Scottish-born composer Paul Leonard-Morgan (Last Breath, Cyberpunk 2077, Tales from the Loop, Limitless) is a master of different mediums — from film/television to video games, concerts and working with recording artists like bands Belle & Sebastian and Snow Patrol, among many others.

His latest, survival-thriller Last Breath starring Woody Harrelson, is his second score to this story — he also scored the hit documentary about the real people. Paul details how he evolved his approach for the narrative film, including his own wetsuit dive to record metallic clinks against boats in Malibu, California, in order to create a unique, journalistic feel to the music approach.

How his collaborations with legendary composer Philip Glass came about for Tales from the Loop, after they both worked with documentary filmmaker Errol Morris. Plus, how the aggressive and dark sound of Cyberpunk 2077 came together, and why writing tunes — and staying passionate under grueling deadlines — is the magic that unlocks success.

Interview by Kenny Holmes and Matt Schrader.

For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.

Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library’s collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary’s score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at

To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.com

Score: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Video Timecodes

0:00 Intro

1:49 Vienna Symphonic Library

3:59 Paul Leonard-Morgan Interview

6:51 Scoring Drama vs. Documentary

9:29 ‘Last Breath’ opening

12:51 Recording Boats in Malibu

17:28 Finding Unique Sounds

19:58 Paulstretch Experimenting and ‘Dredd’

20:52 Musical beginnings

28:31 Punk-rock heart

31:37 Finding a style

35:54 Finding Inspiration

40:22 Philip Glass collaborations

42:00 ‘Tales from the Loop’

51:21 ‘Cyberpunk 2077’ & writing

1:00:34 Three Things

1:06:56 Charles Manson’s music

1:12:01 VSL Synchron Series

1:13:46 VSL ‘Forrest Gump’ Demo

At 34, UK-based artist and composer Daniel Blumberg is the youngest person nominated for this year’s Best Score at the Oscars. His work on The Brutalist, nominated for 10 Academy Awards, is a continuation and evolution of Brady Corbet’s directorial talent — a longtime friend and collaborator. Daniel talks us through his formative experience at Cafe Oto in London — a hub for eccentric and inventive musical talents, which has also inspired Daniel’s own highly reviewed solo albums. Daniel explains why he had to visit Italy himself to calibrate the echoes of a marble quarry, why he and Brady always envisioned the opening as a balance of tension and payoff, and why he left in raw recordings of musical “sketches” on purpose to help convey the endless pursuit of creative perfection the film depicts. Why the rising awards buzz around his unique score makes him nervous, and the unlikely (but true!) admiration for Wallace & Gromit.Interview by Kenny Holmes and Matt Schrader. Recorded at A24 Studios in Los Angeles.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library’s collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary’s score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atUse promo code SCORESMART10 for 10% off Synchron Smart Orchestra 2.0, valid until March 17To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Oscar-winning filmmaker (The Last Repair Shop) and Emmy-winning composer Kris Bowers details a series of life experiences that propelled him to a groundbreaking score on his first animated film, The Wild Robot. How his parents’ nudge into music led to him developing a “life plan” he still employs today. Why his jazz origins are so useful in the way he approaches film music. Plus, how new emotions (unlocked from recently becoming a father himself) impacted his approach to the themes of The Wild Robot.

“Music that will bring Beethoven to his knees”

Oscar-winning composer Volker Bertelmann (CONCLAVE, ALL QUIET ON THE WESTERN FRONT) explains his unique approach to creating analog textures, themes, and layered complexity. How a church piano led him to a breakout hip hop album in Germany, and then into his own musical experimentation with “prepared piano” — including albums and live performances with ping pong balls in pianos.

How his prepared piano techniques create sounds many believe are synths, but are actually recorded sounds carefully crafted. How his collaboration with director Edward Berger has led to a new exploration of sound. And why you should always prepare (even for an Oscars speech!) but be ready to go with the flow of the moment as a musician.

Special thanks to Nate Gold and Soundbite Studios in Los Angeles. Interview by Kenny Holmes and Matt Schrader.

For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.

Check out Vienna Symphonic Library’s collection of innovating libraries and samples at http://vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary’s score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out the free sample player, freebie libraries and demos at http://vsl.co.at

To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.com

Score: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Score: The Podcast returns for a sixth season with in-person interviews filmed in 4K, and new original footage inside composers’ studios. Presented by Vienna Symphonic Library

In this season premiere episode, Benjamin Wallfisch breaks down his explosive blockbuster summer with TWISTERS and ALIEN: ROMULUS becoming sensations. The inside scoop on whether Glen Powell’s romantic ending in TWISTERS was intended to have a kiss (which became a social media firestorm), and how Benjamin channeled Danny Elfman’s iconic BATMAN theme in Michael Keaton’s masked return in THE FLASH. Plus, how the score for the hit ALIEN sequel broke new ground with themes echoing sunlight in darkness and an experimental DNA strain that appropriate mutates the score for a powerfully haunting emotional reaction from audiences.

Interview by Kenny Holmes and Matt Schrader.

For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube, Instagram, TikTok, Facebook and X.

Check our Vienna Symphonic Library’s collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary’s score to Rings of Power on Amazon Prime Video, and many more are recorded. Use code ScoreVienna through December 18 for 20% off five Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at vsl.co.at

To learn more about recording at Vienna Synchron Stage, visit synchronstage.com

Score: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Robert Kraft reunites with the talented Jessica Weiss to talk about her path from ballet to Hollywood film scoring. In 2012, Jessica was invited to join the Remote Control Productions team and worked with Hans Zimmer, Lorne Balfe, Junkie XL and others on films. Then, she landed a job as a music editor working with Mychael Danna, and has continued on to score the recent Camila Cabello film Cinderella.

In Score’s season 5 finale, composer Rob Simonsen talks about having the #1 and #2 films in the world on the same weekend (DEADPOOL & WOLVERINE; IT ENDS WITH US), and how one film led to the other being done inside of one month — the biggest time crunch he’s ever had. Plus, what is was like working with Ryan Reynolds and Blake Lively, poking fun at Marvel in the sound booth with Kevin Feige during recordings, and what’s next with his scoring a major upcoming Pixar release. Interview by Kenny Holmes and Robert Kraft.

Breakout composer Andrea Datzman (INSIDE OUT 2) talks about her initial rejection from film scoring industry, and what led her to persevere. How her struggle with Lyme disease threatened to upend her initial breakthrough with Michael Giacchino on INSIDE OUT, and led to a surprising new revelation about her own brain and neuropsychology. She also discusses her experience learning from Michael Giacchino as a student, during the scoring sessions for ABC’s LOST. Interview by Robert Kraft and Kenny Holmes.