Settling Scores: The Musical Theatre Podcast

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In this episode of Settling Scores, we discuss the not-so-simple joys, the seriously strange (...left-handed fleas and balding griffins, anyone??), and the existential angst of Stephen Schwartz and Roger O. Hirson’s medieval musical, Pippin. Along the way, Forrest coins the word, “orgy-ness,” we stand in awe of the Marvelous Mrs. Patina Miller, and revel in the classic “Bob Fosse-ness” of the original 1972 production, directed by Fosse himself, who left future productions with some very large stylistic shoes to fill. Cue the ever-inventive Diane Paulus, whose 2013 Broadway revival of Pippin brought a fresh, circus-inspired approach to the show, which earned widespread acclaim and several Tony Awards. 

Which cast recording did Lenny and Forrest choose for their Desert Island Disc dilemma? Does Music Man or Pippin get the “Glory” in our Battle Royale? You’ll have to journey with us “through our anecdotic revue” to find out.

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Content Warning: This episode contains frank discussions of sexuality, depression, and suicide. Please take care of yourself, and don’t hesitate to ask for help if you need it. Listeners in the US can reach a 24/7, toll-free crisis hotline by dialing or texting 988.

"The Music Man" by Meredith Willson is a classic, big-hearted American musical that premiered on Broadway in 1957 and went on to win five Tony awards. We invite you to fritter away some time with us while we discuss the love (Forrest) and hate (Lenny) relationship we here at Settling Scores have with this show, which features several standards of the musical theatre canon such as Seventy-Six Trombones, Trouble, 'Til There Was You, Pickalittle and Gary, Indiana.  Along the way, we’ll explore several instances of subtle racism in the original score, discuss some fabulous and not-so-fabulous performances (…ahem, looking at you, 2022 revival cast), listen to a cover by none other than the fabulous Ms. Patti LuPone, and of course we’ll “talk, talk, talk, talk, and bicker, bicker, bicker” all the while. “Yessssir, yessssir!”

Synopsis: Charming con-man-with-a-heart-of-gold Harold Hill arrives in the small town of River City, Iowa, posing as a boys’ band organizer. He sweet talks the townspeople into investing in instruments and uniforms for the band he claims he will lead, despite having no musical ability. Along the way, Hill meets and falls for Marian Paroo, the straight-laced town librarian and music teacher, who sees through his scheme, but finds herself falling for him nonetheless. As Hill's deception unravels, he must decide whether to flee or face the consequences, ultimately discovering a deeper connection to the town - and to Marian - than he anticipated. This spirited and infectious musical explores themes of love, trust, and the transformative power of music in a nostalgic portrayal of early 20th-century America. Bona fide happy ending, guaranteed.

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Forrest and Lenny continue their discussion of the Tony Awards, this time focusing on Best Actress in a Musical award winners of the last twenty-three years. Using the power of math, Stephanie averages their picks and reveals our very own Settling Scores Diva Rankings™️, from worst to first. 

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In honor of Tony Award season, Lenny and Forrest debate the winners and losers of the Best Musical Tony grouped by decade with their usual friendly bickering and bantering...plus a surprising amount of agreement! We also explain Forrest's severe case of BAS - Bitter Award Syndrome.

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Join us for a dark and twisty tale of a dish best served very cold. The book is based on Swiss dramatist Friedrich Dürrenmatt's play, “The Visit of the Old Lady,” and the plot revolves around Claire Zachanassian (It just rolls off the tongue…), a widowed gazillionaire returning to her impoverished hometown to seek revenge on a man named Anton Schell who impregnated and abandoned her as a teen. Claire offers the town and each of its inhabitants a substantial sum of money in exchange for Schell's death. Deliciously complex moral and ethical dilemmas are explored and some beautiful, unsettling music is made, leading to a haunting conclusion. Give it a listen and let us know if you agree with Lenny and Stephanie, who loved it, or Forrest, who...didn't.

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"Ragtime: The Musical," with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, is based on the 1975 novel of the same name by E.L. Doctorow. It's two-and-a-half hours of intense beauty and heartbreaking grief, and frankly, all three of us choked up a little while recording this episode. The (incredibly intricate) plot follows the intersecting lives of three groups in the early 20th century: African Americans, upper-class white suburbanites, and Eastern European immigrants. Set against the backdrop of New York City, the story delves into themes of racial tension, social upheaval, and the pursuit of the American Dream, weaving vibrant, moving music with compelling narratives. The characters navigate love, loss, racism, feminism, and the evolving landscape of a dysfunctional nation in flux, all while singing some of the most gorgeous lyrics and music that ever flowed from Ahrens and Flaherty's pens.

(And somehow we managed to squeeze in a tribute to the amazing Marin Mazzie, too!)

So get yer hanky ready -- it's time to dust off this musical gem and explore the masterpiece that is "Ragtime: The Musical."

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"NINE" is a captivating musical that follows the story of Guido Contini, a famous Italian film director, as he navigates a mid-life crisis and creative block. Set in Venice, the musical delves into Guido's relationships with the various women in his life, including his wife, mistress, muse, and mother. Through vibrant music and compelling storytelling, "NINE" explores themes of love, lust, and the pursuit of artistic fulfillment.

Join us as Lenny and Forrest debate the merits and shortcomings of the cast recordings, yet still manage to remain friends.

We think...

Join us for a special edition episode celebrating the remarkable artistry and enduring talent of Chita Rivera, a true icon of the Broadway stage. 

Content Warning: This episode contains a brief mention of an attempted suicide by one of the characters. 

Scoop yourself a bowl of ice cream, dab on some perfume, and make sure you’re in a “romantic atmosphere” dear friends, because in this episode, we’re delving into the musical “She Loves Me.” This show is one of several reincarnations of the 1937 play Parfumerie by Hungarian playwright Miklós László. (You might remember another popular adaptation — the film You've Got Mail, starring Tom Hanks and Meg Ryan.) “She Loves Me” premiered back in 1963 and was revived in 2016, and it became the very first Broadway show to be live-streamed. It follows the story of two feuding perfume shop employees who unknowingly find solace in each other as secret pen pals, and they inevitably, hilariously fall in love. 

So do WE love HER? Yes, we most assuredly DO!