Slam Radio

#SlamRadio - 450 - Kander by Slam

Valentina Luz is a model, performer and DJ. She studied classical ballet and was a professional handball athlete. 

At the age of 19, she participated in São Paulo Fashion Week and moved to the capital of São Paulo. From then on, she started to attend the underground electronic music circuit and gained prominence in the São Paulo scene dancing and DJing at parties like Mamba Negra, in which he now acts as a dj and resident performer.

Valentina understood her sexuality in childhood and had the support of the family in their gender transition process. As a trans and black woman, she experienced prejudice from an early age and understands the fight against transphobia as a life goal. She is also a member of Colectividade Namibia, an LGBTQIA + cultural collective that works for the insertion of visual artists, DJs and black performers in the electronic music scene.

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Active since 2007, Moog Conspiracy has been producing techno & playing around the globe for over a decade!

Acclaimed for the amazing intensity & diversity of his live and dj sets, Moog Conspiracy has performed in Europe, USA, South Asia, South & Central America in clubs and festivals like : Sisyphos (De), Fusion festival (De), ADE (NL), Blue Frog (India), Time Club (Manila), Resolute (NYC), The Egg (UK), Lantern (China) ...

The man behind Berlin label Elektrotribe Records, is also an active part of the berlin legendary Sisyphos club and a prolific electronic music producer, his discography includes over 200 originals tracks, remixes, and 3 studio albums.

Moog Conspiracy ́s music is a finely adjusted mix of techno with a minimalist approach combining hypnotic elements with club drive. His musical influences refer in big part to the Berlin Techno Scene, and to the early Detroit sounds.

Discover Moog Conspiracy new album Constant Repetitive Rhythm in stores the 14 May 2021

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It started with an urge to play with sound, a DIY synth, and a desire to know more. After several years buried in books, manuals and patch cables, JakoJako was performing her first live sets around Berlin, and spending every spare penny on Eurorack modules. The passion became all consuming, and in 2017, she left her nursing career to work at the legendary Berlin synth shop Schneidersladen, where’s she’s been sharing her knowledge of tools and techniques with the city’s music makers ever since.

Technique is no use without ideas to apply it to, and fortunately JakoJako has a natural supply. “When you hear a sound in the environment, say a car passing by, you don’t appreciate the complexity until you think how you might synthesise it.” She explains. “Then it becomes something abstract; a collection of modulated pitches and timbres. I love to listen to the world like this..”

Her approach may seem studious, but JakoJako uses this fluency in the language of sound to convey emotion, and each track is an experiment, with success based on the intensity of feeling it creates. Her debut EP “Aequilibration”, released in 2019 on Leisure System Records, showcased this explorative mindset, with four very different stylistic ideas tied together through emotive sound design, sharp production, and a strong sense of melody.

The release was followed by a string of live gigs, performed with her modular system and Elektron boxes, including a release party at Berghain, playing a standout set alongside Ben UFO and Marie Davidson.

With regular events disappearing in 2020, live music migrated online, finding a global audience in shared experience of isolation. After streaming a live set for HÖR Radio, she was invited to take part in an online event for Arté, hosted by Innervisions and United We Stream, alongside Amé and Frank Wiedermann. This led to a filmed live performance in her studio for Fact Magazine’s Patch Notes series, and an in-depth video feature for Electronic Beats, which together have over half a million views (and counting).

Offline, JakoJako has made good use of the time in her studio, producing tracks on compilations for B-Pitch Control and Figure Records, remixes for Crouds on Intumi, and most recently, for New Order on Mute Records. More solo work is in the pipeline too, including a new EP for Leisure System Records, due in mid 2021.

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ASTRYD was born from the energy of driving a room to dance. The two brothers are co-founders and residents of Bristol’s Dialogue - parties which over the past four years have hosted the likes of Giant Swan, Machine Woman, object blue, Akua, Russell E. L. Butler, Loraine James and SPFDJ. These nights have carved out a niche in the Bristol scene, creating an ethos of queer-friendly spaces and diverse, forward thinking line-ups.

ASTRYD's first single, Lapse, was described by RA as ‘a slice of tense, brooding, broken techno’. Forthcoming EP Blind Summit is full of suspense and brimming with the energy of a dance floor in motion. With this EP, their expansive and visceral live sets have crystallised into four distinct tracks, unified by throbbing synths, thundering drums and wrapped in layers of grit.

