Sergio Aragonés might well be the world's most distinguished, prolific and beloved cartoonist. Even as Mad Magazine, where his distinctive and hilarious drawings graced their pages for 60 incredible years, ceased publication during the pandemic, Sergio has been busier than ever. He's cranking out multiple editions of his picaresque masterpiece, "Groo the Wanderer," creating multiple covers for other magazines, working on bespoke projects and entertaining his adoring fans with his instantly recognizable, hilarious and insightful cartoons.

Sergio talks about his family's flight from Franco-era fascism in Spain to France, then to Mexico City, where his father found work as a producer for Mexico's vibrant film industry. Sergio entertained himself on film sets with his sketchpad and pens, and by an early age was entertaining his friends with his talents. He also played extras in many films before heading off to architecture school before trying his hand at a professional career in cartooning. After arriving in New York City by bus, his first employment was declaiming Federico Garcia Lorca poems. It wasn't long before his obvious genius was recognized by Mad Magazine and he was off and running.

He talked about Mad's famous annual trips, one in which publisher Bill Gaines took his entire crew to Surinam to convince their one reader in that country to renew his subscription (though Sergio missed that trip because he was getting married), the easy and enduring camaraderie of that talented crew, the technological changes that have disrupted his business, the opportunities it presents, and how he kept himself sane during the pandemic. He also talked about how history is taught in Mexico versus how it's taught in the U.S., and many other things. 

We did not talk about pirates, Krishnamurti or the perils of horse ownership.