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It’s difficult to sum up what Kara Oehler does in a single title. The process quickly turns into a hyphenated chain of words--documentarian-radio producer-tech founder-interactive media producer-entrepreneur-academic. We chatted with the co-founder of Zeega and GoPop--the latter which was recently acquired by Buzzfeed--about her early influences, growing up in the woods of Indiana, starting communities like UnionDocs Collaborative Studio and metaLAB at Harvard, living out of her car to document Main Streets across America, and being a female in the tech and startup world. Come along for the ride, it’s a lot of fun.
RELATED LINKS
Kara on Twitter
Buzzfeed Acquires Go-Pop
Zeega Storytelling Platform
Union Docs Collaborative
Mapping Main Street Interactive Documentary
Kara’s Audio Documentaries: Third Coast Festival
Matter VC
Kara as “Woman Celebrates 4th Year Of Weaning Self Off Facebook“ via The Onion
How to Pronounce GIF
Who is your career role model? I've got an incredible group of passionate friends and family who are all doing amazing work. I get inspiration from them every day. And my parents.
What is a tool you can't live without? I love my Sound Devices 722. I've had it since 2005 and it creates the most beautiful recordings. And this winter, my LL Bean duck boots have been clutch.
How do you take your coffee? At home: french press, black. At a fancy coffee shop: latte.
What's your spirit animal? Llamacorn (Llama + Unicorn)
Name: Kara Oehler
Current City: Brooklyn, NY
Date of Birth: 1978
What are you listening to now? I'm loving the Radiotopia podcasts, Gimlet podcasts, and Invisibilia. I find out about new releases from Other Music's email list and listen to a lot of WFMU.
What film/book/show/piece of media changed you? I'm a huge admirer of South African artist William Kentridge. The first piece I saw of his was a work called Black Box / Chambre Noir. It was a study for his artistic direction of a staging of the opera The Magic Flute, employing charcoal drawings, mechanical moving puppets and projections within a black box. He used this medium to tell the story of the Herero genocide in Namibia under German colonial rule in the early 1900s. The piece completely took me by surprise. I sat in front of it for a couple hours and wept. In 2010, I interviewed Kentridge and asked him about approaching subjects like genocide or apartheid in this way. Here's what he said:
“To be human at all is to say, we need to forget a huge amount. But hold on to a tiny amount. But there’s some band between remembering and forgetting in which we can survive and exist. And I suppose the drawings in one sense take that narrow band and move within it and say, this is the band within human experience.”
I think it’s often the job of storytelling to try and find that band - that entry point for people to be able to take in information and question their own role as a witness or participant, or to just simply connect with a stranger's story. And this is something that Kentridge does with so much thought, emotion and skill.
CREDITS
PRODUCED by Elaine Sheldon and Sarah Ginsburg
SOUND DESIGN by Billy Wirasnik
MUSIC FEATURED IN SHOW:
Jeff “Super Bobby”
Monroeville Music Center
Lewis of Busman’s Holiday
CLIPS FEATURED IN SHOW:
Suzuki Method
This American Life #277, Apology
Korva Coleman (NPR)
“And I Walked” Third Coast
2008 Presidential Debate
Debra Granik is the Academy-award nominated director and writer of Winter’s Bone, which features a young Jennifer Lawrence in a gripping story set in the Ozarks. Winter's Bone won several awards including the Grand Jury Prize for Dramatic Film at the 2010 Sundance Film Festival. It also received four 2011 Academy Award nominations: Best Picture, Best Adapted Screenplay, Best Actress and Best Supporting Actor. Previously, she wrote and directed Down to the Bone, starring Vera Farmiga. Her narrative work is heavily influenced by real life and real people. So it makes sense that recently Debra has found herself exploring the non-fiction world. She recently released Stray Dog, a contemplative portrait of Ron 'Stray Dog' Hall: biker, Vietnam Vet, and lover of small dogs. It has screened over 60 times around the world and was nominated for a 2015 Film Independent Spirit Award for Best Documentary. In this episode, Debra talks about learning her craft from politically-active women in the 1970s, being inspired by real life, where ideas come from, how stories take seed, and the ins and outs of her many productions. Debra reflects on her past, present, and the future of the industry.
Name: Debra Granik
Current City: New York City
What are you listening to? I listen to a lot of soothing nature sounds. I take refuge in a track called 8 hours of rivers and streams. I am enjoying the music of Kelsey Morris and their band Layperson Music.
