No matter where you spend your time, online or off, you’ve encountered some form of therapy speak. Maybe it comes from a friend who loves processing their therapy with others; maybe it suffuses your TikTok FYP; maybe your friends or family members have been using it to try and describe how they’re trying to foster and maintain healthy relationships; or maybe you’ve just been keeping up on the latest celebrity gossip. It’s everywhere — and as you’ll find in this episode, tracing its proliferation will lead you in so many fascinating (and complex!) directions. I’ll be real: I knew this episode would be interesting; I didn’t know it would be this interesting.

As soon as I heard about the new podcast Bad Therapist — cohosted by psychotherapist Ash Compton and New Yorker journalist Rachel Monroe — I knew they’d be the perfect people to help answer all of your questions about therapy speak. This is complicated s**t! We’re talking about language that is often super useful to people… but can also be weaponized (GAH, THERAPY SPEAK) to inoculate those using it from critique. Weirdly, I feel like it’s the perfect New Year’s Day episode? I can’t wait to hear your thoughts about all of it.

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As an Registered Auntie, I get to watch kids’ toy trends from the backseat. I’ve bought annoying things (sorry, parent friends) and learned how to play new things (Beyblades, I rule) and passed down precious things (all of my My Little Ponies from the ‘80s). We could talk forever about the merits of various toys, past and present, but your listener questions this week underline that there’s also a tremendous amount of anxiety and class signaling absorbed by kids’ toys.

So this episode, featuring toy expert Youngna Park, has it all: light nostalgia, unpacking the obsession with wooden toys, getting to the heart of why grandparents give “junky” gifts, and, of course, talking about what kids actually like when it comes to toys. If you didn’t have Big Toy Feelings before, you will after this one.

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Sometimes we do episodes where I know a fair amount about the subject and end up on a three minute digression about picture palaces. And sometimes I’ve only started to learn about a topic — or read within a genre — and am absolutely thrilled to spend an hour listening to someone else’s expertise. That’s what we’re doing today with queer romance writer Adib Khorram: tackling your questions on everything from how to feel about queer romance written by straight people, why so many romance plots are M/M, where to find great trans romance, and so much more. And as with every episode in our romance series: you do not have to be an avid romance reader to find all of this interesting. (Although this episode might get you interested in becoming an avid romance reader!)

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What is Quince and why is it everywhere? Who is running Albion Fit? Who buys clothes at Altar’d State? Why is Madewell so sad? This is an explainer episode, but it’s also a brands-feelings processing episode, because any time millennials try and talk about how J.Crew or Madewell has changed, they’re also talking about how their own feelings about fashion have changed. And no one understands the rhythms of brands quite like Caroline Moss, the host and curator of the Gee Thanks Just Bought It extended universe. Listen as we attempt to answer all of your WTF-is-going-on-with-this-brand questions and hold space, as it were, for all of you big brand feelings… and tell us what brand still mystifies you!

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Sometimes I forget just how many classes I took on the history of cinema — or that I used to teach a class on it! — but then I have a conversation like the one you’re about to listen to and remember: oh right, I am a huge film history dork. This episode, featuring the brilliant Hannah McGregor, travels all over the past, present, and future of the blockbuster, from the theory of the “whammy,” to Hannah’s book on Jurassic Park, from Barbie to Twisters, from why we started going to the movies to why we’ve (largely) stopped. It’s a ROMP and incredibly listenable — perfect for wherever you’re driving or to have on in the background while you chop one million brussels sprouts.

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I could talk about Nicole Kidman for hours. Very few Hollywood actors have had careers this varied, this delightful, this weird — oh, and she’s also been married to Tom Cruise. She manages to be both chronically underestimated and overrated, and she’s recently found herself in a slew of roles where she embodies a slew of different rich white ladies, each miserable in their own specific ways. For this episode, I’m joined by the great Sam Sanders to talk about our own Kidman Syllabi and answer your questions about her most recent roles, (not) aging onscreen, and what makes her such an effective miserable rich person.

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Almost all of the public conversations about sex testing and sports — or, more to the point, who should be allowed to participate in women’s sports — are pretty bad. In many if not most cases, they’re outright transphobic; even in the “best” cases, they’re still pretty ham-fisted. But Rose Eveleth is having a very different sort of public conversation about sex testing in their new podcast, Tested — one that looks to the way these tests affect the athletes subject to them, and how the concept of fairness in women’s sports has become so fraught. For today’s episode, Rose answers your questions about the history of women’s sports gender panic, why men aren’t subject to the same sex testing, and how the Paralympics imagines “fairness” in profoundly different ways. I absolutely loved this conversation. I think you will too.

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“Most people who complain about BookTok have never seen a BookTok.” Alyssa Morris drops that insight about two-thirds of the way through the episode, and it’s such a good point that I almost want to make it the title of the episode. Most people have an idea of what BookTok is (people talking about books on TikTok) but no real understanding of the immensity of BookTok. It’s talking about what you’ve read, sure, but it’s also about recommendations, and performance, and the aesthetics of reading culture — and the criticisms of it have a lot more to do with weird ideas about what reading (or talking about reading!) “should” look like.

If you’re interested in reading culture, you’ll be interested in this episode — full stop. Let it surprise you! And make sure to check out Alyssa’s BookTok newsletter, which has quickly become one of my favorite reads of the week.

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A podcast episode on the state of podcasting? Classic Culture Study Pod. At this point in my career, I’ve been interviewed on hundreds of podcasts, been adjacent to the production of dozens, been the host of three pods, and even watched a fourth pod go through two years of production only to get axed. The podcasting world is so dynamic, so weird, and so complicated… and industry analyst and critic Nicholas Quah is the best person to talk about its shifts, its future, and the best stuff coming out RIGHT NOW.

You asked so many good questions (about ads, about funding structures, about editing) that Nick and I did our best to answer — but I also can’t wait to hear your follow-ups, because this world is ever-changing.

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You might look at the question in the title of this episode and think: duh, it’s because we’re weird about death. But cancer is so common, with so many different variations, with so many ways it can touch your life, in ways immediate and lasting… that of course we’ve figured out ways to be weird about it. Of course there are bizarre metaphors, of course we don’t have space for the messy, extended work of recovery; of course there are bizarre tropes and plot lines intended to make cancer more understandable which just make so many people feel like they’re “failing” at cancer when their own experiences don’t fit the popular narrative trajectory.

Dr. Stacy Wentworth is an oncologist, the author of the newsletter Cancer Culture, and the host of Less Radical, a new podcast about the surgeon who revolutionized breast cancer treatment — and changed the way we understand cancer today. And I knew she’d be the perfect person to talk about the way we talk about cancer, all the weirdness that can accompany it, and how that discourse has changed over time.

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