Once again, the Rock and Roll Hall of Fame has shown what a joke it is by leaving Warren Zevon off its list of...wait, what? This Just In: Rock "& Roll Hall of Fame suddenly on the verge of relevance!

The Queen is dead. Long live the...K...the Ki...it just feels weird to say it.

The men of Shellshock Nation contemplate a post-Elizabeth, post-Trump, world in which DeSantis reigns and the dignified has no place.  Don't worry, by the end of the episode we figure it all out.

Bright lights, big city, gone to my baby's head. Big talk, big name, big noise, New York. The fellas (good or otherwise) pay tribute to Enyinnaya Okezie, affectionately known as Enyi, while counting down the top tracks about the city he lived in and loved so much.

The news is breaking, and so are we. Alex Jones, Reconciliation, Mar a Lago, Tucker Carlson shits himself, and more.

Our intrepid trio of excitable boys rank their top 5 albums by the late great Warren Zevon.

The pontificators share their favorite albums that they haven't had a chance to mention in any of our other episodes.  These are albums we think are criminally underrated, but that really resonate with us.

Document leaks, mass protests, history and historionics, dogs and cats sleeping together, you know the drill.  The pontificators return for Season 2 of Shellshock Nation, the Skint Julep political podcast.

The superlatives commonly found in music podcasts are often as empty as the music they applaud. This is not the case on our new Steely Dan top five albums podcast. For example, hear the raw urgency of our discussion on Aja and the intelligence displayed when we touch on the stellar track Black Friday.  We pronounce Michael Omartian's name correctly while deftly weaving through the myriad influences on 1972's Do It Again.  Thus treads heavily the titantic of this episode, casting a long shadow upon the contemporary rock wasteland aspiring to spill its seeds on barren ground, and at the same time, struggling to make sense out of the flotsam and jetsam of an eclectic, and at times electric, musical heritage. With a solid set of podcasts under its belt, and with an ever-expanding reputation as a dynamic take on pop-music and genre top fives, it would appear that this podcast's place on the American musical scene is assured.

The superlatives commonly found in music podcasts are often as empty as the music they applaud. This is not the case on our new Steely Dan top five albums podcast. For example, hear the raw urgency of our discussion on Aja and the intelligence displayed when we touch on the stellar track Black Friday.  We pronounce Michael Omartian's name correctly while deftly weaving through the myriad influences on 1972's Do It Again.  Thus treads heavily the titantic of this episode, casting a long shadow upon the contemporary rock wasteland aspiring to spill its seeds on barren ground, and at the same time, struggling to make sense out of the flotsam and jetsam of an eclectic, and at times electric, musical heritage. With a solid set of podcasts under its belt, and with an ever-expanding reputation as a dynamic take on pop-music and genre top fives, it would appear that this podcast's place on the American musical scene is assured.

The superlatives commonly found in music podcasts are often as empty as the music they applaud. This is not the case on our new Steely Dan top five albums podcast. For example, hear the raw urgency of our discussion on Aja and the intelligence displayed when we touch on the stellar track Black Friday.  We pronounce Michael Omartian's name correctly while deftly weaving through the myriad influences on 1972's Do It Again.  Thus treads heavily the titantic of this episode, casting a long shadow upon the contemporary rock wasteland aspiring to spill its seeds on barren ground, and at the same time, struggling to make sense out of the flotsam and jetsam of an eclectic, and at times electric, musical heritage. With a solid set of podcasts under its belt, and with an ever-expanding reputation as a dynamic take on pop-music and genre top fives, it would appear that this podcast's place on the American musical scene is assured.