"The Music Man" by Meredith Willson is a classic, big-hearted American musical that premiered on Broadway in 1957 and went on to win five Tony awards. We invite you to fritter away some time with us while we discuss the love (Forrest) and hate (Lenny) relationship we here at Settling Scores have with this show, which features several standards of the musical theatre canon such as Seventy-Six Trombones, Trouble, 'Til There Was You, Pickalittle and Gary, Indiana.  Along the way, we’ll explore several instances of subtle racism in the original score, discuss some fabulous and not-so-fabulous performances (…ahem, looking at you, 2022 revival cast), listen to a cover by none other than the fabulous Ms. Patti LuPone, and of course we’ll “talk, talk, talk, talk, and bicker, bicker, bicker” all the while. “Yessssir, yessssir!”

Synopsis: Charming con-man-with-a-heart-of-gold Harold Hill arrives in the small town of River City, Iowa, posing as a boys’ band organizer. He sweet talks the townspeople into investing in instruments and uniforms for the band he claims he will lead, despite having no musical ability. Along the way, Hill meets and falls for Marian Paroo, the straight-laced town librarian and music teacher, who sees through his scheme, but finds herself falling for him nonetheless. As Hill's deception unravels, he must decide whether to flee or face the consequences, ultimately discovering a deeper connection to the town - and to Marian - than he anticipated. This spirited and infectious musical explores themes of love, trust, and the transformative power of music in a nostalgic portrayal of early 20th-century America. Bona fide happy ending, guaranteed.

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