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It’s all a matter of timing. In 1942, the Soviet Union was America’s wartime ally, and the Soviet composer Dmitri Shostakovich made the cover of TIME magazine. Seven years later, the war was over, but the Cold War was on — with a vengeance.
On March 25, 1949, Shostakovich arrived in New York for his first visit to America as part of the Soviet delegation to a Cultural and Scientific Congress for World Peace.
By then the anti-Communist tide of American public opinion resulted in pickets and protests. Those who spoke at the congress, including the American composer Aaron Copland, felt compelled to preface their comments with unambiguously anti-Communist manifestos. Shostakovich nervously read the equally unambiguous speech prepared for him by his Soviet minders, attacking American imperialism in general and expatriate Russian composer, Igor Stravinsky, in particular. It was embarrassing for everyone concerned.
But while he was in New York, Shostakovich got to play a piano reduction of the Scherzo from his Symphony No. 5 for a huge crowd at Madison Square Garden. That, at least, resulted in a big ovation — and maybe that was how he privately approached the whole, sad affair — as a kind of grim scherzo, or joke.
Dmitri Shostakovich (1906-1975): Symphony No. 5; USSR Cultural Ministry Symphony; Gennady Rozhdestvensky, conductor; MCA 32128
By American Public Media4.7
176176 ratings
It’s all a matter of timing. In 1942, the Soviet Union was America’s wartime ally, and the Soviet composer Dmitri Shostakovich made the cover of TIME magazine. Seven years later, the war was over, but the Cold War was on — with a vengeance.
On March 25, 1949, Shostakovich arrived in New York for his first visit to America as part of the Soviet delegation to a Cultural and Scientific Congress for World Peace.
By then the anti-Communist tide of American public opinion resulted in pickets and protests. Those who spoke at the congress, including the American composer Aaron Copland, felt compelled to preface their comments with unambiguously anti-Communist manifestos. Shostakovich nervously read the equally unambiguous speech prepared for him by his Soviet minders, attacking American imperialism in general and expatriate Russian composer, Igor Stravinsky, in particular. It was embarrassing for everyone concerned.
But while he was in New York, Shostakovich got to play a piano reduction of the Scherzo from his Symphony No. 5 for a huge crowd at Madison Square Garden. That, at least, resulted in a big ovation — and maybe that was how he privately approached the whole, sad affair — as a kind of grim scherzo, or joke.
Dmitri Shostakovich (1906-1975): Symphony No. 5; USSR Cultural Ministry Symphony; Gennady Rozhdestvensky, conductor; MCA 32128

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