Simone Brewster, a designer, artist and educator, as well as the subject of the second Platform exhibition at London's Design Museum, joins The Crit to discuss finding a wider purpose behind her varied work, her attraction to answering the same questions in different ways, and the importance of language and representation in design.

Simone's picks for her crit were:

Best design: Negress & Mammy

Worst design: Decorative plates for William Morris Gallery’s Althea McNish exhibition

Most successful design: Temple of Relics pavilion

Most impactful feedback: One of her architecture tutors saying that she needed to take herself seriously

Dream design: Serpentine Gallery pavilion

The Crit

Graphics: Leonhard Rothmoser

Music: Yuri Suzuki and Team Suzuki

This episode of The Crit was recorded at KEF Music Gallery, London

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