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This week it's Slam in the mix - enjoy

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Balrog is a producer and DJ from Leeds (UK), who has supplanted himself in the darker and grittier side of industrial techno with a focus on heavy groove-ridden drums, driving bass, and distorted vocals. His tracks and DJ mixes look back to the classic hard and grooving techno of the early 2000's, but with a fresh injection of modern industrial power.

Balrog has gone from strength to strength over the last few years playing at events such as Jaded and releasing on labels including Moments In Time, The Meaning of Rave, COUP, Green Fetish, Taro, and Gobsmacked. These releases and many unreleased tracks have received support from some of the biggest in the scene including Amelie Lens, Dax J, Rebekah, Paula Temple, Manni Dee, Tham, and many more.

2021 is set to be a huge year for Balrog with forthcoming releases on Soma, Green Fetish, Etruria, and Instruments of Discipline. 

Balrog also runs his own record label, Khazad Records, which releases music from the very best industrial and hard techno talent around.

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If you are into Techno Music, you may have already come across one of D.A.V.E. The Drummer’s records.

Hailing from London’s illegal warehouse party scene that exploded in the 90’s, DJ & producer D.A.V.E. The Drummer started the label Hydraulix in 1998 as an output for his own production ideas. The label intended to bridge the gap between the acid techno of his previous productions and a darker style of techno that D.A.V.E. was experimenting with in the studio.

Hydraulix made some big waves in the Hard Techno scene throughout the 2000’s and is still going strong with many of the new releases hitting the top spots in the Beatport Charts. Tracks from Hydraulix have found their way into the playlists of some of the worlds top DJs as well as keeping a huge following of underground Techno DJs across the globe.D.A.V.E’s recent music reflects a shift toward a darker stripped back techno sound and the label is still at the forefront of the techno scene winning respect from many DJs and taking on board fresh young artists as well as releasing tracks by seasoned Hydraulix regulars.

Still a hard working DJ and Producer, & currently running his weekly Sunday Session show during lockdown with wife Justine doing visuals D.A.V.E. is responsible for remixes and productions for many top techno labels including: Suara, Dolma, Finder, Techburst, Harthouse, Fine Audio, Noom, Reklusive, Respect, Naked Lunch, Phobiq, Elektrax, Techburst, Cluster, Stay Up Forever, Maximum Minimum, Routemaster, Smitten, Prolekult, Nucleas, Vcious Circle and of course Hydraulix, Apex and Mutate To Survive.

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‘oblivion will save you’

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ALAN OLDHAM has been called “Detroit’s Renaissance Man,” equally as known for his art as for his music under the pseudonym DJ T-1000.

The Detroit-born polymath, now living and working in Berlin, began his dual careers in the late 80s. First as the host of the “Fast Forward Program” on WDET FM 101.9, Detroit’s first-ever radio show devoted exclusively to electronic music, and as a young indie comic artist, writing and drawing his own original creation, “Johnny Gambit” (predating the Marvel character). Oldham was later tapped by his childhood friend, Derrick May, to illustrate the label art for the record, “Nude Photo,” on the fledgling Transmat label, and Detroit Techno history was made.

Oldham was later hired by another childhood friend, Jeff Mills, to do PR for the nascent Underground Resistance collective, writing press releases for the label. When Mills departed for a solo career, partner “Mad” Mike Banks tapped AO to replace him as DJ for their Australian Tour of 1992, and the codename DJ T-1000 was adopted.

Jumpstart to infamy.

Since then, as an international DJ, Oldham has spun all over the planet, as far afield as Manila, The Phillipines, and Shanghai, China. When he’s not behind the decks at home clubs Tresor Berlin and Suicide Circus (Berlin), on the road or in the studio making music for BPitch Control, Suspected Music, Third Ear, Elypsia Records, or his own Pure Sonik Records label, he is making new paintings and organizing art openings showcasing his iconic works. Oldham has put on art happenings in Amsterdam, Paris, Berlin, Vienna, and Detroit, as well as his works being currently on view at the Design Museum in London, as part of its “Electronic: From Kraftwerk to the Chemical Brothers” exhibit. On the graphic novel side, he has also worked on the Afrofuturist classic “The Book of Drexciya, Vol 1.”

Oldham is keeping busy during the current pandemic, drawing and painting, doing commission work, online teaching for RAMP Academy, making new music and remixing with MASCHINE MK3 and ABLETON, and generally moving forward in one of the world’s most creative cities, Berlin.

Tracklist via

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Slam Radio is produced at www.glowcast.co.uk