Content:  

In this podcast we describe the passion for movies, which was sparked by a mother's collection and books on the art of film.  

We emphasize the importance of directing and the art form of film as opposed to mere entertainment. We criticize the formulaic nature of Hollywood and advocate films that are thought-provoking and tell a good story.  

We appreciate films that do not rely on special effects and focus on the content.  

On this channel, we present films that meet these criteria and share our enthusiasm with others.

Content:  

In this podcast, we discuss the timeless cult classic Casablanca (USA 1942), directed by Michael Curtiz, starring Humphrey Bogart, Ingrid Berman and Paul Henreid.  

We highlight the plot, which centers on a cynical nightclub owner who reconnects with a former lover, and the themes of love, duty, and moral dilemmas against the backdrop of refugees fleeing occupied Europe.  

We praise the iconic performances by the lead actors, particularly Bogart and Bergman, and highlight how many of the actors were themselves European immigrants.  

We also discusses the enduring appeal of the film, noting its captivating story, memorable dialogue, and ability to capture the uncertainty of its historical moment, asserting that it remains a timeless masterpiece that continues to resonate with audiences.  

Plot:  

Casablanca (USA, 1942), directed by Michael Curtiz, is a timeless romantic drama set during World War II. In the Moroccan city of Casablanca, the cynical nightclub owner Rick Blaine (Humphrey Bogart) reunites with his former lover Ilsa Lund (Ingrid Bergman), now married to a resistance leader (Paul Henreid).  

Torn between love and duty, Rick faces moral dilemmas as he helps Ilsa and her husband. With iconic performances and unforgettable dialogue, the film blends romance, intrigue, and sacrifice.

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In this podcast, we offers an overview of Robert Zemeckis's 2000 film “Cast Away”, starring Tom Hanks as FedEx manager Chuck who becomes stranded on a deserted island after a plane crash.  

We outline the plot, highlighting Chuck's initial time-obsessed life and his subsequent struggle for survival, sustained by a photograph of his girlfriend.  

We also provide background on Zemeckis's career, praising his impactful filmmaking and positioning “Cast Away” as a tragic yet compelling story about resilience, ingenuity, and human connection, even with inanimate objects like a volleyball named Wilson.  

We emphasize Hanks's captivating performance and the film's powerful sound design and score, ultimately ranking “Cast Away” as one of Zemeckis's best works.

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In this podcast, we analyze the differences between the French comedy “The Bélier Family” from 2014 and the American remake and Oscar winner “Coda” from 2021.  

We discuss the plots of both films, which center on a hearing teenager with a deaf family who discovers a singing talent, and then we provide a review offering opinions on various aspects, including the actors, themes, and overall quality.  

Ultimately, we conclude that “The Bélier Family” is the superior film and was arguably deserving of recognition itself, noting that “Coda” largely copied the original's screenplay.  

Plot:  

Coda (USA 2021)   

Ruby Rossi, the only hearing person in her deaf fishing family, juggles family duties and her dream of becoming a singer. When she joins the school choir, she discovers her talent and falls in love with her duet partner. Supported by her strict choir teacher, Ruby must decide whether to follow her passion or stay loyal to her family, who rely on her sign language skills.  

The Bélier Family (FRA 2014)   

Paula Bélier, 16, is the only hearing person in her deaf farming family and indispensable as an interpreter. When she joins the school choir, she discovers her singing talent and is encouraged by her teacher to audition in Paris. Caught between family obligations and her desire to pursue her dreams, Paula faces a difficult decision that affects her family and her future.

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In this podcast, we talk about “The Fallout” (USA 2021), by Megan Park. We discuss the plot of the film, in which a high school student named Vada grapples with the traumatic aftermath of a school shooting and finds solace in friendship.  

We praise the sensitive portrayal of grief and trauma, particularly Jenna Ortega’s performance, and highlights how the film incorporates humorous moments despite its serious subject matter.  

In conclusion, we recommend the film as a poignant and worthwhile exploration of an important topic.  

Plot:   

“The Fallout” follows Vada, a high school student who survives a school shooting and struggles with the aftermath. She finds solace in Mia, a popular influencer, and reconnects with her boyfriend Quinton, whose brother was killed.  

The film sheds light on their emotional struggles, including fear and grief, as they navigate trauma, strained relationships, and the search for normalcy. With impressive performances by Jenna Ortega as Vada and Maddie Ziegler as Mia, the film explores healing, resilience, and the lasting impact of violence on young people.

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In this podcast, we talk about “Are you there, God? It’s me, Margaret” (USA 2023), directed by Kelly Fremon Craig.    

We summarize the plot, focusing on young Margaret's move, her navigation of adolescence, friendships, and her search for religious identity amidst her parents' different faiths. We praises the film for its unique focus on Margaret's personal experience of growing up, highlighting the strong performance of the lead actress.  

