Which subpar books actually warrant writing a bad review? Do best sellers usually live up to the hype? And how does our relationship with technology affect the publishing industry? Kara sits down with two of her favorite book critics, Dwight Garner of The New York Times and Becca Rothfeld of The Washington Post, to discuss the best and worst books of 2024.
The trio debates standout books and notable disappointments, the craft of book reviewing, and the best way to experience a great book. They also explore the importance of best-seller lists, how concerned we should be over the rising tide of book censorship, and which books from 2024 could end up becoming forever classics.
Books mentioned includes (listed alphabetically):
What Are Children For? On Ambivalence and Choice, Anastasia Berg & Rachel WisemanBoswell’s London Journal 1762-1763Believe Nothing Until it is Officially Denied: Claud Cockburn and the Invention of Guerrilla Journalism, Patrick CockburnD'Aulaires’ Book of Greek MythsCarson McCullers: A Life, Mary V. DearbornYou Dreamed of Empires, Álvaro EnrigueJames, Percival EverettWhen the Clock Broke, John GanzThe Upstairs Delicatessen, Dwight GarnerSmall Rain, Garth GreenwellLesser Ruins, Mark HaberAlphabetical Diaries, Sheila HetiA Few Words in Defense of Our Country: The Biography of Randy Newman, Robert HilburnSplinters, Leslie JamisonHowl's Moving Castle, Diana Wynne JonesCreation Lake, Rachel KushnerLiars, Sarah MangusoWe Who Wrestle With God, Jordan B. PetersonIntermezzo, Sally RooneyThe Extinction of Experience: Being Human in a Disembodied World, Christine RosenThings Are Too Small, Essays in Praise of Excess, Becca RothfeldKnife, Salman RushdieI Heard Her Call My Name, Lucy SanteThe Rebel’s Clinic, Adam SchatzThe Politics of Cultural Despair, Fritz SternHillbilly Elegy, J.D. Vance
Questions? Comments? Email us at [email protected] or find us on Instagram and TikTok @onwithkaraswisher
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