somehow
I could breathe under water
And stay there forever,
If I wanted,
A shadow of showmanship,
The fear of being further pursecuted
For having infinitely discovered such inspiration
In such an offhand
Person
Sure, not as eloquent as my usual entries,
But this soliloquy,
I beg of you—
Is more of syllables
You see?
I have hatred in my heart
That has flowered into my mind
As some sort of algorithmic cursemark
Where hereunto
Even Google taunts me;
Reminding me of my own failure,
Sure of all my debts,
Ugliness, and lack of money
Assuring that I will
Probably never
Make it in show business.
I'm drained just sitting here, still and surrounded by
The working clsss cotezens
Who parade around as if
Doing something noteworthy
By feeding the machine
And playing along
With the recfomensations
Of doctors
Sponsored by pharmaceutical companies
And invested in politicians
With racist policies and intentions
To exterminate psychologically
Only the brownest and brazen enough
To know better than
To follow the orders of
A robotic and problematic
—I'll stop you there
It's three syllables. What are they
I'll think on it under warm water
And hope that this 8 year old scar
Is unswollen
By nightfall tomorrow.
—it's a curse, or what?
No, it's the government .
The laws of karma affect all power and control beyond a magicians natural limitations and inhibitions.
Just for shits and giggles,
They planted the demons
The shamans,
And all of the actors
They bought out
The psychological terrorism
Began when she had indeed
Fallen by his hand—
A fist at best
But may have as well been
The bullet of a gun.
She spoke openly of social reform
And affordable housing,
Equality,
And economically priced produce.
—so they tried to murder her—
On numerous occasions
But couldn't.
They started a war
With a mother
Who never believed in nothing
And had lost
Children
To God itself.
They waged war with an army of robots
Using telephone service
And terms of agreement
They sent stalkers
Who spoke of shamans
And acted like demons
Agents who
Remembered
The names of people
Past
And present
None forgotten
Witnesses to what had happened
Burned notebooks
And credibility clauses.
God never forgot her
But often brought warnings
Of those that had come for her
They painted a picture of mental illness and poverty,
And with every hope,
Forced the suicide
Knowing that she'd leave her son a fortune—
—but had not known,
The gold was of the fools type—
As was his father.
The barrel of the gun
Was the punching bag
And the thinking horns
The slamming doors
$49 Dollar whores
And interceptions of brainwaves
The assasination
Was purely a psychological thriller—
The will had an omen
That no money
Would fall to the hands of
The man
Who had hurt her
In front of her sons.
So the world went on
Without a mother
Or without a God
As they all had worshipped
The opposite for so long
That true love
Has become
Obsolete
—like an old iPhone
With a broken screen
As a metaphore
For generation Z
Her body was the equivalent
Of the thing you don't need
But once used daily
And couldn't have gone anywhere
Without it
A suicide seemed
The only way
To escape the debt
And the only thing
She used to love
Was music
Now,
Just like her son
It was just a job—
And the worst part was
Both things
Cost too much
To afford it
The legend continues
With having to record everything—
When the recording stops
The world attacks
And anxiety takes over everything
Once she starts to sing
The people start coughing
The lights start flashing
The doors start slamming
And the name of her son's father
Whispers over and over
Like the sound of her mother popping gum
And sighing eggaderatedly in agony.
It's a competition
On a planet
With 8 billion people
Who all believe that
(((Whatever they believe))
And it must be true.
It's a competition
On a planet
With I billion people
Who all believe that
(((God)))
It must be
-Ū.
I didn't come here to be a messiah
Or leave tire marks
With my scuffed up Nikes
Rounding the corner
Out of Whole Foods market
Like I stole something
Only to come
Back to the office
To be greeted by shopping carts full of garbage
Bad music on low quality speakers
And trash under
All of the ugly parked cars
On the sidewalk
White girls will boycott this series
Because of how honest I am
About how toxic they are
With their microexpressions
And arrogance
In public.
(It's just race-relations.)
Where am I?!
Apparently, I'm a vegetable in a coma.
Right…
So you won't just mind if I—
No, not at all.
Focus shifting is an aspect of multidimentionality in which a subject becomes perceptionally hyper focused with a seperate intention from previous projects or interests in order to better develop the consistency and understanding of the overal idea or process of creating, designing, building, or adding to various tasks and projects, with the overall realization that focus shifting to enhance the quality or oucome of one process may increase the likelihood of success in another— a more long-term of understanding multitasking, the in depth nature of focus shifting requires the extention of a project within the circumstantial purpose of completing or building on another, with the intention to return to the original task or subject with further tools, understanding, and conceptual awareness of the completed concept on a broad spectrum.
vent, baby keem
(Happy Accidents Remix)
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.