The way it places laughter alongside tears with such grace is astounding.

There is so much footage, so many stray, unguarded moments and so much fun to be had just gawking at this world, it’s hard not to like.

Someone in this film needed to walk faster. Or take their clothes off. Or pull out a gun and start shooting.

Comparing two new films that deal with war, mass delusion and a tone deaf socialite who just wanted to sing.

A compelling film of family secrets and revelations that is, in part, also a reflection on the source of the anger that drove a generation to become such an important cultural force in this country.

Enjoy the playful 80s soundtrack, buy in to the fantasy of the determined young klutz who proves the naysayers wrong.

The Boss is like the Hollywood comedy Donald Trump supporters have been waiting for, and McCarthy is a perfect fit.

Ahead of GOMA's retrospective, Professor of Modern Greek at Sydney University Vrasidas Karalis discusses Angelopoulos's 1975 film The Travelling Players.

Moore’s filmmaking style mashes tabloid spectacle and left wing politics with an aesthetic of bold, grotesque juxtaposition. On occasion it’s gifted us a memorable image or two...

Koreans love their cinema, but their biggest film festival is in trouble.