slanderhour

slanderhour

By slanderhourSociety & Culture
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slanderhour episodes

  • Semi - Setting

    The jolt that comes to bones

    inside a tumbled streetcar

     

    is what the painter considers

    as she strokes her-

    self into story. There is

    less to the jolt that

     

    comes as he shuts his eyes

    before the monitor, save

     

    what he imagines—a lightning

    bolt, a god tapping

    the shoulder. He imagines the

    sky swelling

     

    with ceiling fans or the

    guano of extinct birds,

     

    a jolt riding from his

    shoulder

    blades to his eyelids,

    dropping with roller

     

    coaster clacks to his

    fingers. Here, he dreams of Frida

     

    Kahlo. Here, he says, let me

    spread my flesh out like a

    table linen, let my bones be

    silver that touches,

     

    making, again, that clack. My

    skull will be a glass,

     

    set properly, I have class

    enough. What jolt is

    it to chew over class, his

    body set before him as

     

    a reader sips (perhaps) a

    glass of something heady? We give

     

    books spines, we break them.

    The table will have

    its legs, its head. The body

    is upon us. Does the table have

     

    a stomach? Is it simply there

    to bear our hunger

     

    without its own, like a

    eunuch bathing a stripper?

    What is the poet without eyes

    or ears—reading, listening? He is

     

    a platform—a place to set,

    that to set it with. And if this is

     

    all, what will he do when the

    reader finishes a glass,

    rises from the poet’s head,

    and passes

     

    into the city? Covered with a

    linen, he is waiting for

     

    something to spill, perhaps a

    girl in Mexico rolling

    her ankle in a street-

     

    car.

     

    26 min
  • Semi - Skip

    I took my life and threw it on the skip,
    Reckoning the next-door neighbours wouldn’t mind
    If my life hitched a lift to the council tip
    With their dry rot and rubble. What you find

    With skips is – the whole community joins in.
    Old mattresses appear, doors kind of drift
    Along with all that won’t fit in the bin
    And what the bin-men can’t be fished to shift.


    I threw away my life, and there it lay
    And grew quite sodden. `What a dreadful shame,’
    Clucked some old bag and sucked her teeth: ‘The way
    The young these days … no values … me, I blame…’

    But I blamed no one. Quality control
    Had loused it up, and that was that.
    ‘Nough said. I couldn’t stick at home. I took a stroll
    And passed the skip, and left my life for dead.

    Without my life, the beer was just as foul,
    The landlord still as filthy as his wife,
    The chicken in the basket was an owl,
    And no one said: `Ee, Jim-lad, whur’s thee life?’

    Well, I got back that night the worse for wear,
    But still just capable of single vision ;
    Looked in the skip; my life – it wasn’t there!
    Some bugger’d nicked it – without my permission.

    Okay, so I got angry and began
    To shout, and woke the street. Okay. Okay!
    And I was sick all down the neighbour’s van.
    And I disgraced myself on the par-kay.

    And then … you know how if you’ve had a few
    You’ll wake at dawn, all healthy, like sea breezes,
    Raring to go, and thinking: `Clever you!
    You’ve got away with it.’ And then, oh Jesus,

    It hits you. Well, that morning, just at six
    I woke, got up and looked down at the skip.
    There lay my life, still sodden, on the bricks;
    There lay my poor old life, arse over tip.

    Or was it mine? Still dressed, I went downstairs
    And took a long cool look. The truth was dawning.
    Someone had just exchanged my life for theirs.
    Poor fool, I thought – I should have left a warning.

    Some bastard saw my life and thought it nicer
    Than what he had. Yet what he’d had seemed fine.
    He’d never caught his fingers in the slicer
    The way I’d managed in that life of mine.

    His life lay glistening in the rain, neglected,
    Yet still a decent, an authentic life.
    Some people I can think of, I reflected
    Would take that thing as soon as you’d say Knife.

    It seemed a shame to miss a chance like that.
    I brought the life in, dried it by the stove.
    It looked so fetching, stretched out on the mat.
    I tried it on. It fitted, like a glove.

    And now, when some local bat drops off the twig
    And new folk take the house, and pull up floors
    And knock down walls and hire some kind of big
    Container (say, a skip) for their old doors,

    I’ll watch it like a hawk, and every day
    I’ll make at least – oh – half a dozen trips.
    I’ve furnished an existence in that way.
    You’d not believe the things you find on skips

    31 min
  • Semi - Late

    Breaktime, I'll write something for you

    Breakfast or lunch, I think of you
    Birds outside the window, chirp at me
    Birds of the same feather, follow me
    Be it short or long, poem I write you
    Braided or craze, your hair, I describe you
    Below or over my head I scribble for you
    Beaten or scrambled egg, I'll fry for you
    Better late than never
    Bread or butter I will serve you ever
    Brevity in my poems I pen so tender
    Bending or standing, I'll never surrender
    Bright or dim lights will aid my bleary eyes
    Blunder or sentimental, my heart for you never die

    21 min
  • Semi - Town

    Earlestown is named after Sir Hardman Earle (11 July 1792 – 25 January 1877) a slave owner whose family was steeped in the slave trade. He was the Chairman of the London and North Western Railway.

    Earlestown Town Hall is an imposing building, fronted by a war memorial. In 1962 the Beatles  visited Earlestown for a night gig and played at the town hall. On the  same night Newton Boys Club on Graffton Street was opened by Frankie  Vaughan for the local community.[6]

    Another significant building included the art-deco former Curzon cinema which was demolished in January 2010.