What piece of media changed you? There have been so many it's hard to pick one. Most recently, the narrative feature, Girlhood, directed by Céline Sciamma. Fergus Bordewich's book, Bound for Canaan: The Underground Railroad and the War for the Soul of America. And We Come as Friends by Hubert Super. Many recent documentaries, especially about the experiences of soldiers and the sprawling topic of mass incarceration and the US prison system.
Who is your career role model? I have a special affection and admiration for essay filmmakers and documentarians, film creators who follow their interests and inspirations, those who try not to define their self worth as artists only through external achievement, but also try to make the making be a worthwhile part of their life.
What is a tool you can't live without? Spongy flip flops, viscous hand cream, luscious 0.7 vicuna ballpoint pens, notebooks.
How do you drink/take your coffee/tea? XXX with a little soy. Branching into hemp.
What's your spirit animal? Tortoise. Slow and steady.
RELATED LINKS
Debra on Directing Jennifer Lawrence and Her New Documentary (VULTURE)
Debra Granik Archive (INDIE WIRE)
Debra’s Granik Featured In Opinion Sunday (NEW YORK TIMES)
Debra Granik on Finding J. Law and the Plight of the Female Director (DAILY BEAST)
CREDITS
PRODUCED by Elaine Sheldon and Sarah Ginsburg
SOUND DESIGN by Billy Wirasnik
MUSIC FEATURED IN SHOW:
Peachpit and our featured MusicMaker, Hannah Waxman
Chris Zabriskie
Jahzzar
Gillicuddy
CLIPS FEATURED IN SHOW:
Women’s rights protests (1 & 2)
High school play (Phantom of the Opera)
Harlan County, USA (full film)
Winter’s Bone (Clips 1, 2, & 3)
Stray Dog (trailer)
Anna Sale is the creator, host and managing editor of WNYC’s podcast, Death, Sex & Money, a biweekly show featuring intimate interviews with both celebrities and commoners alike, that has risen to the top of the iTunes charts. She’s a public media veteran who covered the 2012 presidential campaign and has contributed to This American Life, NPR, Marketplace, Studio 360, PBS Newshour, and Slate. In this episode, Anna talks about her West Virginian (or Appalachian) roots, being a self-proclaimed “honorable detector of snobs”, coming into journalism as an activist, landing her first job, coping with divorce, the art of the interview and the challenge of telling stories that aren’t often featured on the front page. You’re in for a real treat. Anna has a special gift, a voice made to be heard. You can hear the smile in her voice.
Name: Anna Sale
Current City: NYC
DOB: 1980
What are you listening to? D'Angelo's Black Messiah
What film/book/show/piece of media changed you? There are so many. A recent favorite was the film, "Stories We Tell" by Sarah Polley.
Who is your career role model? Terry, forever.
What is a tool you can't live without? ProTools, Google Docs, My worn-down, audio-in-one-ear tangled earbuds.
How do you take your coffee? Black, mostly. With soy if I'm in a fancy place.
What’s your spirit animal? A mule. I was getting a massage in Tampa in 2012, just after the Republican National Convention, and this sweet masseuse--young guy, bleached hair, pierced face--told me that was the essence he was reading: Wild and free like a horse plus a pleaser/hardworker, like a donkey=mule.
RELATED LINKS
Anna's WYNC Profile
Death, Sex & Money Episodes
Fast Company Interview with Anna
Reporthers Interview with Anna
The Timbre Interview With Anna
CREDITS
PRODUCED by Elaine Sheldon and Sarah Ginsburg
SOUND DESIGN by Billy Wirasnik
CLIPS FEATURED IN SHOW:
DS&M: How to Be a Man With Bill Withers
DS&M: I Killed Someone. Now I Have 3 Kids.
DS&M: Ellen Burstyn's Lessons on Survival
DS&M: The NFL Made Me Rich. I Won't Watch It Now.
DS&M: Dan Savage Says Cheating Happens. And That's OK.
DS&M: Jane Fonda After Death and Divorce
DS&M: This Senator Saved My Love Life
MUSIC FEATURED IN SHOW:
Cassie Lopez
Tiny Folk
Hudson
Lyric Cabral is a photojournalist and documentary filmmaker based in the Bronx. She, along with her co-director David Felix Sutcliffe, premiered her feature-length film (T)ERROR at Sundance this year in the US Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a photojournalist, being inspired by Gordon Parks, spending over a decade covering national security issues, and returning to a story 12 years after discovering it.
