Secret Movie Club Podcast

Blake Winston Rice @blakewrice had his life turned inside out when he found out his short film Tea had been accepted for competition at the 2024 Cannes Film Festival. Suddenly after years of shorts submissions and rejections, he had less than a month to get ready for the biggest opportunity of his life. Blake talks with Secret Movie Club founder.programmer Craig Hammill about the crazy ride he had last year, what Cannes is really like for those who experience it, and advice he has for everyone fighting the good fight. 

Recent movies like the Latvian animated instant masterpiece Flow, the hilarious and well thought out parody.satire.personal journey indie The People's Joker, the formally daring subjective POV two-hander Nickel Boys, the Romanian dark comedy of the moment Do Not Expect Too Much From the End Of the World, and the musical political horror of the documentary Soundtrack to a Coup D'Etat among many others show that cinema still has new frontiers to cross, new voices to regenerate the medium, a new chapter for all of us. Secret Movie Club founder.progammer Craig Hammill digs into why these movies feel like beacons of light in the wilderness. And also what may need to happen on the marketing.advertising.exhibition side to re-ignite cinema as pop culture necessity.

A movie podcast so expansive, so intense, it took several weeks to edit!  Actor.musician.cinephile Andras Jones (Nightmare on Elm Street 4, Sorority Babes in the Slimeball Bowl-o-rama, https://previouslyyours.com) and Secret Movie Club founder Craig Hammill have part 2 of their conversation about what exactly defines cinema? Andras challenges Craig on Craig's definitions of simulation, artifice, consent since many great movies, documentaries ignore those things.  Craig puts forward that trust and shared vision among cast & crew are critical to getting the best out of a movie, especially when the subject matter is unsettling. Everything from Coppola's Apocalypse Now to Fassbinder's In a Year of 13 Moons to Gallo's The Brown Bunnny gets discussed. And we try to get closer to that obscure object of definition "What is cinema"?

We return to our Is this Cinema series to look at one of the 2000's most divisive horror movies: Tom Six's The Human Centipede (2009). The concept was so shocking (three humans sewed together by a mad doctor to make a...well you guessed it...) it became a pop culture phenomenon. Comedy shows like South Park devoted whole episodes to it. But was it cinema or just an edgelord eyeball grab for money?  Actor, musician, artist Andras Jones (Nightmare on Elm Street 4, Sorority Babes in the Slimeball Bowl-o-rama) who can be found at https://previouslyyours.com/ joins Secret Movie Club founder.programmer Craig Hammill to hash it out. Andras has a totally different definition of cinema than Craig that helps broaden the conversation. This is Part 1 of 2, the conversation was so epic. Part 2 which digs into the challenges of defining what is cinema comes out next time as SMC Pod #180. Here we go... 

The strange and still not fully understood deaths of actor Gene Hackman and his wife of 30+ years Betsy Arakawa may unsettle us for awhile or for always. But Gene Hackman's contribution to cinema is undeniable. From 1967's Depression-era gangster movie Bonnie & Clyde through Wes Anderson's 2001 comedy The Royal Tenenbaums, Gene Hackman captivated audiences with his always truthful electric performances. Secret Movie Clubber Edwin Gomez and SMC founder.programmer Craig Hammill talk the Hackman filmography from The French Connection to Unforgiven. Edwin singles out 1973's Scarecrow and Craig highlights how Hackman was great even in underrated genre movies like Sam Raimi's 1995 western The Quick and the Dead. Simply put: Gene Hackman is one of the greatest actors movies have ever produced. 

The one and only Edwin Cesar Gomez of @physicalmediasociety returns to the Secret Movie Club podcast fold to discuss American cinema producing legend Roger Corman. When SMC did its first Corman tribute a few months back, Edwin said "Hey! I shoulda been on that pod!" And he was right. Very few folks have seen as many Corman pictures as the ECG.  Today, Edwin and SMC founder.programmer Craig Hammill, discuss three more movies that give a fuller picture of how influential Corman was to late 20th century cinema: the 1967 Roger Corman directed LSD movie THE TRIP, the 1976 Roger Corman New World Pictures released HOLLYWOOD BOULEVARD, and the 1979 Roger Corman produced SAINT JACK. 

It's fascinating to see how the adaptation of a single novel, here Shirley Jackson's 1958 haunted house masterpiece The Haunting of Hill House, can have such a profound impact on sixty years of moviemaking. First adapted by master Hollywood director Robert Wise in 1963 as The Haunting, Shirley Jackson's novel would then inspire Stephen King to write The Shining and Stanley Kubrick to adapt The Shining in 1980. The Shining movie would influence the styles of everyone from Martin Scorsese and Steven Spielberg to French moviemaker Coralie Faraget. And when Faraget made 2024's body horror The Substance starring Demi Moore and Margaret Qualley, she would use The Shining's film grammar. Secret Movie Club founder.programmer Craig Hammill takes a deep dive look at how movie adaptations can have long lasting effects on moviemaking itself.

Adaptation from one storytelling medium to another is key to cinema. Be it a novel, a play, a TV show, an opera, or beloved legend, the work adapted MUST be molded and changed to suit the strengths of cinema.  Ironically, faithful adaptations are often the least successful. Today, Secret Movie Club founder.programmer Craig Hammill looks at the classic 1818 romantic Gothic horror novel Frankenstein and how subversive clever film director James Whale adapted it in 1931 for Universal Studios. Whale even injects an LGBTQ+ subtext not present in the novel. And yet the key spark, soul of the original is in the film. Check out the pod and let us know what you think (in comments on our socials or by writing us at: [email protected]).

Today, we look at some of the great "pure cinema" movies with little to no dialogue. Now listen-dialogue is great. Dialogue is cinematic. But to scale the heights, a moviemaker needs to know how to communicate cinematically (image + sound) without using dialogue as a crutch to convey information. Secret Movie Club founder.programmer Craig Hammill looks at F.W. Murnau's 1924 masterpiece The Last Laugh (with only two intertitles for the entire movie), avant garde master Stan Brakhage's The Act of Seeing with One's Own Eyes, Ron Fricke's 70mm essay movie Baraka, the incredible Ukranian movie all in sign language The Tribe, and Phil Tippet's stop motion mind blower Mad God as examples of movies whose power comes from their commitment to what Alfred Hitchcock called "pure cinema". 

Movies have always had their ups and downs. Every time it looks like cinema is gonna give up the ghost, it somehow roars back and a new era is born.  But is that true in 2025? Or has cinema finally come to the end of the line? Secret Movie Club founder.programmer Craig Hammill takes stock of the state of cinema. He tries not to pull punches or manufacture a conclusion. Where are we? Do we have a future? Take a listen and let us know what you think.