    Earlestown has a small but busy town centre with many shops including high-street outlets such as Tesco, Boots, Wilko and several high street banks alongside independent retailers,  bookmakers and fast-food takeaways. There are a range of traditional  pubs, such as The New Market, The Ram's Head, The Railway Inn, The  Griffin, and The Wellington. Earlestown is well served by many fast food outlets offering a good range of Indian and Chinese dishes as well as fish and chips and the ubiquitous McDonald's.  Most of the local restaurants are curry houses; Earlestown's 'curry  quarter-of-a-mile' on Queen Street has three Indian restaurants and a  Tandoori take-away.

    37 min
  • Semi - Character

    How little it takes to stain the character.


    A single drop of ink is a very small thing,
    yet dipped into a tumbler of clean water,
    it blackens the whole.

    And so the first oath, the first lie,
    the first glass of drink, seem very small things,
    yet leave a dark stain upon the character.

    Look out for the first stain.

    39 min
  • Semi - Chicken

    When first I came down Yorkshire,

    Not many years ago.
    I met with a little Yorkshire lass,
    And I'd have you know,
    That she was so blithe, so buxom,
    So beautiful and gay,
    Now listen while I tell you,
    What he Daddy used to say.

    Oh treat me daughter decent,

    Don't do her any harm.
    And when I die I'll leave you both,
    Me tiny little farm.
    Me cow, me pigs, me sheep, me goats,
    Me stock, me field and barn.

    And all the little chickens in the garden


    Well first I came to court the girl,
    She was awful shy.
    She never said a blooming word,
    When other folks was by.
    But as soon as we were on our own,
    She bade me to name the day,
    Now listen while I tell you,
    What he Daddy used to say.

    Oh treat me daughter decent,

    Don't do her any harm.
    And when I die I'll leave you both,
    Me tiny little farm.
    Me cow, me pigs, me sheep, me goats,
    Me stock, me field and barn.

    And all the little chickens in the garden


    Well at last I wed this Yorkshire lass,
    So pleasing to me mind,
    And I did prove true to her,
    So she's proved true in kind.
    We have three bairns, there grown up now.
    There's a grandbairn on the way.
    And when I look into their eyes,
    I can hear their grandaddy say

    Oh treat me daughter decent,

    Don't do her any harm.
    And when I die I'll leave you both,
    Me tiny little farm.
    Me cow, me pigs, me sheep, me goats,
    Me stock, me field and barn.

    And all the little chickens in the garden.

    35 min
  • Semi - Large

    the clearing was large enough to fit about twelve of your Lion King themed picnic blankets without coming close to the forest’s edge. I thought about bringing you out there and telling you that and then I remembered that you got rid of  the blanket 2 months ago when your new boyfriend said that Lion King was overrated and the blanket had too many  holes in it. I would never have the guts to tell you this in person but maybe someday you’ll come across this poem and know that if you  ever want to spread out 12  new  Lion King  themed picnic blankets in a clearing I will be there with chicken salad sandwiches and 6 of those pineapple cinnamon ciders you love.

    31 min
  • Semi - Bros

    My brother,

    is a wonderful guy.
    Even though
    he’s a little bit shy

    My brother,

    is a wonderful guy.
    He’s funny and smart,
    I cannot deny.

    He understands,

    the art of the of persuasion.
    And is ready to use it,
    at every occasion.

    He’s one of those guys,

    that is interesting and unique.
    With his original style,
    he’s one cool geek.

    Always determined,

    to achieve any goal.
    Blesses so many,
    with his beautiful soul.

    My brother,

    is a wonderful guy.
    I love him a lot,
    I’m not gonna lie.

    28 min
  • Semi - Shrewd

    Oh Venerable Zeus, grant Persephone’s petition to retain Adonis!


    I, as Queen of the Underworld, can
    Protect his charming body from vicious men
    It is here where he found his safest den
    Here I’ll protect his flesh from being stricken

    Oh Venerable Zeus, grant Persephone’s petition to retain Adonis!

    I, as keeper of this handsome lad since his childhood
    Seeks for him nothing, but everything that’s good
    It is his well-being that lights up my mood
    I’ll badly be hurt when he’s hurt by someone shrewd

    Oh Venerable Zeus, grant Persephone’s petition to retain Adonis!

    Shrewd is his rival for the love of Aphrodite
    He will be in great danger with her, can’t see?
    Surely from Ares wrath, he’ll experience something nasty
    And also with the god of fire, he’ll surely die violently!

    Oh Venerable Zeus, grant Persephone’s petition to retain Adonis!

    Have mercy! Have mercy! To this youth so fine!
    Have mercy! Have mercy! To this youth of mine!
    To deadly earth above, don’t allow him to incline
    If this bad fate happens, my eyes will emit brine

    Oh Venerable Zeus, grant Persephone’s petition to retain Adonis!

    Witness me mourn for the loss of this lad!
    Do you want the Queen of the Dead to feel bad?
    If Adonis is gone, my brain will also be mad!

    Oh Venerable Zeus, grant Persephone’s petition to retain Adonis!

    From this sanctuary, do not take him away
    Do not let my life be in disarray
    To make him remain here, tell me the way
    I bow, I kneel, I prostrate, I pray!

    34 min

About slanderhour

From the publisher's feed

A weekly pre-sleep, post-thought audio play investigating the nature of latent boredom and the strip-mining of emotional bereavement.