The first title that springs to mind at the mention of William Golding’s name is most often Lord of the Flies. The classic story of a group of schoolboys marooned on a desert island all but made his reputation and has somewhat overshadowed his twelve other novels.

Golding was a fascinating and often troubled man, a voracious reader who enjoyed the Odyssey in Greek as well as Georgette Heyer and Jilly Cooper and was an influence on many novelists from Stephen King to Penelope Lively, Ben Okri and Kazuo Ishiguro. Definitely a writer ripe for rediscovery.

Now, the Slightly Foxed team sit down with the author’s daughter Judy and Golding expert Professor Tim Kendall to discuss the life and work of this brave and highly original writer, whose novels transport the reader to distant but entirely believable worlds. His work grapples with the big questions of existence but his originality as a writer sometimes worked against him, and Lord of the Flies was rejected by seven publishers before it was accepted by Charles Monteith at Faber. It was glowingly reviewed and became a bestseller but, behind the scenes, Golding was struggling with his addiction to alcohol and the fame his writing would bring him. After a poor reception from the critics for several of his following books, including both The Spire and The Pyramid, Golding was thrown into a deep depression. This crisis lasted over ten years, but when he finally returned to writing he went on to produce a series of successful novels – including Rites of Passage, winner of the 1980 Booker Prize. In 1983 he was awarded the Nobel Prize for Literature. 

The usual round of reading recommendations include South from Granada, Gerald Brenan’s recollection of the years he spent in an Andalusian village in the 1920s with visits from the Bloomsbury group; Robert Harris’s Precipice, a semi-fictional account of the relationship in 1914 between Prime Minister Asquith, and Venetia Stanley, and Penelope Lively’s novel Passing On.

For episode show notes, please see the Slightly Foxed website.

Opening music: Preludio from Violin Partita No. 3 in E Major by Bach

Hosted by Rosie Goldsmith

Produced by Philippa Goodrich

‘David at his worst was a liar but John le Carré at his best was a truth teller.’ These were the intriguing words with which his biographer Adam Sisman concluded the conversation when he joined the Slightly Foxed Podcast team at the kitchen table to discuss the life and work of the writer who was born David Cornwell but who is better known to the world as John le Carré.

Graham Greene, whom le Carré greatly admired, once said that ‘an unhappy childhood is an asset for a writer’, and this young David had in spades. He was only 5 when he and his older brother were abandoned by their mother, to be brought up by their father, a domineering, larger-than-life conman, wife-beater and sexual tyrant, whose overwhelming personality would haunt David for the rest of his life and was the inspiration for his novel A Perfect Spy.

These ‘hugless’ childhood years, as David called them, were ones of stark contrasts. At one moment the family would be living like princes, the next bailiffs were in the house and their father might even be in jail. The boys were taught early on to lie convincingly in order to bail their father out, so the scene was set for the kind of double life that David would later lead when he worked for the secret service, and for the shadowy worlds of violence and betrayal that he created in his novels. It also produced a man who sought out danger, both in doing his meticulous research, and in his multiple affairs with women, a subject Adam explored in a second biography, The Secret Life of John Le Carré, published after le Carré’s death.

Adam speaks fascinatingly about his often tense relationship with this complex, brilliant and seductively charming man whose great Cold War novels such as The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy, with their brilliant dialogue and scene-setting and their unforgettable central character George Smiley, are felt by many to far transcend the genre of spy fiction.

To finish, there’s the usual round-up of reading recommendations including a personal and passionate account of Putin’s Russia through the eyes of a BBC journalist, Goodbye to Russia by Sarah Rainsford, and A Voyage around the Queen by Craig Brown, an exceptionally researched and hilarious biography of sorts of our late Queen Elizabeth II.

For episode show notes, please see the Slightly Foxed website.

Opening music: Preludio from Violin Partita No. 3 in E Major by Bach

Hosted by Rosie Goldsmith

Produced by Philippa Goodrich

 Any mention of Barbara Comyns usually brings an ‘I know the name but I don’t know anything about her’ kind of response. In this quarter’s literary podcast, presenter Rosie Goldsmith and the Slightly Foxed Editors sit down with Barbara’s biographer Avril Horner and Brett Wolstencroft, Manager of Daunt Books, to discover who this fascinating and forgotten novelist really was. 

