Our country is now run by a bunch of spineless billionaires who were cast out as nerds in college so they launched a vendetta against humanity. Today, Edward Ongweso Jr. of This Machine Kills helps us understand the tech bro-ligarchy’s key overlords, why they are so far up the president’s rectum, their deranged philosophy on life, and their apocalypse escape plans. 

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The first episode of this podcast ever recorded was about Amber Heard and the online public’s inability — or unwillingness — to distinguish between their organic feelings about celebrity abuse allegations and their participation in a strategic, well-funded smear campaign against a woman coming forward. Since that episode, journalist Kat Tenbarge and I have become best friends. She’s also reported on this exact news cycle over and over again with different women. Today, we break down the new yet familiar legal battle between Blake Lively and Justin Baldoni and attempt to sharpen our critical thinking skills, because the decisions we make online matter — and the success of these misogynistic campaigns can end with us.

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The remarkable dissonance between the public’s embrace of UnitedHealthcare CEO assassin Luigi Mangione and the mainstream media’s outward disdain for both Luigi and the public’s martyrization of him has been… bizarre. In a rare moment where the culture war has been traded in for the class war, billionaire-owned media corporations and politicians alike seem to be panicking. That panic should be a moment of clarity for everyday Americans.

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There was a time before Elon Musk was tweeting 60 times a day about trans people and the woke mind virus — and it wasn’t that long ago. As recently as 2018, Elon was boasting about Tesla scoring a 100 on the Human Rights Campaign’s corporate equality index and telling anyone who was bothered by that to “not buy our car.” So what happened? Today, Ryan Mac and Kate Conger, authors of Character Limit: How Elon Musk Destroyed Twitter, unpack Elon’s personal and political midlife crisis — and the price we pay for it.

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A Bit Fruity was due for a good old-fashioned film analysis. Wicked is a kids movie that is actually for adults, holding up a mirror to our increasingly fascistic reality and asking us to question our struggle against it — or place within it. Glinda the Good Witch, thoughtfully delivered by Ariana Grande, is both easy to love and easy to hate. But while some characters’ politics are obvious (a fascist Wizard, a radical Elphaba), Glinda’s are harder to pinpoint. Today, we attempt just that.

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This was the first election where the online far-right radicalization of young boys and men revealed itself in exit polls. After years of being fed diet-incel podcasts, one thing is clear: Gen Z will not, by some inherent virtue of youth, save us. Today, Taylor Lorenz and I break down the “epidemic of male loneliness”, the influencers exploiting it, the conservative media machine that funds them, and why we can’t just make a “leftist Joe Rogan.”

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In America, the only thing standing between you and wealth beyond your wildest dreams is tying for fifth with a trans person. Today, media critic Ari Drennen takes us into the bizarre world of the 24-year-old whispering policy into Donald Trump’s ear.

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The slogan of YouTube’s most popular debate channel, Jubilee, is “provoke understanding & create human connection.” So why is all of its content a cesspool of bigotry, rage-bait, and pseudoscientific slop? 

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Well, I got Swiftied. As I sat there, sifting through ever more creative and graphic death threats, I wondered: is it time for a podcast episode? Today, Amanda Montell (of Sounds Like a Cult) takes us on an exploration of how online music fan culture co-opted the harassment tactics of the far right, which co-opted the social justice tactics of Black Twitter. Let’s go, girls.

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H-O-T-T-O-G-O, Chappell Roan is someone we do not actually know. But what do we do with the (very real) feelings and relationships we form with the people on our screens? Today, Eliza of Binchtopia and I discuss fame — global fame and niche micro “fame” — to understand where we parasocially flew off the rails, and what the future of celebrity might look like with boundaries in place.

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