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Find all the links you need at https://linktr.ee/skipdpod
In episode six of SKiP’D, Rob & Mike plunge into Late of the Pier’s sole studio album, Fantasy Black Channel, a genre-collage that redefined British alternative music in 2008. Recorded partly in Sam Eastgate’s bedroom and honed at London studios, this record mixes dance-punk revival, glam bursts, and prog-rock flourishes into one electrifying package.
What’s inside:
Stream Skip’d on Spotify, Apple Podcasts, or your favourite podcast app. Got an album that pushed the boundaries of sound? Send it our way—Rob & Mike are locked and loaded to skip it next.
Find all the links you need at https://linktr.ee/skipdpod
In episode five of SKiP’D, Rob & Mike blast off into Infinity on High, Fall Out Boy’s daring second album that catapulted them from emo underdogs to mainstream rock titans. Chosen by a fan who still belts “Thnks fr th Mmrs” in the shower, this record merges arena-ready hooks with heartfelt confessions and genre-bending experiments.
From the dramatic horns and pop sensibility of “This Ain’t a Scene, It’s an Arms Race” to the raw vulnerability of “The (After) Life of the Party,” the duo breaks down why Infinity on High is a masterclass in balancing bombastic ambition with personal storytelling.
What’s inside:
Stream SKiP’D on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album that makes you wanna scream the chorus at the top of your lungs? Send it our way—Rob & Mike are ready to play it next.
Find all the links you need at https://linktr.ee/skipdpod
In episode four of SKiP’D, Rob & Mike wade into the tempestuous waters of Lungs, the debut album that launched Florence Welch into the stratosphere. Nominated by a listener who claims it “saved their life and ruined their mascara,” this record is a whirlwind of harp-strung hysteria, gothic romance, and unapologetic emotional release.
From the primal stomp of “Dog Days Are Over” to the feverish waltz of “Rabbit Heart (Raise It Up),” the duo unpacks Florence’s lyrical symbolism, theatrical vocals, and the album’s uncanny ability to make heartbreak sound like a spiritual awakening.
What’s inside:
Available wherever you get your podcasts. Got an album that makes you feel like you’re sprinting through a forest in a ballgown? Send it in—SKiP’D wants to hear it.
Find all the links you need at https://linktr.ee/skipdpod
In episode three of SKiP’D, Rob & Mike dive headfirst into the ethereal, genre-defying masterpiece that is Blonde by Frank Ocean. Selected by a listener who swears every second is sacred, this album takes the duo on a journey through vulnerability, identity, and sonic innovation. From the haunting minimalism of “Nikes” to the emotional gravity of “Self Control,” they explore whether Blonde is truly unskippable, or if it’s forgettable.
What to expect:
Stream SKiP’D on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album that changed your life? Send it our way—Rob & Mike might just feature it on the next episode.
Find all the links you need at https://linktr.ee/skipdpod
On episode two of SKiP’D, Rob & Mike crack open Mike’s ultimate indie-rock manifesto: We Are Scientists’ debut, In Love and Squalor. From the adrenaline-fueled opener “Nobody Move, Nobody Get Hurt” to the raw vulnerability of “The Great Escape,” they unpack why every riff, lyric, and hook demands your full attention.
What to expect:
A deep dive into the razor-sharp guitar lines and witty lyricism that defined mid-2000s indie rock
Behind-the-scenes stories about the album’s formation, production quirks, and that iconic sound
Rob & Mike’s signature banter, loves, hates and of course the all important Unskippable verdict.
Subscribe on Spotify, YouTube, Apple Podcasts, or your favorite podcast app. Got an album you’d never skip? Send us your pick and join the conversation on the next episode of SKiP’D!
Find all the links you need at https://linktr.ee/skipdpod
On the inaugural episode of SKiP’D, hosts Mike & Rob take on Rob’s album selection: Panic! At The Disco’s genre-defining debut, A Fever You Can’t Sweat Out. From the carnival-inspired opener “The Only Difference Between Martyrdom and Suicide Is Press Coverage” to the sing-along anthem “I Write Sins, Not Tragedies,” they explore the artistry and audacity that make every track unique.
What to expect:
A deep dive into the ultimate baroque-pop and emo-club mashup
Behind-the-scenes trivia on the album’s 2005 recording sessions and Brendon Urie’s iconic vocals
Rob & Mike’s signature banter, loves, hates and of course the all important Unskippable verdict.
Subscribe on Spotify, YouTube, or your favourite podcast app. Got an album you’d never skip? Send us your pick and join the conversation on the next episode of SKiP’D!
Which albums are truly unskippable and which ones belong in the skip? Listen to the trailer for SKiP'D to find out...
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