Plot:  

“Are You There, God? It’s Me, Margaret” is a film adaptation of the novel by Judy Blume. The story revolves around Margaret Simon, an 11-year-old girl who, after her family moves, faces the challenges of puberty, friendships, and her religious identity. Caught between her parents’ religions—Christianity and Judaism—she seeks her own path. The film humorously and sensitively tackles themes like growing up, self-discovery, and family bonds.

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In this podcast, we examine the 1976 horror film “The Omen”, directed by Richard Donner, starring Gregory Peck and Lee Remick. We are summarizing its plot about an adopted boy believed to be the Antichrist and the films initial commercial success despite mixed reviews.  

We situate “The Omen” within the context of religious horror films of the era, like “Rosemary's Baby” and “The Exorcist”, highlighting its lasting impact on the genre and the now-common knowledge of its demonic themes.  

We offer a retrospective critique, noting that while its shock value has diminished due to increased on-screen brutality, the film still maintains a unique and unsettling atmosphere, solidifying its classic status.  

Finally, we briefly discuss a recent prequel and a similar thematic release, expressing a preference for the original's performances and understated horror.  

Plot:  

Robert and Katherine Thorn (Gregory Peck and Lee Remick) seem to have everything. The US ambassador in Rome is happily married, his wife pregnant. But the baby is stillborn. Robert is approached by a priest in the hospital who suggests adopting a healthy newborn whose mother just died during childbirth.  

Without informing his wife, he agrees. After moving to London, strange events and the ominous warnings of a priest lead him to the conviction that the child named Damien is the personified evil. Gruesome deaths suddenly occur. Are these all coincidences?

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In this podcast, we present the 2021 TV Show “Maid”, Created by Molly Smith Metzler, starring Margaret Qualley.  

“Maid” is a modern dramedy that authentically portrays the struggles of a single mother escaping poverty.  

We highlight the series' focus on themes like domestic violence and social inequality, praising the strong acting, particularly by Margaret Qualley in the lead role. We also emphasize the portrayal of the protagonist's fight against a bureaucratic and economic system.  

Plot:  

The US series “Maid” follows Alex, a young single mother who, after the end of her relationship, wants to escape poverty. Without a permanent residence or support, she works as a cleaner while grappling with bureaucracy, financial hardship, and a custody battle for her daughter.  

The ten-part dramedy series realistically illuminates themes such as domestic violence, social inequality, and resilience, carried by strong acting performances, especially from Margaret Qualley.

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In this podcast, we talk about the French thriller classic “One Deadly Summer” (FRA 1983), directed by Jean Becker and starring Isabelle Adjani.  

We outline the plot, which centers on a young woman named Eliane who arrives in a small French town and manipulates a local mechanic with a hidden and vengeful agenda stemming from the past.  

We analyze Adjani's portrayal of the femme fatale and the film's themes of seduction and the objectification of women, noting its effective use of setting and narrative shifts. We ultimately recommend the film as a compelling French thriller.  

Plot:  

In the spring of 1976, a 19-year-old beauty, her German-born mother, and her disabled father move to a small town in southern France. The provocative Eliane catches everyone's attention, including that of car mechanic Ping-Pong.  

Ping-Pong isn’t usually shy—after all, he’s sleeping with the married wife of a cinema owner. But he doesn’t dare approach the stunning Eliane, convinced she’d reject him outright.  

So, she takes matters into her own hands. One thing leads to another. Even though it becomes clear fairly early that Eliane is mentally unstable, Ping-Pong marries her.  

Until the very end, he fails to realize that she has an agenda—a sinister plan that turns the hot season in this small town into a deadly summer.

In this podcast, we talk about the coming-of-age films “Boyhood” and “Everybody Wants Some!!” by American director Richard Linklater.  
We describe "Boyhood" as a unique coming-of-age film shot over twelve years that follows a boy's life through everyday moments and family changes. It highlights Linklater's ability to capture the authenticity of relationships and growth over time.  
We then connect "Everybody Wants Some!!" to the end of "Boyhood", viewing it as a spiritual successor that portrays the carefree lifestyle of college baseball players in the 1980s.  
We praise Linklater's skill in depicting friendships and the joys of youth in both films.  
Boyhood (USA 2014)  
Plot:  
“Boyhood” follows Mason Jr. (Ellar Coltrane) from his sixth to eighteenth year in Texas. Filmed over twelve years, the movie shows his development amid family upheavals: his parents’ divorce (Patricia Arquette, Ethan Hawke), new relationships, moves, and the challenges with his sister Samantha (Lorelei Linklater).  
Director Richard Linklater captures the nuances of growing up, from everyday moments to formative life events, in a unique, authentic coming-of-age portrait.  
Everybody Wants Some!! (USA 2016)  
Plot:  
“Everybody Wants Some!!” follows Jake (Blake Jenner), a college freshman and baseball player, in 1980s Texas. In the days before the semester starts, he dives into a weekend full of parties, flirting, and team rivalries.  
Director Richard Linklater captures the carefree joy of life and the cultural shift of the era, shaped by music and youth culture. As a spiritual successor to “Boyhood”, the film is a humorous ode to friendship and early college years.