Why do bad lyrics happen to good people? From "suckin' on a chili dog" to "making love to his tonic and gin," even the biggest hits from our favorite artists can feature lyrical turns that make us feel quizzical, offended, or even downright nauseated. With the help of Sam Sanders, brilliant host of The Sam Sanders Show, we plumb the depths of the worst pop lyrics of all time—culled from hundreds of submissions form Switched on Pop listeners—to try categorize, historicize, and, perhaps, celebrate the art of the lyrical faux pas.

Follow Sam on Instagram  and check out The Sam Sanders Show for more hot takes on entertainment and culture. We recommend you start here.

Songs Discussed

Benson Boone - Mystical Magical

Velvet Sundown - Rebel Shout

Live - Lightning Crashes

Captain and Tennille - Muskrat Love

John Mellencamp - Jack and Diane

Fergie - Big Girls Don't Cry, London Bridge

Katy Perry - Firework

Billy Joel - Piano Man

Richard Harris - MacArthur Park

Imagine Dragons - Sharks

Des'ree - Life, You Gotta Be

One Direction - Don't Forget Where You Belong, Little Things

Taylor Swift - Willow, Anti Hero, I Hate it Here, ME!

Train - Hey Soul Sister, Meet Virginia, Drops of Jupiter

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Every music critic seems to agree: 2025 has no true song of summer. Last August, Teddy Swims’s “Lose Control” dominated the charts. This year…Teddy Swims’s “Lose Control” dominates the charts. What’s going on? Why is there no new summer song to unite us in collective listening, and will there ever be again?

Elamin Abdelmahmoud, host of the CBC’s daily culture podcast Commotion, joins Nate and Charlie to discuss the dearth of seasonal bops, and suggest some possible contenders for sleeper summer hits, from the soundtrack of the anime film KPop Demon Hunters to the latest from the Haim sisters. Despite the moribund status of the Hot 100, there is no shortage of great music to be found in the dog days of summer if you’re willing to listen closely.

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Check out more music commentary from Elamin and Commotion, like their dive into Bruce Springsteen’s unreleased albums, or their dissection of Bieber’s latest with our very own Reanna Cruz.

Songs Discussed

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Justin Bieber is back with his seventh studio album: the aptly-titled SWAG. The lo-fi, reverb-laden record is a remarkably candid look inside the world of Bieber, using the palette of both underground pop and 90's R&B to accentuate lyrics about his wife, his struggles, and his "standing on business."

Notably, it's his first album post-split with manager Scooter Braun, and the first where Bieber has been in full artistic control. On this episode of Switched On Pop, we tap into the SWAG mindset and attempt to understand Bieber's newfound vision, what it's saying, and ultimately, if it even still matters.

Songs discussed:

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What if the entire sound of modern podcasting can be traced back to a single Grateful Dead song uploaded in 2001? We uncover the musical lineage that connects NPR's classical gravitas to dubstep wobbles, from the very first RSS feed experiment to the mysterious masked composer who's scored over 200 podcast themes and shaped what millions of people hear when they hit play. This deep dive reveals how podcast music evolved from classical public radio strings into today's signature blend of plinking pianos, breakbeats, and irreverent sampling—plus an exclusive interview with the enigmatic Breakmaster Cylinder, the "Hans Zimmer of podcasting" who's been hiding behind a robot helmet for over a decade.

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SONGS DISCUSSED

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The robots have arrived, and they're making protest songs about boots on the ground. When an AI band called The Velvet Sundown fooled over a million Spotify listeners with their psychedelic folk anthems, it raised an unsettling question: have the machines gotten so good we can no longer hear the difference? Charlie puts Nate to the test with a game of "AI or Human?" featuring Wu-Tang deepfakes, phantom instruments, and songs that sound like Dire Straits and Tom Petty had a baby. Along the way, they uncover the five telltale signs that expose artificial music, from juvenile rhyming patterns to voices that shapeshift between tracks. But here's the terrifying part: just six months ago, AI music was unlistenable chaos. Now it's disturbingly competent. And it's only getting better.

Songs Discussed

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In which we explore the unlikely rise, and surprising backlash against, one Benson Boone.

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Why does the economy look great on paper but feel terrible in your wallet? There might be a more revealing economic indicator hiding in your Spotify queue. "Recession Pop" first emerged during the Great Recession and exploded into playlists, radio formats, and DJ sets in 2024. From melancholy indie anthems to escapist dance tracks, the songs we gravitate toward during uncertain times might predict where the economy is headed next. Host Jonquilin Hill explores this musical phenomenon on Vox's "Explain it To Me," with Charlie joining in the second half to decode what our streaming habits reveal about financial anxiety and economic forecasting.

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 As we've been examining over the course of Country Week, country music has found a larger audience, in part by widening its sonic palette. For the final episode of this series, we take a look at a genre on the outskirts of country – Americana music – and how it's being used to connect to the scene's musical roots.  

Historically, Americana has embraced an acoustic sound, traditional repertoire, and an appetite for virtuosic technique. In bluegrass artists like Billy Strings and roots musicians like Sierra Ferrell, Nate and Charlie see if there's an antidote to be found for the issues that plague modern, mainstream country music.

Songs discussed:

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More often than not, country music is seen as an "American" genre – meaning that the music is seen as strictly from the United States. In some ways, that's true; but the genre's iconography, sound, and ethos can actually be traced to the south of the border, in Mexican regional music.

The worlds have been more intertwined than you would think, and in musica mexicana, we find the closest comparison to what we traditionally call "country music." In this episode of Switched On Pop, in honor of country week, we take a look at the cumbia-corrido hybrid "Me Jalo" from Fuerza Regida and Grupo Frontera, two U.S. based acts performing Mexican regional music, to see what ties the cultures together.

Songs discussed:

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There's often an unspoken (and deeply misogynistic) rule on country music radio: never play two female artists back to back. In this episode of Switched On Pop's country week, we aim to do just that. Looking at two artists on opposite ends of the country music spectrum – traditionalist Lainey Wilson, and genre-bending Jessie Murph – Nate and Charlie try to understand the state of female country through their respective songs "4x4xU" and "Blue Strips."

Songs discussed:

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