Some people flip houses, but we at In The Past: Garage Rock Podcast flip singles. Yes, it's a return to the tried-and-true Single File format, and this week the subject is The Huns from Arlington Heights, Illinois, and their rampaging 1966 everblack, "Destination Lonely / Winning Ticket." The first side is a furious, fuzz-laden foray powered by the energy of Mom's snickerdoodles. The reverse is less terse and has a lot of verses: a jangly folk-rock number that's eight miles high! The singer soars and the band burns - textbook garage rock!!

Some people flip houses, but we at In The Past: Garage Rock Podcast flip singles. Yes, it's a return to the tried-and-true Single File format, and this week the subject is The Huns from Arlington Heights, Illinois, and their rampaging 1966 everblack, "Destination Lonely / Winning Ticket." The first side is a furious, fuzz-laden foray powered by the energy of Mom's snickerdoodles. The reverse is less terse and has a lot of verses: a jangly folk-rock number that's eight miles high! The singer soars and the band burns - textbook garage rock!!

Some people flip houses, but we at In The Past: Garage Rock Podcast flip&nbsp;singles. Yes, it's a return to the tried-and-true Single File format, and this week the subject is&nbsp;The Huns from Arlington Heights, Illinois, and their rampaging 1966 everblack, "Destination Lonely / Winning Ticket." The first side is a furious, fuzz-laden foray powered by the energy of Mom's snickerdoodles. The reverse is less terse and has a lot of verses: a jangly folk-rock number that's eight miles high! The singer soars and the band burns - textbook garage rock!!

Single File: The Huns

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Single File: The Huns

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