Five years ago, Charli XCX released the track "party 4 u," a melancholic ode to throwing a function for that one specific person. Now, in 2025, the song has gotten a renewed life – motivated by a foolproof cocktail of TikTok trends, the Billboard Hot 100, and a post-Brat Summer clamor for Charli.

It's rare for pop songs like this to get a second wind. So, on this episode of Switched On Pop, Reanna, Nate, and Charlie put on our detective hats on to dissect the five-minute song's vocals, textures, and structures to understand just why people are reconnecting with it, half a decade later.

Songs discussed:

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The 808 is arguably the most iconic drum machine ever made. Even if you’ve never heard of it, you’ve definitely heard it. It’s in dozens of hit songs -- from Usher to Marvin Gaye, Talking Heads to The Beastie Boys -- and its sounds have quietly cemented themselves in the cultural lexicon. In this episode, we try to understand how that happened and follow the unlikely path of the 808. Featuring DJ Jazzy Jeff and Paul McCabe from Roland.

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What happens when worship anthems climb the charts alongside soul revivals and nostalgia-driven comebacks? The May 2025 Billboard charts reveal a fascinating musical landscape where Drake performs a strategic reset after his epic battle with Kendrick, worship-adjacent pop dominates the mainstream, and The Marias reject conventional song structures with dreamy success. From the bizarre 34-second Minecraft soundtrack hit to the rise of "voice audition pop," we're exploring how these competing visions of pop music reflect our collective anxieties and cultural shifts. Is this beautiful chaos the new normal?

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We rarely cover movies here at Switched On Pop. But after seeing Ryan Coogler's new vampire musical Sinners, we knew we had to make an exception.

The movie is an ode to Black music. Throughout its over two hour runtime, the film pays tribute to the blues: nodding to the musicians, instruments, and melodies that make it a foundational genre in the American musical canon. There's also Irish folk vampires, original music from Ludwig Göransson, and a whole lot of history – perfect for Charlie and Nate to sink their teeth into.

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It's that time of year again: Eurovision Song Contest is upon us. And with the competition comes a tradition at Switched On Pop, where Charlie and Nate look at the songs (and countries) that have the best odds to take home the title. This year, we have an ode to the sauna, soaring operatics, and a feast of food-themed tunes – including the Estonian entrant Tommy Cash's ode to the "Espresso Macchiato."

This episode of Switched On Pop, we take a sonic trip to Basel, Switzerland – and in the back half of the episode, talk to Tommy Cash himself about his entry and more.

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Despite TikTok defining this decade's music landscape, the app hasn't spawned a bonafide pop superstar – yet. 24-year-old Addison Rae is trying to be the first.

She's already had cosigns from Arca, Charli XCX, and Benny Blanco; critical acclaim from outlets like Pitchfork, Rolling Stone, and Elle; and is cultivating a fervent fanbase with a slew of breathy, ethereal, and inspiration-laden singles. But how does one translate TikTok celebrity into pop success?

On this episode of Switched On Pop, Reanna, Nate, and Charlie put their "Headphones On" to understand how one of the biggest Gen-Z celebrities is trying to parlay her allure into pop princess-dom.

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SONGS DISCUSSED

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Taylor Swift isn't just a world-conquering pop star at the top of her game, her approach to songwriting has also proven massively influential for an up-and-coming generation of singer-songwriters. Gracie Abrams, Maisie Peters, and Phoebe Bridgers—all of whom opened for Swift during her Eras Tour—each owe a debt to Swift's hyperspecific lyrics, minimal melodies, and bombastic bridges. We break down the key aspects of Swift's songcraft and how we can hear them manifest in the work of her young acolytes, and we speak to another burgeoning artist, the brilliant Jensen McRae, to learn firsthand why Swift's style has been so resonant.

Songs Discussed

Taylor Swift - All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)

Gracie Abrams - That’s So True

Maisie Peters - There It Goes

Taylor Swift - Style (Taylor's Version)

Taylor Swift - You're On Your Own, Kid

Phoebe Bridgers - Motion Sickness

Taylor Swift - Our Song

Beyoncé - Sandcastles

Katy Perry - Unconditionally

Taylor Swift - cardigan

Dua Lipa - Levitating

Taylor Swift - You Belong With Me (Taylor’s Version)

Taylor Swift - Dear John (Taylor's Version)

Jensen McRae - Praying For Your Downfall

Jensen McRae - Savannah

Jensen McRae - Immune

Taylor Swift - Would've, Could've, Should've

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Specialized platforms and social media have empowered musicians to tap into niche audiences, igniting a quiet revolution in the music industry. Despite the dominance of viral hits, a new wave of artists, labels and businesses are redefining success by building dedicated fanbases with focused, niche strategies. This conversation, live from SXSW, features Charlie leading a conversation with:

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Miley Cyrus just released three singles from her ninth studio album, Something Beautiful. Inspired by Pink Floyd's The Wall—specifically the 1982 feature film based on the album—Cyrus is not just sharing new music but a whole visual album, each song accompanied by a music video shot by director Panos Cosmatos. We last heard from Cyrus in 2023 with her massive smash "Flowers," which found the industry veteran finding some kind of inner peace. With her new songs, Cyrus is turning from healing herself to healing the world. She described the project as "a concept album that’s an attempt to medicate somewhat of a sick culture through music." What does such an endeavor sound like? For one, a lot of surprising textures and collaborators: Shoegaze guitarists, jazz saxophonists, indie rock producers. At least, sounds that are surprising to those who only know Cyrus from "Flowers," "Wrecking Ball," and "Party in the USA." The true Miley stans expect the unexpected from an artist who, it turns out, has always been weird.

Songs Discussed

Miley Cyrus - Flowers, Prelude, Something Beautiful, End of the World, Dooo It!, Malibu, Cattitude (feat. RuPaul), Plastic Hearts

Blank Banshee - Eco Zones

Caroline Polachek, Oneohtrix Point Never - Long Road Home

D'Angelo - Send It On

Alice Coltrane, Pharoah Sanders - Journey In Satchidananda

Whitney - Forever Turned Around

ABBA - Mamma Mia, Dancing Queen

Alvvays - Easy On Your Own?

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Why was Chappell Roan's band dressed like an 80s hair metal act during her Grammy performance? The answer unlocks the surprising secret behind her #1 country hit "The Giver." This musical detective story connects glam rock aesthetics to modern country through an unexpected lineage involving AC/DC's producer, Shania Twain's revolution, and men who inadvertently dressed in drag. Between fiddle licks and gated reverb drums lies a brilliant subversion of country traditions that proves the genre has always been about musical drag while revealing what "rhinestone cowgirl" really means.

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Songs Discussed:

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