Name: Lyric R. Cabral
Current City: New York City
DOB: 1982
What are you listening to? D'angelo and the Vanguard "Black Messiah"
What film/book/show/piece of media changed you? I really appreciate the silent film "Sidewalk Stories" by Charles Lane. I saw the film at a time when I was making the professional transition from still photography to moving images. The film is quite moving for me because each frame is beautifully photographed, and reflects an attention to detail that reveals the sensitivities and struggles of life in New York city.
Who is your career role model? Someone who I admire personally and professionally is filmmaker Shola Lynch. I value that her body of work critically examines the lives of Black women (Shirley Chisholm, Angela Davis) in America, as these stories are typically lesser seen on screen. Shola is a meticulous archivist and historian, who researched "Free Angela" for 8 years. I am inspired by the tremendous commitment that motivates each of her films, and by the engaging narratives that she presents on screen.
What is a tool you can't live without? I really appreciate Twitter. I am able to access the perspectives of citizen journalists around the world, and research stories in a unique way.
How do you take your coffee? One sugar and a little whole milk
What’s your spirit animal? A calico cat
RELATED LINKS
(T)ERROR on Facebook
(T)ERROR at Sundance Labs
Candescent Award at Sundance 2015
Lyric: How I Shot That (Indie Wire)
(T)ERROR at Sundance Film Festival
Meet The Artists, Lyric and David: Video Interview for Sundance
CREDITS
PRODUCED by Elaine Sheldon and Sarah Ginsburg
SOUND DESIGN by Billy Wirasnik
CLIPS FEATURED IN SHOW:
Blank Panther archival, (T)ERROR
MUSIC FEATURED IN SHOW:
First Rebirth
Gangi
The Passion Hifi
Marco Raaphorst
Anenon
Katja Blichfeld is the brains behind Vimeo’s popular new web series “High Maintenance," which features New Yorkers in all their strange glory. Katja and her husband write, direct and produce the show and they recently were awarded a 2015 Writers Guild Award for their episode "Rachel." But Katja's first love was casting. In 2014, she won an Emmy for her casting on 30 Rock. But success didn't happen overnight for Katja. In this interview, she shares the ups and downs--and all the delightful moments in between--of her journey.
UPDATE: High Maintenance has been picked up by HBO!
RELATED LINKS
HM on Vimeo
HM Website
HM Episode "Rachel" featuring Katja
Katja’s blog
Filmmaker Magazine 25 New Faces of 2013
Current City: Brooklyn, NY
DOB: 1978
What are you listening to right now? Marc Maron's WTF podcast - the Jenny Slate episode
What piece of media opened your eyes? Thomas Vinterberg's 1998 film "Festen"
Who is your career role model? I'm still kind of looking for one!
What is a tool you can't live without? My Vitamix blender
How do you take your coffee? Black
Who is your spirit animal? RuPaul Charles
CREDITS
PRODUCED by Elaine Sheldon and Sarah Ginsburg
SOUND DESIGN by Billy Wirasnik
CLIPS FEATURED IN SHOW:
“Just Say No” 1985 Anti-Drug PSA
Nancy Reagan/Clint Eastwood Just Say No PSA
Sex in the City Opening Theme Song
30 Rock Opening Theme Song
High Maintenance Trailer
High Maintenance clip #1 from episode “Heidi”
High Maintenance clip #2 from episode “Rachel”
High Maintenance clip #3 from episode “Matilda”
MUSIC FEATURED IN SHOW:
“Only Knows” by Broke For Free
“Theme from Pedal Demonstration” by George Manson
“Criddicks” by The Custodian of Records
“Lazy Sumday” by Sahy Uhns
“Way Back” by Willbe
Photo by Kerrin Sheldon
Elaine Sheldon and Sarah Ginsburg introduce their new podcast, which launches on January 14th, 2015. Listen to soundbites from the first episodes of the series. Find us on on iTunes and Soundcloud.
Thanks to our partner, Filmmaker Magazine, who will be running articles about each of our guests and co-hosting our bi-weekly Google Hangouts where YOU get to ask our guests your questions.
GUESTS FEATURED IN TEASER:
Bianca Giaever
Katie McKay
Anna Sale
Kara Oehler
Ingrid Kopp
Lyric Cabral
Lina Srivastava
Katja Blichfeld
MUSIC:
"Kosmiche Slop" by Anenon
"Proton Beat" by Gangi
"Siesta" by Jahzzar
"Ascendant" by K. Laba Music
From the publisher's feed

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