Though Barbara enjoyed success in the later part of her life, and a revival with Virago Books in the 1980s, it’s indicative of how thoroughly she disappeared from view that, as Avril tells us, she had difficulty in placing her wonderful biography, Barbara Comyns: A Savage Innocence, which was finally published this year.

Avril describes how, when working on her biography, she came across a huge cache of letters from the 1930s owned by Barbara’s granddaughter, some of which ‘made her gasp’, and the story of Barbara’s life in London is indeed often shocking. It’s a tale of almost unimaginable poverty, of tangled affairs with unsuitable men, of a grim experience of childbirth, and countless moves from one bleak rented property to another.

Yet after repeatedly hitting rock bottom Barbara always courageously picked herself up and started again. At various times she survived as a commercial artist, artist’s model, dog breeder, antique dealer, renovator of old pianos and dealer in classic cars. At last in 1945 she made a happy marriage to Richard Comyns-Carr, who worked for MI6 where he was a colleague and friend of Kim Philby.

 

The couple moved to Spain, and it was then that Barbara started to write novels drawing on her earlier life such as Sisters by a River and Our Spoons Came from Woolworths. She was admired by Graham Greene who became her publisher, and later came other novels of a more gothic and surrealist kind including A Touch of Mistletoe, Who Was Changed and Who Was Dead and The Vet’s Daughter. No two of her haunting and disturbing novels are alike for she wrote in a variety of genres. She’s an intriguing novelist, totally original, impossible to pigeonhole and ripe for re-rediscovery.

For episode show notes, please see the Slightly Foxed website.

Opening music: Preludio from Violin Partita No. 3 in E Major by Bach

Hosted by Rosie Goldsmith

Produced by Philippa Goodrich

‘There was no voicemail. I was the voicemail.’ In this out-of-series special episode of the Slightly Foxed podcast Joanna Rakoff, author of the 2008 literary smash hit My Salinger Year (released as a Slightly Foxed limited-edition hardback in March 2024), joins us down the line from her home in Massachusetts for a conversation with our podcast presenter Rosie Goldsmith.

From their respective sides of the Atlantic, Rosie and Joanna take a trip back to New York in the freezing winter of 1996 when Joanna Rakoff, aged 24, landed her first job as assistant at one of the city’s oldest and most distinguished literary agencies. No matter that she didn’t even know what a literary agent was and had lied about her typing speed. She’d also led her parents to believe she was living with a female college friend when she was in fact sharing an unheated Brooklyn apartment with a penniless and unpublished Marxist novelist whose sole and very part-time job was watering the plants at Goldman Sachs. 

Rosie and Joanna take us deep into the strange, time-warped world she’s strayed into at The Agency, with its Selectric typewriters, filing cabinets and carbon paper, and into her unusual relationship with its best-known author J. D. Salinger, to whose mountain of fan mail it was Joanna’s job to reply. Salinger was famously reclusive, wanting nothing to do with his fans and Joanna was supposed to reply with a pro forma letter. But the more heart-wrenching the letters she read, the more she found herself pulled into the senders’ lives and, unbeknownst to her terrifying boss (‘whiskey mink, enormous sunglasses, a long cigarette holder’), she replied to every single one and sometimes, fatally, enclosed a personal note herself.

Joanna describes how My Salinger Year came to be, from a gem of an idea explored in the confessional 2011 BBC Sounds documentary Hey Mr Salinger to a best-selling memoir that inspired a Hollywood film starring Sigourney Weaver and Margaret Qualley, and how, when Salinger died, she turned to her bookshelves for comfort. Now, twenty years after its first publication, My Salinger Year joins the much loved Slightly Foxed Editions list of memoirs by such authors as Hilary Mantel, Jessica Mitford, Roald Dahl, Graham Greene and many others. 

For episode show notes, please see the Slightly Foxed website.

Opening music: Preludio from Violin Partita No. 3 in E Major by Bach

Hosted by Rosie Goldsmith

Sarah Langford, author of Rooted: How Regenerative Farming Can Change the World, joins the Slightly Foxed Editors and presenter Rosie Goldsmith round the kitchen table to tell us how and why she gave up her career as a criminal barrister to become a farmer, and about the woman who was her inspiration: Eve Balfour, the extraordinary aristocrat, founder of the Soil Association and author of The Living Soil.

