This episode originally aired on June 21, 2022.

If there's anyone who knows what it's like to be invited into "the kingdom of knowing," to borrow a phrase from journalist Richard Ben Cramer, it's podcast guest Barbara Feinman Todd, who graduated from The Washington Post Style desk to work as a researcher, book doctor, editor and spirit guide on books with Bob Woodward (Veil) and Carl Bernstein (Loyalties), and Ben Bradlee (A Good Life), leaving her uniquely positioned to reflect on the mind and mindsets of the three journalists who were perhaps most responsible for uncovering the Watergate scandal that ultimately led to the resignation of President Richard Nixon.

Indeed, as Barbara writes in her compelling memoir Pretend I'm Not Here, there are a hundred different ways to know and to be known, as she would go on to discover for herself in her work as a ghostwriter for such leading Washington personalities as Bob Kerry, then a U.S. senator from Nebraska (When I Was a Young Man); Marjorie Margolies-Mazvinsky, then a member of the U.S. House of Representatives from Pennsylvania (A Woman's Place); and, ultimately, Hillary Clinton. In what she had thought might be her most attention-getting assignment, Barbara signed on to collaborate with the First Lady on It Takes a Village, coming up with the title and structure of the book, and helping to shape the narrative into a coherent hole. Trouble was, Barbara was "disappeared" from the book's "Acknowledgements" page, and her contributions whitewashed by the Clinton White House, and so the attention-getting was not at all as she had imagined.

Barbara would go on to teach journalism at Georgetown University for 25 years, and as she leaned away from ghostwriting she reflected on her work as a ghostwriter, and on her years-long relationships with her clients and subjects, with a shifting perspective. Her conclusion? "Writing other people's lives is a bit silly," she writes in her memoir, "like playing dress-up, clomping around in your mother's pumps that don't quite fit, but it also lets you have a momentary sense of what it's like to be someone else." That momentary sense is at the heart of our conversation.

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