On this episode, I spoke to VFX Supervisor Andrew Whitehurst. Whitehurst is an…
    

On this episode, I spoke to director Magnus von Horn about his work on The Girl with the Needle. 

On Monday morning, the film was nominated for Best Motion Picture in the Non-English Language at the Golden Globe Awards. The film premiered at the Cannes Film Festival, competing for the Palme d'Or. 

Significant accolades for Magnus von Horn include:

Welcome back to Silver Screen Social, listeners! I am your host Jackson Vickery. On this episode, I spoke to the sound team behind Dune: Part Two.

On this episode, I present Silver Screen Social’s 2nd annual panel, THE SOUNDS OF THE 62ND ANNUAL NEW YORK FILM FESTIVAL, featuring the following panelists: 

On this episode, I spoke to editors Nathan Orloff and Shane Reid about their work on Saturday Night. 

MORE ABOUT SATURDAY NIGHT:

At 11:30pm on October 11, 1975, a ferocious troupe of young comedians and writers changed television – and culture – forever. Directed by Jason Reitman and written by Gil Kenan & Reitman, Saturday Night is based on the true story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live. Full of humor, chaos, and the magic of a revolution that almost wasn’t, we count down the minutes in real time until we hear those famous words…

On this extremely special episode, I spoke to Andra Day about her work on Exhibiting Forgiveness.

Day is an Oscar nominee, a Critics Choice Award nominee, a Golden Globe winner, a Grammy winner, and an Emmy winner - just to name a few of her accolades. 

MORE ABOUT EXHIBITING FORGIVENESS: 

Tarrell (André Holland) is an admired American painter who lives with his wife, singer Aisha (Day), and their young son, Jermaine. Tarrell’s artwork excavates beauty from the anguish of his youth, keeping past wounds at bay. His path to success is derailed by an unexpected visit from his estranged father, La’Ron (John Earl Jelks), a conscience-stricken man desperate to reconcile. Tarrell’s mother, Joyce (Aunjanue Ellis-Taylor) a pious woman with a profound and joyful spirituality, hopes that Tarrell can open his heart to forgiveness, giving them all another chance at being a family. Tarrell and La’Ron learn that forgetting might be a greater challenge than forgiving in this raw and deeply moving film.

On this episode, I spoke to cinematographer Sam Levy about his work on His Three Daughters. 

Levy is an award-winning cinematographer known for his work on the films Lady Bird (Greta Gerwig), Frances Ha (Noah Baumbach), Wendy and Lucy (Kelly Reichardt), Rothaniel (Bo Burnham) and Mayday (Karen Cinorre).

MORE ABOUT HIS THREE DAUGHTERS:

A tense, touching and funny portrait of family dynamics follows three estranged sisters as they converge in a New York apartment to care for their ailing father and try to mend their own broken relationship with one another.

The film was written and directed by Azazel Jacobs. The film stars Carrie Coon, Natasha Lyonne and Elizabeth Olsen. 

Welcome back to Silver Screen Social, listeners! I am your host Jackson Vickery.

John Gürtler and Jan Miserre, both born in 1981, are award-winning composers known for their collaborative work in film music, particularly in international co-productions. John Gürtler, a London-born, Berlin-based multi-instrumentalist, is recognized for his ability to create diverse and emotionally resonant scores. He has received awards such as the European Film Award for his work on Nora Fingscheidt’s “System Crasher” and the German Film Award for Best Sound for “No One’s With the Calves.” His other notable projects include “A Mouthful of Air,” the Netflix series “Dig Deeper,” and “A Pure Place,” which won the German Film Critics Award for Best Score. Gürtler has also been acclaimed for his work on “Space Dogs” and “System Crasher,” the latter earning him the European Original Score 2019.Gürtler’s collaborations span artists like Berghain resident Efdemin, Thomas Bloch, and the Film Orchestra Babelsberg. Additionally, he’s dedicated to fostering new talent through his teaching at film schools across Germany.

Jan Miserre, from Erlangen, Bavaria, was influenced by his jazz saxophonist father and began playing piano at age four and drums at twelve. He studied Jazz Piano at the University of Arts in Berlin and has toured internationally, working with artists such as Till Brönner and Curtis Stigers. Miserre has received several awards, including the GEMA Musik Author’s Prize for New Talent and the German Documentary Music Award. In 2022, he and Gürtler won Best Score from the German Film Critics Association for “A Pure Place.” 

Together, Gürtler and Miserre focus on international co-productions, often working on projects from their base in Berlin. They frequently travel to other countries or invite musicians from around the globe to collaborate with them in Berlin. Their diverse backgrounds and collaborative energy create compelling scores for film and television, earning them widespread acclaim and numerous awards.

MORE ABOUT THE OUTRUN:

A vivid and unflinching adaptation of Amy Liptrot's wrenching personal memoir of addiction, powered by an extraordinary central performance from Saoirse Ronan. Addicted to hedonism, drink and drugs, a young woman must wrestle with recovery in the remote islands of Orkney whilst reckoning with her complex family history. Powered by a pounding soundtrack, a kinetic visual style and intricate narrative structure, this extraordinarily moving film is redemptive, cathartic and utterly riveting.

On this episode, I spoke to sound designer Luke Gibleon and co-supervising sound editor Paul P. Soucek about their work on The Fall Guy. 

Gibleon is a 5x Emmy nominee for his work on Avatar: The Last Airbender, Masters of the Air, The Underground Railroad, El Camino and Twin Peaks. He is also a 4x MPSE Golden Reel Award winner for his work on The Underground Railroad, Greyhound, Togo and El Camino. He has also been nominated for The Continental, John Wick: Chapter 4, John Wick: Chapter 3 - Parabellum, Game of Thrones, and A Faster Horse. 

Soucek is a 2x MPSE Golden Reel Award nominee for his work on John Wick: Chapter 4 and Michael Clayton. 

MORE ABOUT THE FALL GUY:

He’s a stuntman, and like everyone in the stunt community, he gets blown up, shot, crashed, thrown through windows and dropped from the highest of heights, all for our entertainment. And now, fresh off an almost career-ending accident, this working-class hero has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job. What could possibly go right?

On this episode, I spoke to directors Angela Patton and Natalie Rae about their work on Daughters. 

Natalie Rae is an award-winning director devoting much of her career to women’s rights. Her work has been commissioned by the U.N. and Gates Foundation. She is the recipient of two Cannes Young Lions nominations. Working with artists such as Leon Bridges, H.E.R., Anderson Paak, Rae brings a distinct style and effervescent energy to music videos, commercials, and now her first feature documentary.

Angela Patton, CEO of Girls For A Change, is committed to advancing opportunities for Black girls. Her TEDWomen talk garnered over one million views and inspired the making of Daughters. As a speaker, author, and co-director, Patton is dedicated to celebrating and sharing the multifaceted experiences of Black girls.

MORE ABOUT DAUGHTERS: 

A moving portrait of empathy and forgiveness, Daughters traces an eight-year documentary journey by filmmaker Natalie Rae and social change advocate Angela Patton. The film intimately follows Aubrey, Santana, Raziah, and Ja’Ana as they prepare for a momentous Daddy Daughter Dance with their incarcerated fathers. Speaking openly about their aspirations, dreams, and the emotional toll of their fathers’ absence, compounded by the constraints of virtual visits, these girls reveal a profound wisdom and resilience beyond their years. As they navigate heartbreak, anger, and uncertainty, they seize a precious opportunity to forge connections. Daughters sheds light on the complexities of familial bonds strained by the unforgiving barriers of the criminal justice system and emphasizes that the foundation of community healing lies within the family unit.