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Émile Lemoine was a French mathematician and passionate amateur musician who, in 1861, founded a members-only chamber music society he called “La Trompette,” or “The Trumpet,” a society that soon included some of the most famous musicians in Paris, including composer Camille Saint-Saëns. For years Lemoine begged Saint-Saëns to compose a chamber work for his society, asking only, not surprisingly, that it feature the trumpet.
Saint-Saëns eventually fulfilled Lemoine’s wish, composing a Septet for the unusual combination of trumpet, two violins, viola, cello, double bass, and piano, a work influenced somewhat by his love of 17th century French music and dances.
The Septet was successfully premiered at a La Trompette series concert on today’s date in 1880 and published the next year. Some consider it a minor masterpiece for its skillful writing, musical humor, and effective balancing of the unusual instrumental forces.
Of all his works, it was the septet that Saint-Saëns reportedly liked the most, even though he once confessed to Lemoine, “When I think how much you pestered me to make me produce, against my better judgment, this piece that I did not want to write and which has become one of my great successes, I am at loss to explain it.”
Camille Saint-Saëns (1835-1921): Préambule from Septet; Trio a Cordes Francais; EMI 47543
By American Public Media4.7
176176 ratings
Émile Lemoine was a French mathematician and passionate amateur musician who, in 1861, founded a members-only chamber music society he called “La Trompette,” or “The Trumpet,” a society that soon included some of the most famous musicians in Paris, including composer Camille Saint-Saëns. For years Lemoine begged Saint-Saëns to compose a chamber work for his society, asking only, not surprisingly, that it feature the trumpet.
Saint-Saëns eventually fulfilled Lemoine’s wish, composing a Septet for the unusual combination of trumpet, two violins, viola, cello, double bass, and piano, a work influenced somewhat by his love of 17th century French music and dances.
The Septet was successfully premiered at a La Trompette series concert on today’s date in 1880 and published the next year. Some consider it a minor masterpiece for its skillful writing, musical humor, and effective balancing of the unusual instrumental forces.
Of all his works, it was the septet that Saint-Saëns reportedly liked the most, even though he once confessed to Lemoine, “When I think how much you pestered me to make me produce, against my better judgment, this piece that I did not want to write and which has become one of my great successes, I am at loss to explain it.”
Camille Saint-Saëns (1835-1921): Préambule from Septet; Trio a Cordes Francais; EMI 47543

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