In this episode, I finish off my evaluation of the various “Ordinary Artistic” image forming mechanisms by assessing the three main types of “Heat-Based” or “Scorch” techniques proposed for reproducing the Shroud images; i) the “Hot Bas-Relief” method of Pesce Delfino (ca. 2001), ii) the “Hot Statue” method of Colin Berry (ca. 2012-2020) and, iii) the “Hot Engraved Lines/Metal Sheet” method of Ray Rogers, et al. (ca. 1982).