Short and Suite

Learn how Adobe Premiere Pro and Adobe Media Encoder leverages background rendering to save you time.

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Learn how to use the power of Dynamic Link to eliminate intermediate rendering between applications.

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Learn how to get better performance and stability by taking advantage of sweeping optimizations and enhancements.

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In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

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Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

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In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to detect, analyze and repair digitally clipped samples and distortions caused by AGC on your DSLR and other video cameras and audio-capture devices.  Adobe Audition CS5.5's incredible tools for audio analysis and repair continue the application's legacy of fast, transparent, high-quality restoration.

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In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

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In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

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In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

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In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

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