Wherein we study both sides of The Chentelles' sole 1967 release, "Time/Be My Queen." How did these Michigan teens make a rekkid with such staying power? "Time" (2:47) is an organ slow-burn that could almost fit on a late-period Velvets bootleg. And we set up the Barb Overhiser/Dale Atkins drum feud - which is possibly the most under-reported band lineup drama of all time! The B-side is the famous "Be My Queen" (45:49). Hepcats know this rockabillly-tinged rager from "Back from the Grave," and it still sounds great. Every line delivered by Bill Dalton is a Royalette! A vocal swagger that is sui generis. There is FUZZ! "Wipeout"-style drums!! Freakout organ!!! And one of the greatest screams in garage rock history. You've been waiting for this one - you had it coming!!

Wherein we study both sides of The Chentelles' sole 1967 release, "Time/Be My Queen." How did these Michigan teens make a rekkid with such staying power? "Time" (2:47) is an organ slow-burn that could almost fit on a late-period Velvets bootleg. And we set up the Barb Overhiser/Dale Atkins drum feud - which is possibly the most under-reported band lineup drama of all time! The B-side is the famous "Be My Queen" (45:49). Hepcats know this rockabillly-tinged rager from "Back from the Grave," and it still sounds great. Every line delivered by Bill Dalton is a Royalette! A vocal swagger that is sui generis. There is FUZZ! "Wipeout"-style drums!! Freakout organ!!! And one of the greatest screams in garage rock history. You've been waiting for this one - you had it coming!!

Single File: The Chentelles

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Single File: The Chentelles

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