Farming was in Sarah’s family. So when her own family’s circumstances changed and her husband was looking for a new direction, they said goodbye to the city and moved with their two young children to Suffolk, where they found themselves taking on the running of her father-in-law’s small arable farm. It was a steep learning curve and Sarah soon realized that the farming landscape had changed dramatically from the one she remembered: ‘My grandfather Peter was a hero who fed a starving nation. Now his son Charlie, my uncle, is considered a villain, blamed for ecological catastrophe and with a legacy no one wants.’

Needing to learn more, she describes how she travelled the country, hearing moving and inspiring human stories from small farmers who are farming in a new – but completely traditional – way, working to put more into the land than they are taking out of it, relying on natural processes like crop rotation and grazing animals rather than using chemicals to give life to the soil. This is regenerative farming – a hard row to hoe but with huge potential benefits for the planet as well as for us and other species. Sarah and her husband are now practising it on their own farm.

It’s a huge and fascinating topic, and other farming books and writers are touched on – A. G. Street’s Farmer’s Glory, Adrian Bell’s Corduroy trilogy and Apple Acre, today’s James Rebanks’s English Pastoral. Other related recommendations are From Mouths of Men by the rural historian George Ewart Evans, and the delightful Rivets, Trivets and Galvanized Buckets, the story of a village hardware shop by Tom Fort.

For episode show notes, please see the Slightly Foxed website.

Opening music: Preludio from Violin Partita No. 3 in E Major by Bach

Hosted by Rosie Goldsmith

Produced by Philippa Goodrich

Dodie Smith was a phenomenally prolific writer who experienced huge success in her lifetime but is now remembered mainly for her much-loved coming of age novel I Capture the Castle, and her bestselling The Hundred and One Dalmatians. 

In this quarter’s literary podcast, coinciding with the revival of her play Dear Octopus at the National Theatre, Dodie’s biographer Valerie Grove joins the Slightly Foxed Editors and new presenter Rosie Goldsmith at the kitchen table to talk about the life and work of ‘little Dodie Smith’, who started writing a journal at the age of 8 and continued every day until she was 90. 

Dodie grew up among her mother’s family – an experience she brilliantly recalled in Look Back with Love. Dodie’s uncles loved the theatre and encouraged her passion for the stage, leading her to train as an actor, with limited success. After years of struggle she turned her hand to writing and soon sold her first play, Autumn Crocus, which launched her career. Success followed, along with fur coats, glittering friends, a Rolls-Royce and the arrival of Dodie’s first Dalmatian.

Then it was off to America where she and her husband spent the Second World War, joining a literary circle that included Christopher Isherwood and Aldous Huxley. Dodie was terribly homesick and longed to return to home, yet it was her exile that produced I Capture the Castle, a novel through which her nostalgia for England permeates.

We end with a round-up of New Year reading recommendations, including a recent biography of the poet John Donne, Super-Infinite by Katherine Rundell, and The Last English King by Julian Rathbone, a historical novel set in the years before the Battle of Hastings. 

For episode show notes, please see the Slightly Foxed website.

Opening music: Preludio from Violin Partita No. 3 in E Major by Bach

Hosted by Rosie Goldsmith

Produced by Philippa Goodrich

D. J. Taylor, literary critic, novelist and Whitbread Prize-winning author of the definitive Orwell: The Life and its highly acclaimed sequel The New Life, and Masha Karp, Orwell scholar, former Russian features editor at the BBC World Service and author of George Orwell and Russia, join the Slightly Foxed team at the kitchen table in Hoxton Square to take a fresh and deeply personal look at the life and work of George Orwell. 

The man who wrote Animal Farm and Nineteen Eighty-Four defies categorization. In this quarter’s literary podcast David and Masha sift through newly discovered stashes of letters written by Orwell in the 1930s, and share personal recollections from his adopted son Richard and other living members of his inner circle to tease out fact from fiction and explore the legacy of Orwell’s life and work. 

We may be able to get hold of second-hand copies of the out-of-print titles listed below. Please get in touch with Jess in the Slightly Foxed office for more information.

