Worth a look, even if Michell – who’s more renowned for lighter, even comic fare - doesn’t quite hit all the notes.

What begins as a realist, slightly meandering drama about remote village life amongst goat herding families, slyly transcends doco-fiction to arrive somewhere much richer.

Sometimes frustratingly underwhelming, it’s also a fascinating peer behind the curtain of this much idolised public figure.

Wonder Woman starts full of energy and fun but ends with a bit of a disappointing climax.

The unhealed wounds of Chilean history remain key inspirations for Pablo Larrain.

Why are Australian directors attracted to such vile inhumanity?

A chat with American film critic Dana Stevens from the award-winning podcast Slate’s Culture Gabfest.

David Lynch's focus on mood over plot, his refusal to explain ambiguity, his embrace of theatricality and his relish in low fi, handmade special effects are all elements of an artistic signature that’s as intense and uncompromising as its ever been.

Delving into the dark world of sex abuse cover-ups, Don't Tell is an ambitious first outing for director Tori Garrett. But it's no Spotlight.

No two screenings of this video installation are the same. It should be a recipe for disaster, but it works wonderfully.