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Film editor Patrick Lawrence joins us to break down the art of crafting tension in Shelby Oaks. From shaping Chris Stuckmann’s vision to balancing realism and terror, Patrick reveals how editing became the heartbeat of this haunting story.

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Special thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:
https://johnbrennan.bandcamp.com