The Nightmare of Room 101, Christopher Rush on George Orwell, Nineteen Eighty-Four, Issue 69

Betrayals, Christopher Rush on George Orwell, Animal Farm, Issue 65

An Extraordinary Ordinary Bloke, Brandon Robshaw on George Orwell, Essays, Issue 56

Pox Britanica, Sue Gee on George Orwell, Burmese Days, Issue 40

All Washed Up, Christopher Robbins on George Orwell, Down and Out in Paris and London, Issue 21

The Road to Room 101, Gordon Bowker on George Orwell, Keep the Aspidistra Flying, Issue 11

Readers’ Day 2023 

Opening music: Preludio from Violin Partita No. 3 in E Major by Bach

Produced by Podcastable

Laura Freeman, chief art critic at The Times and author of Ways of Life: Jim Ede and the Kettle’s Yard Artists, and Kettle’s Yard Director Andrew Nairne take us back to Cambridge in this follow-up to Episode 30 of the Foxed pod.

Jim Ede was a man for whom art, books, beauty, friendship and creativity were essential facets of a happy and fulfilled life and, in her acclaimed group biography of Jim and his artists, Laura casts new light on the men and women who gently shaped a new way of making, seeing and living with art for the twentieth century. Laura and Andrew join Slightly Foxed Editors Gail and Hazel at the kitchen table to draw us deeper into Jim and his wife Helen’s way of life at Kettle’s Yard: a domestic home-cum-gallery where pausing to sit is encouraged and artworks, furniture, ceramics, books and found objects from the natural world live side by side in delicious harmony. We follow Laura upstairs to Helen’s sitting-room to meet Constanin Brâncuşi’s cement-cast head of the boy Prometheus, we pause in the light-filled Dancer Room to take in Henri Gaudier-Brzeska’s bronze ballerina and we pass Barbara Hepworth’s strokable slate sculpture Three Personages on the landing before leafing through the bookshelves to discover hand-bound early editions of Virginia Woolf’s Orlando and works by Henry James. We hear how Jim believed that art was for everyone and wasn’t just for looking at but also for touching, hearing and engaging with: a belief so central to his ethos that he would lend pieces to Cambridge University students to place in their own living spaces.

 

We may be able to get hold of second-hand copies of the out-of-print titles listed below. Please get in touch with theSlightly Foxed office for more information.

Living Art, Mark Haworth-Booth on Jim Ede, A Way of Life: Kettle’s Yard, Issue 42

The Pram in the Hall, Laura Freeman on Barbara Hepworth, A Pictorial Autobiography, Issue 69

Russian Roulette, Anne Boston on Lionel Davidson, Kolymsky Heights, Issue 60

High Adventure, Derek Robinson on Lionel Davidson, The Rose of Tibet, Issue 32

Kettle’s Yard, Cambridge

Opening music: Preludio from Violin Partita No.3 in E Major by Bach

 

The Slightly Foxed Podcast is hosted by Philippa Lamb and produced by Podcastable

‘I would like to be remembered as a good writer and a good man . . . Writers are observers. We are natural lookers, watchers . . . it seems to me quite wonderful that I have so long been able to make a living from something I love so much.’

So wrote the writer, editor and famed chronicler of rural life Ronald Blythe for the Mail on Sunday in 2004. That Ronald (or Ronnie, as he preferred to be known), who died aged 100 in early 2023, will be remembered as a good writer is irrefutable. Many Slightly Foxed listeners will know and love not only Akenfield – his bestselling 1969 portrait of a fictionalized East Anglian village – and the ‘Word from Wormingford’ column for the Church Times but also his unparalleled collection of short stories, poems, histories, novels and essays and, most recently, his year-long diary published as Next to Nature, which celebrates the slow perpetual turn of the farming year, the liturgical calendar and the rhythms of village life.

In this episode Ronnie’s fellow writers and friends, Julia Blackburn and his biographer Ian Collins, lead us down the rough-hewn track to the ancient yeoman’s cottage he inherited from the artist John Nash and into the nooks and crannies of his private world, tracing a life well lived and well written. We meet the changeling boy obsessed with books and nature and the self-taught youth whose good looks and charisma caused queues at the Colchester Library reference desk where he worked until he was discovered by the painter Christine Nash. It was she, recognizing his rare talent, who insisted he leave his job to pursue writing fulltime. We track Ronnie’s rich literary life path through his friends’ personal recollections, touching on tales of mid-winter meetings with E. M. Forster and an unlikely tryst with Patricia Highsmith. We muse on his spirituality and sexuality, his great love for life and his deep connection to the rural world with all its harshness and all its beauty, before heading for Bottengoms Farm where we hear how this great man and great writer saw out his last days in the company of good books and close friends.

For our book-lovers’ day out we head to the quintessential English cottage of Ronnie’s hero, the poet and keen gardener John Clare. And, to finish, a round-up of book recommendations including another East Anglian delight in Adrian Bell’s A Countryman’s Spring Notebook, an unusual fishing memoir by the writer of the Killing Eve series that’s about much more than just fishing, and the intricately plotted revenge tale No Name by Wilkie Collins, one of Ronnie’s favourite writers.

We may be able to get hold of second-hand copies of the out-of-print titles listed below. Please get in touch with Jess in the Slightly Foxed office for more information.

 

Julia Blackburn gave the eulogy for Ronald Blythe at his funeral which took place at St Edmundsbury Cathedral, Bury St Edmunds on 1 March 2023. She has kindly given us permission to share the full transcript. 

Mellow Fruitfulness, Melissa Harrison on Ronald Blythe’s Wormingford books, Issue 40

Light Reading, Ronald Blythe on pocket-size volumes, Issue 17

A Private, Circumspect People, Maggie Fergusson on Ronald Blythe, Akenfield, Issue 11

Where There’s a Will, Andrew Lycett on Wilkie Collins, No Name, Issue 48 (56:29)

John Clare Cottage, Helpston (50:20)

Opening music: Preludio from Violin Partita No.3 in E Major by Bach

 

The Slightly Foxed Podcast is hosted by Philippa Lamb and produced by Podcastable

The writer Jean Rhys is best known for Wide Sargasso Sea, her haunting prequel to Jane Eyre, yet her own life would have made for an equally compelling novel.

Miranda Seymour, author of the definitive Jean Rhys biography I Used to Live Here Once, joins the Slightly Foxed team to follow Rhys’s often rackety life and shine light on her writing. Born Ella Gwendolen Rees Williams on the island of Dominica, she dreamed of being an actress. And she did play many roles over the years: raconteur, recluse, wife (three times), grieving mother, enthusiastic drinker . . . But her most important role was that of a writer.

We begin in the Caribbean with Smile Please, Rhys’s unfinished autobiography of her early years, where we meet a white creole girl who feels like an outsider. This feeling lingers, whether she is living in squalid London, on Paris’s Left Bank or in rural Devon. The women in her novels feel it too: Anna adrift in London in Voyage in the Dark, Julia leaving Paris in After Leaving Mr Mackenzie, Antoinette bound for Mr Rochester’s attic in Wide Sargasso Sea. The voice of Sacha rings out in a BBC radio play of Good Morning, Midnight many years after its publication, bringing Rhys into the spotlight. Embezzlement, incarcerations, fisticuffs in the street and an unsuccessful menage à trois all trouble her at times, yet she wins over many supporters along the way, among them the writer Ford Madox Ford, the editors Francis Wyndham and Diana Athill, and her loyal friend Sonia Orwell.

Then we’re back in Paris, browsing the shelves of the Shakespeare and Company bookshop, and selecting some New Year reading recommendations – post-apocalyptic science fiction by John Christopher, travels Along the Enchanted Way in Romania, and the artistic life of Alison vividly told in words and pictures by Lizzy Stewart.

We may be able to get hold of second-hand copies of the out-of-print titles listed below. Please get in touch with Jess in the Slightly Foxed office for more information.

Voyage in the Dark, Patricia Cleveland-Peck on the novels of Jean Rhys, Issue 4

Not-so-gay Paree, Rowena Macdonald on Jean Rhys, Quartet and Voyage in the Dark, Issue 51

Shakespeare and Company, Paris (48:45)

Opening music: Preludio from Violin Partita No.3 in E Major by Bach

The Slightly Foxed Podcast is hosted by Philippa Lamb and produced by Podcastable